Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Marina: Ancient Dreams in a Modern Land review – ambitious manifesto pop

(Atlantic)The Welsh singer brings an operatic seductiveness to her ballads against misogyny

Sleater-Kinney: The Path of Wellness review – two boldly go…

(Mom + Pop)The band’s first album as a duo gets back to glowering-rock fundamentals – but does it chime with the mood of the times?

Wolf Alice: Blue Weekend review – marvellous sequel to their Mercury winner

Ellie Rowsell’s shapeshifting, storytelling flair combines with shoegaze, folk and indie pop on this alchemically good album

Wolf Alice: Blue Weekend review – massive ambitions exceptionally fulfilled

On their third and best album, the London four-piece embrace a more polished, widescreen sound that serves their sharp writing on late-20s anxieties

Girl in Red: If I Could Make It Go Quiet review – calm before the storm

Marie Ulven’s debut album is a quietly confident declaration of intent

London Grammar: Californian Soil review – bold sounds amid the usual spectral fare

The British trio stick to boilerplate emoting and bland imagery, but there are small sonic steps forward

Dry Cleaning: New Long Leg review – terrific post-punk poets of the everyday

Florence Shaw’s laconic spoken delivery is a highlight in a talented band making the quotidian exciting

For Those I Love: For Those I Love review – an exorcism of grief on the dancefloor

A eulogy for a dead friend, David Balfe’s stirring debut combines lyrics on class, death and despair with clubland highs and hope

Arab Strap: As Days Get Dark review – less callow, more crafted

The caustic duo forge existential stories from tinny beats on their first album in 16 years

Mogwai: As the Love Continues review – extremely loud and incredibly close

Glasgow’s post-rock giants launch their 10th album with a thunderous filmed playback that cries out to be heard live

Black Country, New Road live stream review – frantic and celebratory

This protean seven-piece confound once more, this time with an improvised gig of completely new material…

Palberta: Palberta5000 review – losing their edge?

The wonderfully scrappy New York indie trio are broadening their style but don’t quite have the songs to match

Shame: Drunk Tank Pink review – indie punks confront the post-gig era

The London band went from playing a 350-show stretch to nothing at all – and while tunes are lacking, their subsequent dislocation makes for some thrilling music

Cabaret Voltaire: Shadow of Fear review – a fittingly dystopian fantasy from Sheffield’s industrial pioneers

The first Cabaret Voltaire album in more than two decades feels oddly of the moment, their grim presentiments about disinformation, curfews and crackdowns fulfilled

Future Islands: As Long As You Are review – intensely moving

A sixth album from the Baltimore synth-pop band finds their music as urgent and impassioned as ever

Post navigation

← Older posts
Newer posts →
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

Contact www.freakyparty.net   Terms of Use