Orchestre Tout Puissant Marcel Duchamp: Ventre unique review – artful mischief
The Geneva collective are a blast with their brass-driven rhythms, engaged lyrics and energised delivery
Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair
The Newcastle musician’s freewheeling, hook-heavy new album is a worthy follow-up to the one-woman wigout of Homecoming
Fievel Is Glauque: Rong Weicknes review – teetering song-towers that never quite topple
Brilliant melodies, poetic lyrics and quick-change time signatures elevate this quirky jazz-pop release to a level all its own
Blossoms review – funky indie-pop singalongs (and a 6ft gorilla) send the crowd wild
Blossomsmania is in full force at this cheery, beery gig, which has something of the atmosphere of an indie Last Night of the Proms
Porridge Radio: Clouds in the Sky They Will Always Be There for Me review – exquisite euphoria through repetition
Emotions run high on the Brighton band’s fourth album as frontwoman Dana Margolin exorcises past relationships
Japandroids: Fate & Alcohol review – Canadian duo’s bittersweet breakup record
Brian King and David Prowse’s guitar-drums combo enjoys one last hurrah with tracks ranging from bluesy epics to rock romcom
The Hard Quartet review – cosmically trippy joy from Stephen Malkmus supergroup
Also featuring Matt Sweeney, Jim White and Emmett Kelly, the quality and variety of songwriting on this self-titled debut album raises it above a stoner jam session
Godspeed You! Black Emperor review – urgent intimations of societal collapse
High drama unspools in thunderous waves from the Canadian cult favourites, but beauty and contemplation can be found amid the tumult
The Cure: Alone review – majestically wreathed in misery and despair
Birds fall from the sky, broken voices call us home and youthful dreams are dashed against the transience of life in the band’s first new song in 16 years
Los Campesinos! review – a hero’s welcome for cult indie stars
Despite having only spent £190.86 on marketing their new album its songs are greeted with sweaty glee by new fans and old alongside the band’s indie disco stalwarts
The Last Dinner Party review – Victoriana pomp and bombastic baroque rock
Clearly having a whale of a time leaning into classic guitar rock it’s refreshing to see a group embracing the imaginative and unexpected
Tindersticks: Soft Tissue review – still ruling their own twilit world after 30 years
From 70s soul to glowing strings, the cult outfit continue to inhabit their own quiet space on the fringes of the musical landscape, celebrating the beauty in small things
MJ Lenderman: Manning Fireworks review – joyously weird alt-Americana
(Featuring possibly his best track yet, the North Carolina guitarist-songwriter goes to the sparse and seamy side on this worthy successor to Boat Songs
Mercury Rev: Born Horses review – a lush and serene return
With a half-new lineup, the US rock band’s first album of new material since 2015 finds them in dreamy, reflective mode
Fat Dog: Woof review – a boisterous debut with more bark than bite
Outlandish musical choices from oompah to sleaze should make the Londoners’ debut feel fresh, but they’re the latest interlopers in a crowded experimental field