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Joshua Jaswon Octet: Polar Waters review – a soaring blend of jazz and poetry

The saxophonist’s heartfelt album on ecological themes is adventurous and musically playful

Naïssam Jalal: Healing Rituals review – cinematic album salutes the natural world

A remarkable artist, the visionary flautist and her skilful partners have created a startling album that draws on techniques from classical, jazz, hip-hop and more

Kassa Overall: Animals review – a jazz-hip-hop fusion of real artistry

The Seattle drummer, rapper and producer flits between drum kit and electronica, ferocity to tranquillity, on his third studio album

IDK: F65 review – lush, sprawling soundscapes

The lyrics matter less than the music on the British-American rapper’s overlong but sumptuous jazz-inflected third album

Chet Baker: Blue Room review – gorgeous unreleased sessions by maestro of drowsy jazz

On previously unheard 1979 recordings for Dutch radio, impulsive improvisations by the trumpeter-vocalist are expressed with his inimitable featherlight phrasing

Alfa Mist: Variables review – his own universe of genre-transcending music

Warm, subtle jazz rubs shoulders with hip-hop and R&B in an evocative album that hits the sweet spot between accessible and experimental

MultiTraction Orchestra: Reactor One review – spectral, alien improv

Norwegian trumpeter Arve Henriksen finally meets his match with Alex Roth’s superb band, who push the limitations of their instruments and shift between many registers

Walter Smith III: Return to Casual review – a tenor sax player for our times

By turns elegant and mile-a-minute, the Texan makes his collaborative Blue Note debut with this classy set of originals – and a Kate Bush cover

Sissoko/Segal/Parisien/Peirani: Les Égarés review – genre-hoppers stray towards surprise

Émile Parisien’s soprano sax is the standout on this diverse and inventive set, which blends kora with Anatolian shindigs, klezmer with agile accordion

Julian Lage: The Layers review – otherworldly jazz guitar

The American guitarist’s sparse, largely acoustic companion piece to last year’s acclaimed View With a Room is another captivating creation

Yazmin Lacey: Voice Notes review – songs to love and savour

The Nottingham-based artist’s debut album delivers a seamless mix of jazz, soul and electronica

Masego: Masego review – behold a wizard at work

The multitalented Micah Davis returns with a signature blend of trap, house and jazz that is nothing short of magical

The Comet Is Coming review – a blast of jazz from another world

Hang on to your internal organs as saxophonist Shabaka Hutchings and friends whip up the loudest free jazz frenzy you’ll hear all year

Arooj Aftab, Vijay Iyer and Shahzad Ismaily: Love in Exile review – a trio in striking harmony

The Pakistani American singer’s follow-up to breakthrough album Vulture Prince is a tender, softly triumphant reunion with her former collaborators

Terence Blanchard and the E-Collective review – searching grooves and scorching solos

The US trumpeter and composer is a confident and generous leader during this night with his E-Collective group and the jazz-classical Turtle Island String Quartet

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  • Sheherazaad: Khudgarzi review – Urdu folk acoustics transformed by an eerie haze of grunge
  • Snoh Aalegra: Legendary Love review – raw R&B talent restrained by reverence for the greats
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more

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