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Arooj Aftab: Night Reign review – all the heat and mystery of nocturnal life

Mercurial and moody soundscapes are infused with wistful romance in one of the Grammy-winning singer and composer’s most spirited records to date

Sean Khan: Sean Khan Presents the Modern Jazz and Folk Ensemble review – classics reinvigorated

A collective of genre-straddling talents give new life to songs by Nick Drake, John Martyn and Sandy Denny

Wadada Leo Smith and Amina Claudine Myers review – an elegiac homage to New York’s green lung

In their album Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens the two musical soulmates impressionistically reflect on John Lennon, Albert Ayler and more

Grégoire Maret/Romain Collin: Ennio review – emotional, ecstatic Morricone homage

Harmonica star Maret and pianist/composer Collin pay homage to Ennio Morricone with drifting church-echo and trancelike sounds

Charlie Pyne Quartet: Nature Is a Mother review – soaring, effervescent jazz

A punchy set of originals from bassist/vocalist Charlie Pyne and her crew, celebrating the ups and downs of motherhood

Julie Abbé: Out of the Ashes review – a beautiful expression of the grieving process

The UK-based French folk singer embellishes her trad leanings with sultry blues and upbeat swing on a poignant and poetic second album

Ganavya: Like the Sky, I’ve Been Too Quiet review – ornate Tamil vocals, flutes and Floating Points

The latest album in an exciting wave of experimental north Indian classical music enlists Shabaka Hutchings and Leafcutter John in its downtempo quietude

Charles Lloyd: The Sky Will Still Be There Tomorrow review – sax legend shows no sign of slowing down

The octogenarian joyfully whispers and warbles his way through sublime tone poems, impassioned tributes and traditional spirituals with an all-star band

Amaro Freitas: Y’Y review – transcendent sounds inspired by the Amazon

The Brazilian jazz experimentalist draws on the atmosphere of the rainforest and its mythical beings to create his most explosive, explorative LP yet

Vijay Iyer/Linda May Han Oh/Tyshawn Sorey: Compassion review – a trio of rare intuition

Improvising around Iyer compositions and numbers by Stevie Wonder, Roscoe Mitchell and more, these musicians foreground openness and receptivity

Laufey review – charming retro romance from a deserved Grammy winner

The Icelandic Chinese singer blends jazz into pop with ease, and her honeyed contralto has found a home in gen Z hearts

Sam Gendel and Fabiano do Nascimento: The Room review – a tender, complex modern classic

The shapeshifting LA-based saxophonist and Brazilian guitarist’s LP is a bossa-tinged celebration of their instruments

Mary Halvorson: Cloudward review – compositions fuse with improv to wondrous ends

(Nonesuch)The Brooklyn jazz guitarist’s seamless, beautifully interwoven tracks are full of welcome surprises

Keyon Harrold: Foreverland review – genre-defying post-bop

Dazzling instrumentals are supplemented by guest vocals from Laura Mvula, Common and more on the US trumpeter’s classy third album

Music: Kitty Empire’s 10 best albums of 2023

It was a year of avant-rap, sex-positive R&B, polyrhythmic jazz and hyper-punk pop – plus Lana Del Rey’s glossy meditations on death and loss

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

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