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Enter Shikari review – sensory overload by a British band hitting the big leagues

Twenty years into their career and on their first arena tour, Enter Shikari push the massive sound system to the limit with gleeful and vibrant cross-genre rock

Sleep Token review – masked metallers don’t need faces – or even a voice – to enthral

After vocalist Vessel loses his voice mid-set, the UK band call upon the vast audience they’ve built to carry them through

Ragana: Desolation’s Flower review – amazing guitar tone lights up doomy incantations

The US rock duo address life’s horrors with honesty, fury and gorgeous noise – though some of their riffs can be pedestrian

Supersonic festival – doom, earsplitting ecstasy and thousands of samosas

The Midlands experimental music institution celebrates 20 years of triumphant noise, from alt-rock stalwarts Deerfhoof to feminist punks Taqbir and folk stars Lankum

Limp Bizkit review – nu-metal elders can still rock the party like it’s 1999

Fred Durst and co – whose notoriety was recently restoked by a Netflix series about Woodstock ’99 – pound out their irresistibly aggro rebel anthems with cheerful abandon

Skindred: Smile review – Welsh ragga-metallers mix a joyous sonic cocktail

One minute it’s riffs and political rage, the next it’s summery reggae. Thanks to their craft – and frontman Benji Webbe’s joie de vivre – the band’s barrier-breaking album is a treat

Iron Maiden review – showstopping rock theatre and tantalising live rarities

Deep cuts and under-sung treasures are given their moment in the dry ice from the reliably extravagant and big-hearted band

Download festival review – 20th birthday brings double Metallica, occult glam and a new breed

After travel chaos this proves to be an epic four-dayer, with an eclectic mix from Bring Me the Horizon to AA Williams plus Metallica spanning their career

Def Leppard & Mötley Crüe review – from the pathetic to the sublime

On this co-headline tour, Mötley Crüe are crass and limp, and then shown up all the more by the triumphant power of Def Leppard’s homecoming

Metallica: 72 Seasons review – a poignant if protracted nostalgia kick

With weighty lyrics referencing James Hetfield’s ongoing recovery and harking back to the band’s formative British influences, 72 Seasons has the edge of Metallica’s 80s heyday – albeit one blunted by overlong songs

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: Land of Sleeper review – doom rockers refine mind-bending sound

With repeated rhythmic blows and pulsing bass licks, the Newcastle band amplify the volume on their fourth album and keep listeners entrenched in their heady cosmos

Elder: Innate Passage review – ground-shaking heaviness meets lofty ambition

The Berlin-based band’s new album delivers pulverising heft and proggy nirvana at its most polished

Incubus review – noughties California band throw themselves behind the hits

Bringing back their much-loved early albums, the crossover band’s big-choruses and expansive rock anthems still get the fans singing

Ozzy Osbourne: Patient Number 9 review – immortal king of heavy metal cheats death again

The irrepressible rocker offsets his usual forays into the occult with moving contemplations of illness on a star-studded return

Static Dress review – more moshpit, less theatricality please

The promising post-hardcore band put on an overly conceptualised show that could easily afford to rely on their fervent rapport with fans

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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