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Charles Lloyd: The Sky Will Still Be There Tomorrow review – sax legend shows no sign of slowing down

The octogenarian joyfully whispers and warbles his way through sublime tone poems, impassioned tributes and traditional spirituals with an all-star band

Amaro Freitas: Y’Y review – transcendent sounds inspired by the Amazon

The Brazilian jazz experimentalist draws on the atmosphere of the rainforest and its mythical beings to create his most explosive, explorative LP yet

Vijay Iyer/Linda May Han Oh/Tyshawn Sorey: Compassion review – a trio of rare intuition

Improvising around Iyer compositions and numbers by Stevie Wonder, Roscoe Mitchell and more, these musicians foreground openness and receptivity

Laufey review – charming retro romance from a deserved Grammy winner

The Icelandic Chinese singer blends jazz into pop with ease, and her honeyed contralto has found a home in gen Z hearts

Sam Gendel and Fabiano do Nascimento: The Room review – a tender, complex modern classic

The shapeshifting LA-based saxophonist and Brazilian guitarist’s LP is a bossa-tinged celebration of their instruments

Mary Halvorson: Cloudward review – compositions fuse with improv to wondrous ends

(Nonesuch)The Brooklyn jazz guitarist’s seamless, beautifully interwoven tracks are full of welcome surprises

Keyon Harrold: Foreverland review – genre-defying post-bop

Dazzling instrumentals are supplemented by guest vocals from Laura Mvula, Common and more on the US trumpeter’s classy third album

Music: Kitty Empire’s 10 best albums of 2023

It was a year of avant-rap, sex-positive R&B, polyrhythmic jazz and hyper-punk pop – plus Lana Del Rey’s glossy meditations on death and loss

Shabaka Hutchings review – soaring to unfettered heights

In his last performance on the saxophone ahead of a break, Hutchings powers through an interpretation of John Coltrane’s A Love Supreme

Thomas Bartlett: Standards Vol 1 review – an intimate, spare solo piano set of American classics

The US producer and piano man to the stars reduces standards by Irving Berlin and more to single takes of soothing simplicity

Jowee Omicil: Spiritual Healing: Bwa Kayiman Freedom Suite review – on the brink of revolution

Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection

Ambrose Akinmusire: Owl Song review – quietly joyous jazz grooves

The California-raised trumpet virtuoso provides a balming trio album to counter our information overload

Isaiah Collier: Parallel Universe review – an inspired homage to the giants of jazz and soul

Recorded in single-take live performances, the Chicago multi-instrumentalist deftly throws funk, gospel, soul and his own fine voice into the mix

Judi Jackson: My American Songbook review – a brave musical expedition

Spanning Randy Newman to Nina Simone, the US singer’s medley of favourite tunes showcases her powerhouse vocals, which outshine her backing band

Thandi Ntuli with Carlos Niño: Rainbow Revisited review – exquisitely minimal jazz

With delicate arrangements, the South African vocalist and pianist conveys everything from longing to ecstasy, as Niño adds light touches of percussion and production

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  • Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream
  • LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
  • Giordano: Marina album review – a fascinating resurrection of an unsung early opera

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