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Laufey review – charming retro romance from a deserved Grammy winner

The Icelandic Chinese singer blends jazz into pop with ease, and her honeyed contralto has found a home in gen Z hearts

Sam Gendel and Fabiano do Nascimento: The Room review – a tender, complex modern classic

The shapeshifting LA-based saxophonist and Brazilian guitarist’s LP is a bossa-tinged celebration of their instruments

Mary Halvorson: Cloudward review – compositions fuse with improv to wondrous ends

(Nonesuch)The Brooklyn jazz guitarist’s seamless, beautifully interwoven tracks are full of welcome surprises

Keyon Harrold: Foreverland review – genre-defying post-bop

Dazzling instrumentals are supplemented by guest vocals from Laura Mvula, Common and more on the US trumpeter’s classy third album

Music: Kitty Empire’s 10 best albums of 2023

It was a year of avant-rap, sex-positive R&B, polyrhythmic jazz and hyper-punk pop – plus Lana Del Rey’s glossy meditations on death and loss

Shabaka Hutchings review – soaring to unfettered heights

In his last performance on the saxophone ahead of a break, Hutchings powers through an interpretation of John Coltrane’s A Love Supreme

Thomas Bartlett: Standards Vol 1 review – an intimate, spare solo piano set of American classics

The US producer and piano man to the stars reduces standards by Irving Berlin and more to single takes of soothing simplicity

Jowee Omicil: Spiritual Healing: Bwa Kayiman Freedom Suite review – on the brink of revolution

Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection

Ambrose Akinmusire: Owl Song review – quietly joyous jazz grooves

The California-raised trumpet virtuoso provides a balming trio album to counter our information overload

Isaiah Collier: Parallel Universe review – an inspired homage to the giants of jazz and soul

Recorded in single-take live performances, the Chicago multi-instrumentalist deftly throws funk, gospel, soul and his own fine voice into the mix

Judi Jackson: My American Songbook review – a brave musical expedition

Spanning Randy Newman to Nina Simone, the US singer’s medley of favourite tunes showcases her powerhouse vocals, which outshine her backing band

Thandi Ntuli with Carlos Niño: Rainbow Revisited review – exquisitely minimal jazz

With delicate arrangements, the South African vocalist and pianist conveys everything from longing to ecstasy, as Niño adds light touches of percussion and production

An 80th Birthday Concert for Bert Jansch review – moving homage to 60s folk guitar hero

Pentangle’s Jacqui McShee as well as Robert Plant, Bernard Butler and Sam Lee were among stellar acts celebrating the late musician in impressive style

Paul Dunmall: Bright Light a Joyous Celebration review – infused with the spirit of Coltrane

As the UK saxophonist turns 70, he juggles abstraction and song forms with a starry cast including Xhosa Cole, Soweto Kinch, Corey Mwamba, Dave Kane and Hamid Drake

Corinne Bailey Rae review – a genre-mashing celebration of her artistic freedom

Showcasing her fourth album, Black Rainbows, the singer-songwriter moves away from her soulful roots to a more anguished, angry sound that is also joyful and cathartic

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  • Shakespeare’s Sisters review: brilliantly unexpected songs and prose give voice to the voiceless
  • Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype
  • Super Furry Animals review – stirring reunion showcases immaculate songcraft
  • Darkness Visible: Âme x Lawrence Power review – violist and guests reimagine the concert for the digital age
  • Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …
  • Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring
  • Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights
  • Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze
  • Helen Charlston: A Poet’s Love album review – original and absorbing
  • Billie Eilish – Hit Me Hard and Soft: The Tour review – style trumps substance in James Cameron’s 3D oddity
  • Arcadi Volodos: Schubert piano sonata D850, Schumann Kinderszenen op15 – playfulness, longing and elegance
  • Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs
  • Peter Grimes review – beauty and terror in Warner’s topical staging
  • Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history
  • Galilee String Quartet review – Palestinian ensemble improvise their signature east-west blend
  • Tales of Love and Loss review – hauntings, tragicomedy and tweezer-sharp wit in Royal Opera triple bill
  • Gabriela Montero review – radiant renderings of postcard Spain with an excursion into the Beatles
  • Papillons review – rich and strange collaboration exemplifies the spirit of Multitudes festival
  • Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome
  • Kneecap: Fenian review – their new album is terrific, triumphant yet tortured
  • Serokolo 7: Maramfa Musick Pro review – South Africa’s latest club export is a relentless adrenaline shot
  • Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour
  • Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence
  • O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight
  • Ne-Yo and Akon review – joyous joint tour is like time-travelling to a messy night out in 2010
  • Schwarzman Centre opening concerts – a magnificent new monument to secular culture
  • Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever
  • Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
  • Anohni review – masterful songbook reinventions are an out-of-body experience
  • Carla dal Forno: Confession review – spartan, sunlit post-punk strikingly contrasts the desperation of desire

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