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Limp Bizkit review – nu-metal elders can still rock the party like it’s 1999

Fred Durst and co – whose notoriety was recently restoked by a Netflix series about Woodstock ’99 – pound out their irresistibly aggro rebel anthems with cheerful abandon

Skindred: Smile review – Welsh ragga-metallers mix a joyous sonic cocktail

One minute it’s riffs and political rage, the next it’s summery reggae. Thanks to their craft – and frontman Benji Webbe’s joie de vivre – the band’s barrier-breaking album is a treat

Iron Maiden review – showstopping rock theatre and tantalising live rarities

Deep cuts and under-sung treasures are given their moment in the dry ice from the reliably extravagant and big-hearted band

Download festival review – 20th birthday brings double Metallica, occult glam and a new breed

After travel chaos this proves to be an epic four-dayer, with an eclectic mix from Bring Me the Horizon to AA Williams plus Metallica spanning their career

Def Leppard & Mötley Crüe review – from the pathetic to the sublime

On this co-headline tour, Mötley Crüe are crass and limp, and then shown up all the more by the triumphant power of Def Leppard’s homecoming

Metallica: 72 Seasons review – a poignant if protracted nostalgia kick

With weighty lyrics referencing James Hetfield’s ongoing recovery and harking back to the band’s formative British influences, 72 Seasons has the edge of Metallica’s 80s heyday – albeit one blunted by overlong songs

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: Land of Sleeper review – doom rockers refine mind-bending sound

With repeated rhythmic blows and pulsing bass licks, the Newcastle band amplify the volume on their fourth album and keep listeners entrenched in their heady cosmos

Elder: Innate Passage review – ground-shaking heaviness meets lofty ambition

The Berlin-based band’s new album delivers pulverising heft and proggy nirvana at its most polished

Incubus review – noughties California band throw themselves behind the hits

Bringing back their much-loved early albums, the crossover band’s big-choruses and expansive rock anthems still get the fans singing

Ozzy Osbourne: Patient Number 9 review – immortal king of heavy metal cheats death again

The irrepressible rocker offsets his usual forays into the occult with moving contemplations of illness on a star-studded return

Static Dress review – more moshpit, less theatricality please

The promising post-hardcore band put on an overly conceptualised show that could easily afford to rely on their fervent rapport with fans

ArcTanGent festival – metal at its spine-tingling best

The likes of Cult of Luna, Amenra and Tesseract grace the return of a prized weekend of heavy and progressive talent

Supersonic festival 2022 review – joy and fury from an inspiring music community

From Grove’s queer swagger to Circle’s ecological visions and Divide and Dissolve’s call for decolonisation, this thrilling underground fest has radical utopianism at its heart

Nova Twins: Supernova review – explosive wit and anger from UK’s finest rock duo

The genre-splicing pair’s sharp, concise songwriting makes for a mindblowing blast of distorted noise-pop – and destroys the narrative about who gets to make rock music

Download festival review – monster metal weekend roars back to full volume

At capacity again after two years of Covid, jubilant crowds greet showstopping turns from full-glam Kiss to musically flashy Iron Maiden and the fury of Bleed from Within

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  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return
  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
  • Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold
  • Gretchen Parlato: The Wise Ones review – snappy grooves and languid covers from always-arresting jazz singer
  • Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer
  • Lucas Debargue: Gershwin Variations album review – freshness and flair
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
  • Jay-Z 30 tour review – the sheer profusion of nailed-on classics is dizzying
  • Katseye review – petulant hyperpop bops from a girl group in crisis
  • Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
  • Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill
  • Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand
  • Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
  • The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom

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