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Supersonic festival – doom, earsplitting ecstasy and thousands of samosas

The Midlands experimental music institution celebrates 20 years of triumphant noise, from alt-rock stalwarts Deerfhoof to feminist punks Taqbir and folk stars Lankum

Limp Bizkit review – nu-metal elders can still rock the party like it’s 1999

Fred Durst and co – whose notoriety was recently restoked by a Netflix series about Woodstock ’99 – pound out their irresistibly aggro rebel anthems with cheerful abandon

Skindred: Smile review – Welsh ragga-metallers mix a joyous sonic cocktail

One minute it’s riffs and political rage, the next it’s summery reggae. Thanks to their craft – and frontman Benji Webbe’s joie de vivre – the band’s barrier-breaking album is a treat

Iron Maiden review – showstopping rock theatre and tantalising live rarities

Deep cuts and under-sung treasures are given their moment in the dry ice from the reliably extravagant and big-hearted band

Download festival review – 20th birthday brings double Metallica, occult glam and a new breed

After travel chaos this proves to be an epic four-dayer, with an eclectic mix from Bring Me the Horizon to AA Williams plus Metallica spanning their career

Def Leppard & Mötley Crüe review – from the pathetic to the sublime

On this co-headline tour, Mötley Crüe are crass and limp, and then shown up all the more by the triumphant power of Def Leppard’s homecoming

Metallica: 72 Seasons review – a poignant if protracted nostalgia kick

With weighty lyrics referencing James Hetfield’s ongoing recovery and harking back to the band’s formative British influences, 72 Seasons has the edge of Metallica’s 80s heyday – albeit one blunted by overlong songs

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: Land of Sleeper review – doom rockers refine mind-bending sound

With repeated rhythmic blows and pulsing bass licks, the Newcastle band amplify the volume on their fourth album and keep listeners entrenched in their heady cosmos

Elder: Innate Passage review – ground-shaking heaviness meets lofty ambition

The Berlin-based band’s new album delivers pulverising heft and proggy nirvana at its most polished

Incubus review – noughties California band throw themselves behind the hits

Bringing back their much-loved early albums, the crossover band’s big-choruses and expansive rock anthems still get the fans singing

Ozzy Osbourne: Patient Number 9 review – immortal king of heavy metal cheats death again

The irrepressible rocker offsets his usual forays into the occult with moving contemplations of illness on a star-studded return

Static Dress review – more moshpit, less theatricality please

The promising post-hardcore band put on an overly conceptualised show that could easily afford to rely on their fervent rapport with fans

ArcTanGent festival – metal at its spine-tingling best

The likes of Cult of Luna, Amenra and Tesseract grace the return of a prized weekend of heavy and progressive talent

Supersonic festival 2022 review – joy and fury from an inspiring music community

From Grove’s queer swagger to Circle’s ecological visions and Divide and Dissolve’s call for decolonisation, this thrilling underground fest has radical utopianism at its heart

Nova Twins: Supernova review – explosive wit and anger from UK’s finest rock duo

The genre-splicing pair’s sharp, concise songwriting makes for a mindblowing blast of distorted noise-pop – and destroys the narrative about who gets to make rock music

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  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
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  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
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  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
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  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody

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