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Sharon Van Etten and the Attachment Theory album review – going goth to confront our grim world

Fronting a brand new band, the singer-songwriter dives into the dark side, with confusion and foreboding creeping through 80s moods, big choruses and fine melodies

Mogwai: The Bad Fire review – noise stalwarts’ journey into hell is unexpectedly heavenly

(Rock Action)While old-school fans may lament their softening, the Glasgow band swap rage for refuge as they face personal strife – and their 30th anniversary

Lambrini Girls: Who Let the Dogs Out review – stomps straight to the top of British punk’s table

Championed by Iggy Pop and riot grrrl royalty, the Brighton duo pile on the jagged riffs, scabrous humour and swearing for their politically charged debut

Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixth

Alex Kapranos and co are finally acting their age, but have lost their cool in the process

Lauren Mayberry: Vicious Creature review – a solo statement of intent

The Chvrches singer’s debut album skips from punk to pop, wilfully unbothered about current notions of cool

Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

Five rising artists each perform one of their songs, then the US singer-songwriter covers another one of their tracks in a set of woebegone elegance

Papa M: Ballads of Harry Houdini review – committed to evolution

Cult American musician David Pajo’s latest solo outing reflects his recent troubles but also his restless desire to change things up

The Innocence Mission: Midwinter Swimmers review – lo-fi soft focus on the beauty of everyday life

The married duo’s 13th album was made to evoke ‘the half-remembered singalongs of our 1970s childhoods’, and is full of rich sensory songwriting

MJ Lenderman review – a shooting star from the American south

Showcasing new album Manning Fireworks, the North Carolina indie rising star seals his reputation as a slacker guitar hero who knows exactly what he’s doing

Michael Kiwanuka: Small Changes review – an exquisite return

Five years on from his self-titled Mercury winner, the singer-songwriter scales things down to potent effect

Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed

The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock

MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling

The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie

Khruangbin review – exquisite dreamy grooves get lost in the ether

Playing latest album A La Sala in full the Houston trio showcase their sophisticated mid-paced melancholy, but their detached vibe diminishes their impact

Shed Seven review – enduring Britpoppers are still going for gold

Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour

Magdalena Bay review – alien electro-pop adventure could go further

Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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