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Shabaka Hutchings review – soaring to unfettered heights

In his last performance on the saxophone ahead of a break, Hutchings powers through an interpretation of John Coltrane’s A Love Supreme

Thomas Bartlett: Standards Vol 1 review – an intimate, spare solo piano set of American classics

The US producer and piano man to the stars reduces standards by Irving Berlin and more to single takes of soothing simplicity

Jowee Omicil: Spiritual Healing: Bwa Kayiman Freedom Suite review – on the brink of revolution

Saxophonist Omicil builds atmospheres then upends expectations in this free-jazz homage to Haiti’s successful 18th-century slave insurrection

Ambrose Akinmusire: Owl Song review – quietly joyous jazz grooves

The California-raised trumpet virtuoso provides a balming trio album to counter our information overload

Isaiah Collier: Parallel Universe review – an inspired homage to the giants of jazz and soul

Recorded in single-take live performances, the Chicago multi-instrumentalist deftly throws funk, gospel, soul and his own fine voice into the mix

Judi Jackson: My American Songbook review – a brave musical expedition

Spanning Randy Newman to Nina Simone, the US singer’s medley of favourite tunes showcases her powerhouse vocals, which outshine her backing band

Thandi Ntuli with Carlos Niño: Rainbow Revisited review – exquisitely minimal jazz

With delicate arrangements, the South African vocalist and pianist conveys everything from longing to ecstasy, as Niño adds light touches of percussion and production

An 80th Birthday Concert for Bert Jansch review – moving homage to 60s folk guitar hero

Pentangle’s Jacqui McShee as well as Robert Plant, Bernard Butler and Sam Lee were among stellar acts celebrating the late musician in impressive style

Paul Dunmall: Bright Light a Joyous Celebration review – infused with the spirit of Coltrane

As the UK saxophonist turns 70, he juggles abstraction and song forms with a starry cast including Xhosa Cole, Soweto Kinch, Corey Mwamba, Dave Kane and Hamid Drake

Corinne Bailey Rae review – a genre-mashing celebration of her artistic freedom

Showcasing her fourth album, Black Rainbows, the singer-songwriter moves away from her soulful roots to a more anguished, angry sound that is also joyful and cathartic

Yussef Dayes review – London jazz linchpin delivers a masterful set

One of this generation’s finest, the south London drummer’s homecoming gig shows his uniformity of groove is his greatest strength – and his only weakness

Nigel Kennedy review – banter, birdsong and violin heroics

Shifting gears between Bach, Hendrix and Ryuichi Sakamoto, Kennedy and his quartet perform a characteristically wide-ranging and virtuosic set

Gilberto Gil review – farewell London concert for a joyful musical great

At 81, Gil says goodbye to the city that was once his home in political exile, playing a set that hops deftly between bossa nova, tropicália, reggae and funk

Angelika Niescier/ Tomeka Reid/ Savannah Harris: Beyond Dragons review – immense improv

Seven original tracks of free jazz span fast, jagged pieces and quiet tone poems, with a composer’s ear giving shape, drama and contrast

Tomas Fujiwara: Pith review – incredibly detailed pieces go far beyond jazz

Patricia Brennan and Tomeka Reid’s unique talents are foregrounded in an album that spirals into ambient, post-rock and classical

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

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