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The Testament of Ann Lee with Daniel Blumberg and Amanda Seyfried review – yelps, bells and bruised beauty

Live on stage the Oscar-winning composer’s score is disorientating, ecstatic and strange. Its star, Amanda Seyfried’s pure voice is the anchor in a brief but absorbing set

Julie Campiche: Unspoken review – a harpist’s tender, quietly radical hymn to women who endure

The composer’s first unaccompanied album turns extended harp technique into music of intimacy, restraint and conviction – inspired by the women who shaped her world

Iain Ballamy: Riversphere Vol 1 review – an exquisite flow of genre, harmony and improv

The 80s sax star leads an A-list quartet, plus a shared trumpet role for Laura Jurd and Ballamy’s son Charlie

Mulatu Astatke review – father of Ethio-jazz still innovating during farewell tour

The pioneering 81-year-old vibes player, keyboardist and percussionist creates a controlled whirlwind of experimentation and excitement

أحمد [Ahmed]: Sama’a (Audition) review – a wild, world-spanning act of musical devotion

The British free-jazz pianist Pat Thomas leads his quartet through a powerful fusion of Sufi inspiration, rhythmic intensity and improvisational fire

Sebastian Rochford: Finding Ways review – Polar Bear drummer’s strikingly varied quest into the aftermath of grief

Rochford showcases his signature alchemic touch, featuring seven electric guitarists in a fusion of improv, reggae and romantic pop

Various Artists – Pasé Bél Tan: Francophonies and Creolities in Louisiana review – foot-stomping joy

Influenced by jazz and early blues, this collection of largely African American folk music from the 50s to the 80s spans poignant lyricism to full-throated celebration

Cécile McLorin Salvant: Oh Snap review – a jazz artist of rare gifts and fearless variety

From breezy swing to scampering synths, folksy harmonies to stark wails of the soul, Salvant’s crystalline vocals shine across her ingenious experiments

Linda May Han Oh: Strange Heavens review – ideas and invention burst from a great jazz trio

Ambrose Akinmusire and Tyshawn Sorey join the bassist-composer on originals and covers that are rhapsodic, rhythmic and tonally warm

Anthony Braxton: Quartet (England) 1985 review – recovered cassettes capture foursome in fantastic flux

The free-collective energy of one of Braxton’s most intuitive groups jostles and enchants as a mirror of life’s rhythms

Kokoroko: Tuff Times Never Last review – ruminative jazz outfit get stuck in a relaxed rut

The London collective have an easygoing, ruminative sound – briefly lifted here by moments of lively counterpoint – that can feel all too placid

Joshua Redman: Words Fall Short review – improviser’s playful delight in music-making never ceases

The US saxophonist pulls back the vocals of his last record to present a new ensemble and all-original repertoire, resulting in an ideal balance of ingenuity and rapport

Mary Halvorson: About Ghosts review – restless beauty from jazz’s shape-shifting guitarist

The Brooklyn boundary-pusher’s expanded ensemble returns with a kaleidoscopic blend of angular rhythms, intricate melodies and thrilling improvisations

Sun-Mi Hong: Fourth Page: Meaning of a Nest review – storytelling and adventure from feted Korean jazz composer

Ideas of migration and self-discovery inspire the latest album from Hong and her imaginative band, entwined with harmonies and delicate effects

Idris Ackamoor Ankhestra, Rhodessa Jones, Danny Glover: Artistic Being review – powerful live set from the Afrofuturist and friends

This San Francisco session released for Record Store Day sets spoken word to Ackamoor’s uncompromising but joyous spiritual jazz

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

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