Mississippi Goddamn: A Celebration of Nina Simone review – singers capture star’s emotional spirit
Corinne Bailey Rae’s vamping and Laura Mvula’s whispering pain steal the show as five vocalists deliver their own interpretations
Sam Amidon: Salt River review – an eclectic if erratic affair
The US musician leads an accomplished yet slightly bland living room session spanning traditional numbers and songs by Lou Reed, Yoko Ono and more
Jacob Collier/Chris Thile/Britten Sinfonia review – Bach to Beatles and mass harmonies as virtuosic pair delight
An enjoyably varied programme took in Piazzolla, Samuel Barber and Queen with Suzie Collier conducting the Britten Sinfonia, but the musical fireworks were all courtesy of her son Jacob and mandolin virtuoso Chris Thile
Jakob Bro: Taking Turns review – lost masterpiece from great Dane’s understated jazz supergroup
Played by world-class personnel including Bill Frisell and the late, great alto saxophonist Lee Konitz, this 2014 set is full of subtle, spontaneous ideas
Music: Kitty Empire’s 10 best albums of 2024
Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat
Sun Ra Arkestra: Lights on a Satellite review – fitting tribute to a century of jazz
As saxophonist and band leader Marshall Allen turns 100, his evergreen outfit effortlessly draw on their rich history, as classics meet the cosmic
Laurie Anderson: Ark: United States V review – a long and winding bid to make sense of America
Contemplating a world of catastrophe and collapse, the veteran artist’s new three-hour show, though much too long and diffuse, has moments of poignancy – and joy
Lars Danielsson/ Verneri Pohjola/ John Parricelli: Trio review – wine chateau sessions mingle mature sensibilities
Bassist Danielsson, guitarist Parricelli and trumpeter Pohjola combine folksy melodies, Latin grooves and free-roaming improv on this lustrous album
Michael Mayo: Fly review – a bravura fusion of original work and jazz standards
The US singer-composer’s self-produced follow-up to Bones shifts from soul to a lighter, happier jazz sound
Keith Jarrett/Gary Peacock/Paul Motian: The Old Country review – a delightful return to a cherished jazz venue
Full of blistering bebop and entrancing swing, this 1992 recording showcases the pianist’s love of the Deer Head Inn, the clapboard 1840s hotel where he cut his teeth
Ashley Henry: Who We Are review – upbeat innovation from a pianist with talent to burn
The London-born musician laces his jazz with a heady blend of soul and hip-hop on this fierce but joyous second album
Anna Butterss: Mighty Vertebrate review – jazz meets post-rock on shape-shifting delight
With guests including Tortoise’s Jeff Parker, the LA bassist’s second solo album is cerebral, groovy and beyond categorisation
Ezra Collective: Dance, No One’s Watching review – new moves with an emotive edge
The Mercury-winning quintet bring high energy to Afrobeat, Latin and soulful grooves – yet it is in the quieter moments that a fresh musicality emerges
Alice Zawadzki/Fred Thomas/Misha Mullov-Abbado: Za Górami review – beautiful music and absorbing stories
Seven years after a supposed one-off gig, the jazz-immersed trio release their debut album full of uniquely conveyed songs drawing from European, Latin and Sephardic Jewish sources
Lady Gaga: Harlequin review – Joker companion album does jazz standards with a gaudy grin
The pop superstar sounds fully in her element in these immaculately covered classics, but the whiff of big band week on The X Factor is hard to shift