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Lance Gurisik: Cull Portal review – drones, drums and disruptive drama

Gurisik’s startling album – think Aphex Twin meets Keith Jarrett – combines jazz, electronica and contemporary orchestral music to compelling, coherent effect

Enji: Ulaan review – elegant and powerful twist on traditional Mongolian music

The Ulaanbaatar-born singer shows there is more to her country than throat singing: her dextrous voice sits between jazz improv and ceremonial song

Elina Duni: A Time to Remember review – a unique voice in jazz

Albanian-born Elina Duni sounds intensely like herself while drawing on a variety of influences, as her impeccable trio back her with diamond-bright sounds

Samuel Blaser: Routes review – thrilling homage to a trombone icon

The Swiss musician’s tribute to the late Jamaican jazz and ska king Don Drummond is at once sinuous, sharp and sultry

Michael Blake/Chroma Nova: Dance of the Mystic Bliss review – joyously audacious jazz

The Canadian saxophonist showcases his flair for the intricate and spontaneous on an album that spans funky guitar hooks to Ellingtonesque reveries

Marquis Hill: Rituals + Routines review – cosmic jazz the mindful way

The genre-spanning Chicago trumpeter and guests focus on breathing, movement and cleansing on this brisk, playful album

Joshua Jaswon Octet: Polar Waters review – a soaring blend of jazz and poetry

The saxophonist’s heartfelt album on ecological themes is adventurous and musically playful

Naïssam Jalal: Healing Rituals review – cinematic album salutes the natural world

A remarkable artist, the visionary flautist and her skilful partners have created a startling album that draws on techniques from classical, jazz, hip-hop and more

Kassa Overall: Animals review – a jazz-hip-hop fusion of real artistry

The Seattle drummer, rapper and producer flits between drum kit and electronica, ferocity to tranquillity, on his third studio album

IDK: F65 review – lush, sprawling soundscapes

The lyrics matter less than the music on the British-American rapper’s overlong but sumptuous jazz-inflected third album

Chet Baker: Blue Room review – gorgeous unreleased sessions by maestro of drowsy jazz

On previously unheard 1979 recordings for Dutch radio, impulsive improvisations by the trumpeter-vocalist are expressed with his inimitable featherlight phrasing

Alfa Mist: Variables review – his own universe of genre-transcending music

Warm, subtle jazz rubs shoulders with hip-hop and R&B in an evocative album that hits the sweet spot between accessible and experimental

MultiTraction Orchestra: Reactor One review – spectral, alien improv

Norwegian trumpeter Arve Henriksen finally meets his match with Alex Roth’s superb band, who push the limitations of their instruments and shift between many registers

Walter Smith III: Return to Casual review – a tenor sax player for our times

By turns elegant and mile-a-minute, the Texan makes his collaborative Blue Note debut with this classy set of originals – and a Kate Bush cover

Sissoko/Segal/Parisien/Peirani: Les Égarés review – genre-hoppers stray towards surprise

Émile Parisien’s soprano sax is the standout on this diverse and inventive set, which blends kora with Anatolian shindigs, klezmer with agile accordion

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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