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Sleep Token review – masked metallers don’t need faces – or even a voice – to enthral

After vocalist Vessel loses his voice mid-set, the UK band call upon the vast audience they’ve built to carry them through

Ragana: Desolation’s Flower review – amazing guitar tone lights up doomy incantations

The US rock duo address life’s horrors with honesty, fury and gorgeous noise – though some of their riffs can be pedestrian

Supersonic festival – doom, earsplitting ecstasy and thousands of samosas

The Midlands experimental music institution celebrates 20 years of triumphant noise, from alt-rock stalwarts Deerfhoof to feminist punks Taqbir and folk stars Lankum

Limp Bizkit review – nu-metal elders can still rock the party like it’s 1999

Fred Durst and co – whose notoriety was recently restoked by a Netflix series about Woodstock ’99 – pound out their irresistibly aggro rebel anthems with cheerful abandon

Skindred: Smile review – Welsh ragga-metallers mix a joyous sonic cocktail

One minute it’s riffs and political rage, the next it’s summery reggae. Thanks to their craft – and frontman Benji Webbe’s joie de vivre – the band’s barrier-breaking album is a treat

Iron Maiden review – showstopping rock theatre and tantalising live rarities

Deep cuts and under-sung treasures are given their moment in the dry ice from the reliably extravagant and big-hearted band

Download festival review – 20th birthday brings double Metallica, occult glam and a new breed

After travel chaos this proves to be an epic four-dayer, with an eclectic mix from Bring Me the Horizon to AA Williams plus Metallica spanning their career

Def Leppard & Mötley Crüe review – from the pathetic to the sublime

On this co-headline tour, Mötley Crüe are crass and limp, and then shown up all the more by the triumphant power of Def Leppard’s homecoming

Metallica: 72 Seasons review – a poignant if protracted nostalgia kick

With weighty lyrics referencing James Hetfield’s ongoing recovery and harking back to the band’s formative British influences, 72 Seasons has the edge of Metallica’s 80s heyday – albeit one blunted by overlong songs

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: Land of Sleeper review – doom rockers refine mind-bending sound

With repeated rhythmic blows and pulsing bass licks, the Newcastle band amplify the volume on their fourth album and keep listeners entrenched in their heady cosmos

Elder: Innate Passage review – ground-shaking heaviness meets lofty ambition

The Berlin-based band’s new album delivers pulverising heft and proggy nirvana at its most polished

Incubus review – noughties California band throw themselves behind the hits

Bringing back their much-loved early albums, the crossover band’s big-choruses and expansive rock anthems still get the fans singing

Ozzy Osbourne: Patient Number 9 review – immortal king of heavy metal cheats death again

The irrepressible rocker offsets his usual forays into the occult with moving contemplations of illness on a star-studded return

Static Dress review – more moshpit, less theatricality please

The promising post-hardcore band put on an overly conceptualised show that could easily afford to rely on their fervent rapport with fans

ArcTanGent festival – metal at its spine-tingling best

The likes of Cult of Luna, Amenra and Tesseract grace the return of a prized weekend of heavy and progressive talent

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  • Sinfonia of London – weapons-grade energy and contagious dynamism
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show

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