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Jónsi: Shiver review – ethereal steel for strange times

Jónsi’s first album in a decade is a clever mix of crunchy electronica and floating vocals

Working Men’s Club review – synthpop of every stripe on outstanding debut LP

The West Yorkshire band take the stark electronics of the post-punk scene and warm them with Detroit techno and Italian house – while addressing Andrew Neil with mischievous one-liners

PJ Harvey: To Bring You My Love (Demos) review – gripping outtakes from 1995

Previously unheard demos from the singer-songwriter’s third album throw her extraordinary lyrics into dramatic relief

Anjimile: Giver Taker review – a compelling debut

There are strong echoes of Sufjan Stevens, but this US singer-songwriter’s musings on self-discovery are very much their own

Doves: The Universal Want review – soaring soundtrack to changing lives

The kings of catchy melancholia are back after a decade away – and their tried and tested blueprint has lost none of its magic

Hannah Georgas: All That Emotion review – punches wrapped in velvet gloves

Georgas’s biting lyrics and gentle delivery find an ideal foil in producer Aaron Dessner

Hannah Georgas: All That Emotion review – magisterial indie-pop for introverts

Georgas’s fourth album, immaculately produced by Aaron Dessner, traverses a personal and sometimes opaque journey

Declan McKenna: Zeros review – pop prodigy is a very 21st-century boy

McKenna’s second album is in thrall to pop’s 1970s glam heroes, but his lyrics ponder today’s struggles, from the climate crisis to social media

Bully: Sugaregg review – melody and candour in the great grunge tradition

Roars of primal pain are spliced with honeyed crooning on Alicia Bognanno’s exciting solo album, a candid portrait of her bipolar diagnosis

The Killers: Imploding the Mirage review – an urge to surge

The millennial Queen try to return to multi-platinum sales with songs that are forever climaxing – to wearying effect

Sea Girls: Open Up Your Head review – yearning for the moshpit’s return

The fast-rising British indie band may be completely unoriginal, but big melodies and easy charm shine through songs about the wistful end of adolescence

Fontaines DC: A Night at Montrose, Dublin review – a blast of joy and disquiet

The Dublin five-piece launch their brilliant second album with an intense, pre-recorded livestream event and bonus commentary

Fontaines DC: A Hero’s Death review – all the joy and despair of youth is here

The Dublin band deliver a difficult but powerful second album full of songwriting that stares life in the face

Idiot Prayer: Nick Cave Alone at Alexandra Palace review – utterly magnetic

An intimate and quietly mesmerising livestream event revelled in the range of Cave’s rich back catalogue

NZCA Lines: Pure Luxury review – dancefloor first-aid for dystopian times

Indie-disco’s cool operator serves up a rueful platter of euphoric opulence

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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