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Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed

The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock

MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling

The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie

Khruangbin review – exquisite dreamy grooves get lost in the ether

Playing latest album A La Sala in full the Houston trio showcase their sophisticated mid-paced melancholy, but their detached vibe diminishes their impact

Shed Seven review – enduring Britpoppers are still going for gold

Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour

Magdalena Bay review – alien electro-pop adventure could go further

Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach

Orchestre Tout Puissant Marcel Duchamp: Ventre unique review – artful mischief

The Geneva collective are a blast with their brass-driven rhythms, engaged lyrics and energised delivery

Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair

The Newcastle musician’s freewheeling, hook-heavy new album is a worthy follow-up to the one-woman wigout of Homecoming

Fievel Is Glauque: Rong Weicknes review – teetering song-towers that never quite topple

Brilliant melodies, poetic lyrics and quick-change time signatures elevate this quirky jazz-pop release to a level all its own

Blossoms review – funky indie-pop singalongs (and a 6ft gorilla) send the crowd wild

Blossomsmania is in full force at this cheery, beery gig, which has something of the atmosphere of an indie Last Night of the Proms

Porridge Radio: Clouds in the Sky They Will Always Be There for Me review – exquisite euphoria through repetition

Emotions run high on the Brighton band’s fourth album as frontwoman Dana Margolin exorcises past relationships

Japandroids: Fate & Alcohol review – Canadian duo’s bittersweet breakup record

Brian King and David Prowse’s guitar-drums combo enjoys one last hurrah with tracks ranging from bluesy epics to rock romcom

The Hard Quartet review – cosmically trippy joy from Stephen Malkmus supergroup

Also featuring Matt Sweeney, Jim White and Emmett Kelly, the quality and variety of songwriting on this self-titled debut album raises it above a stoner jam session

Godspeed You! Black Emperor review – urgent intimations of societal collapse

High drama unspools in thunderous waves from the Canadian cult favourites, but beauty and contemplation can be found amid the tumult

The Cure: Alone review – majestically wreathed in misery and despair

Birds fall from the sky, broken voices call us home and youthful dreams are dashed against the transience of life in the band’s first new song in 16 years

Los Campesinos! review – a hero’s welcome for cult indie stars

Despite having only spent £190.86 on marketing their new album its songs are greeted with sweaty glee by new fans and old alongside the band’s indie disco stalwarts

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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