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Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixth

Alex Kapranos and co are finally acting their age, but have lost their cool in the process

Lauren Mayberry: Vicious Creature review – a solo statement of intent

The Chvrches singer’s debut album skips from punk to pop, wilfully unbothered about current notions of cool

Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

Five rising artists each perform one of their songs, then the US singer-songwriter covers another one of their tracks in a set of woebegone elegance

Papa M: Ballads of Harry Houdini review – committed to evolution

Cult American musician David Pajo’s latest solo outing reflects his recent troubles but also his restless desire to change things up

The Innocence Mission: Midwinter Swimmers review – lo-fi soft focus on the beauty of everyday life

The married duo’s 13th album was made to evoke ‘the half-remembered singalongs of our 1970s childhoods’, and is full of rich sensory songwriting

MJ Lenderman review – a shooting star from the American south

Showcasing new album Manning Fireworks, the North Carolina indie rising star seals his reputation as a slacker guitar hero who knows exactly what he’s doing

Michael Kiwanuka: Small Changes review – an exquisite return

Five years on from his self-titled Mercury winner, the singer-songwriter scales things down to potent effect

Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed

The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock

MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling

The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie

Khruangbin review – exquisite dreamy grooves get lost in the ether

Playing latest album A La Sala in full the Houston trio showcase their sophisticated mid-paced melancholy, but their detached vibe diminishes their impact

Shed Seven review – enduring Britpoppers are still going for gold

Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour

Magdalena Bay review – alien electro-pop adventure could go further

Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach

Orchestre Tout Puissant Marcel Duchamp: Ventre unique review – artful mischief

The Geneva collective are a blast with their brass-driven rhythms, engaged lyrics and energised delivery

Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair

The Newcastle musician’s freewheeling, hook-heavy new album is a worthy follow-up to the one-woman wigout of Homecoming

Fievel Is Glauque: Rong Weicknes review – teetering song-towers that never quite topple

Brilliant melodies, poetic lyrics and quick-change time signatures elevate this quirky jazz-pop release to a level all its own

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  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
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  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
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  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
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  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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