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Johnathan Blake: Passage review – a vibrant tribute to his father

The Philadelphia drummer reunites his much-praised quintet for an uplifting tribute, featuring lush vibes, funky jams and irrepressible energy

Herbie Hancock review – still seeking the new after 50 years of jazz curiosity

Band featuring Terence Blanchard and drummer Jaylen Petinaud is firmly rooted in the present

Lance Gurisik: Cull Portal review – drones, drums and disruptive drama

Gurisik’s startling album – think Aphex Twin meets Keith Jarrett – combines jazz, electronica and contemporary orchestral music to compelling, coherent effect

Enji: Ulaan review – elegant and powerful twist on traditional Mongolian music

The Ulaanbaatar-born singer shows there is more to her country than throat singing: her dextrous voice sits between jazz improv and ceremonial song

Elina Duni: A Time to Remember review – a unique voice in jazz

Albanian-born Elina Duni sounds intensely like herself while drawing on a variety of influences, as her impeccable trio back her with diamond-bright sounds

Samuel Blaser: Routes review – thrilling homage to a trombone icon

The Swiss musician’s tribute to the late Jamaican jazz and ska king Don Drummond is at once sinuous, sharp and sultry

Michael Blake/Chroma Nova: Dance of the Mystic Bliss review – joyously audacious jazz

The Canadian saxophonist showcases his flair for the intricate and spontaneous on an album that spans funky guitar hooks to Ellingtonesque reveries

Marquis Hill: Rituals + Routines review – cosmic jazz the mindful way

The genre-spanning Chicago trumpeter and guests focus on breathing, movement and cleansing on this brisk, playful album

Joshua Jaswon Octet: Polar Waters review – a soaring blend of jazz and poetry

The saxophonist’s heartfelt album on ecological themes is adventurous and musically playful

Naïssam Jalal: Healing Rituals review – cinematic album salutes the natural world

A remarkable artist, the visionary flautist and her skilful partners have created a startling album that draws on techniques from classical, jazz, hip-hop and more

Kassa Overall: Animals review – a jazz-hip-hop fusion of real artistry

The Seattle drummer, rapper and producer flits between drum kit and electronica, ferocity to tranquillity, on his third studio album

IDK: F65 review – lush, sprawling soundscapes

The lyrics matter less than the music on the British-American rapper’s overlong but sumptuous jazz-inflected third album

Chet Baker: Blue Room review – gorgeous unreleased sessions by maestro of drowsy jazz

On previously unheard 1979 recordings for Dutch radio, impulsive improvisations by the trumpeter-vocalist are expressed with his inimitable featherlight phrasing

Alfa Mist: Variables review – his own universe of genre-transcending music

Warm, subtle jazz rubs shoulders with hip-hop and R&B in an evocative album that hits the sweet spot between accessible and experimental

MultiTraction Orchestra: Reactor One review – spectral, alien improv

Norwegian trumpeter Arve Henriksen finally meets his match with Alex Roth’s superb band, who push the limitations of their instruments and shift between many registers

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  • Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream
  • LA Phil/Dudamel; Fantasia Orchestra / Fetherstonhaugh/Glennie reviews – high-contrast programming
  • Juilliard Orch/Royal Academy Symphony Orch / Salonen/Frang review – student players let rip, eventually
  • The Galloping Cure review – powerful new opera tackles the opioid crisis with bite and black comedy
  • Overmono review – irresistible dance duo swap club intimacy for well-earned spectacle
  • The Drover’s Wife review – operatic version of Leah Purcell’s story is powerfully emotional
  • National Youth Orchestra/Adès review – assured young musicians end their season all guns blazing
  • BBC Symphony Orchestra/Venditti review – a fervent but lithe-limbed Stabat Mater
  • Nas / The Roots review – NY rap legend is in a nostalgic state of mind
  • Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show
  • Oberon review – part panto, part grand opera, Weber’s final work has charm but doesn’t quite convince
  • Grieg Lyric Pieces album review – Feltsman brings a probing flexibility that transforms this music
  • Strange Loops: Clarinet Quintets album review – drama, imagination and sonic flair
  • Flo: Therapy at the Club review – skirting the dancefloor and overly sweating the small stuff
  • Arun Sood and Angeline Morrison: Donn/Dubh review – British folk giants startlingly transform sacred histories
  • Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path
  • Phoebe Bridgers: Lost Weekend review – long-awaited return is a thrilling, daring study in dislocation
  • Ring Cycle review – AI staging dispenses with drama to create banal bric-a-brac
  • BBCSO/Järvi/Kavakos review – virtuosic violinist makes fiendishly light work of Tchaikovsky
  • Aurora Orchestra/ Collon review – Freud analyses Mahler to decipher music from the heart
  • Parsifal review – blood, lust and goth energy fuel Wagner’s Grail quest
  • Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media
  • Tao of Glass review – stage magic as McDermott meditates on the minimalist master
  • Arca: XXXXX review – a wild, brilliant album that taps into our bodies’ most feral frequencies
  • Melodies International presents Ariwa Sounds review – head-spinning classics from dub legend Mad Professor
  • John Tilbury: At Home album review – an eclectic and extraordinary treasure trove
  • BBCSSO/Wigglesworth / Booth review – Brett Dean’s song cycle is rich and strange
  • Die Fledermaus review – Strauss staging has flourish and froth, but not enough fizz
  • Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums
  • Giordano: Marina album review – a fascinating resurrection of an unsung early opera

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