Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

Five rising artists each perform one of their songs, then the US singer-songwriter covers another one of their tracks in a set of woebegone elegance

Papa M: Ballads of Harry Houdini review – committed to evolution

Cult American musician David Pajo’s latest solo outing reflects his recent troubles but also his restless desire to change things up

The Innocence Mission: Midwinter Swimmers review – lo-fi soft focus on the beauty of everyday life

The married duo’s 13th album was made to evoke ‘the half-remembered singalongs of our 1970s childhoods’, and is full of rich sensory songwriting

MJ Lenderman review – a shooting star from the American south

Showcasing new album Manning Fireworks, the North Carolina indie rising star seals his reputation as a slacker guitar hero who knows exactly what he’s doing

Michael Kiwanuka: Small Changes review – an exquisite return

Five years on from his self-titled Mercury winner, the singer-songwriter scales things down to potent effect

Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed

The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock

MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling

The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie

Khruangbin review – exquisite dreamy grooves get lost in the ether

Playing latest album A La Sala in full the Houston trio showcase their sophisticated mid-paced melancholy, but their detached vibe diminishes their impact

Shed Seven review – enduring Britpoppers are still going for gold

Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour

Magdalena Bay review – alien electro-pop adventure could go further

Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach

Orchestre Tout Puissant Marcel Duchamp: Ventre unique review – artful mischief

The Geneva collective are a blast with their brass-driven rhythms, engaged lyrics and energised delivery

Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair

The Newcastle musician’s freewheeling, hook-heavy new album is a worthy follow-up to the one-woman wigout of Homecoming

Fievel Is Glauque: Rong Weicknes review – teetering song-towers that never quite topple

Brilliant melodies, poetic lyrics and quick-change time signatures elevate this quirky jazz-pop release to a level all its own

Blossoms review – funky indie-pop singalongs (and a 6ft gorilla) send the crowd wild

Blossomsmania is in full force at this cheery, beery gig, which has something of the atmosphere of an indie Last Night of the Proms

Porridge Radio: Clouds in the Sky They Will Always Be There for Me review – exquisite euphoria through repetition

Emotions run high on the Brighton band’s fourth album as frontwoman Dana Margolin exorcises past relationships

Post navigation

← Older posts
Newer posts →
  • Chromatic Renaissance album review – Exaudi negotiate these writhing lines with exemplary precision
  • The Ambassador Auditorium Recitals album review – a joyful reminder of the richness of Claudio Arrau
  • BBCNOW/Otaka/Kholodenko review – Rachmaninov fills seats but magic is missing
  • The New Eves: The New Eve Is Rising review – imagine if the Velvet Underground scored Midsommar …
  • Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side
  • BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner
  • The Traitors Prom review – iconic show’s greatest hits turn the melodrama up to 11
  • Kesha review – a triumphant and electric return for pop’s comeback kid
  • Editrix: The Big E review – experimental trio speak their own ferocious musical language
  • Anthony Braxton: Quartet (England) 1985 review – recovered cassettes capture foursome in fantastic flux
  • King of Kings: Orchestral Transcriptions of Bach by Andrew Davis album review – the late conductor’s first love
  • Ginastera: String Quartets album review – compelling and colourful
  • Ensemble Intercontemporain/ Bleuse review – from a clown to a clarinet and Cathy Berberian
  • Judas Priest review – thrash, hellfire, dazzling guitar … Ozzy would have loved it
  • Tyler, the Creator: Don’t Tap the Glass review – contradictions and confessions on a dancefloor
  • Shibe/BBCPhil/Bihlmaier review – vivid, vibrant and exuberant virtuosity
  • Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory
  • Lucia di Lammermoor review – Jennifer France is a delight in touching and convincing Donizetti staging
  • First night of the Proms review – Batiashvili’s magnificent Sibelius opens the festival
  • Alex G: Headlights review – indie-rocker reins in the noise to reveal romantic soft rock
  • Poor Creature: All Smiles Tonight review – Lankum and Landless members steep tradition in lightness
  • Chloe Chua: Mozart Violin Concertos album review – teenage prodigy’s interpretations are balanced and mature
  • Julieth Lozano Rolong – Alma: Ibero-American Songs album review – Colombian soprano’s captivating debut
  • Jim Legxacy: Black British Music review – London iconoclast catalyses chaos into a major mixtape
  • Wireless festival review – Drake’s disjointed three-night headline run smacks of desperation
  • Salome review – a frankly astonishing concert performance
  • Justin Bieber: Swag review – inane lyrics undermine a gorgeously produced R&B passion project
  • Carmen review – feminist take on opera’s notorious femme fatale has swagger and style
  • Recital for a World Gone to Sh*t review – full-throttle fury meets beautiful, blistering verse
  • Kokoroko: Tuff Times Never Last review – ruminative jazz outfit get stuck in a relaxed rut

Contact www.freakyparty.net   Terms of Use