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Korn review – a mosh-pit erupting set drenched in dark energy

The nu-metal pioneers commit entirely with hulking riffs, frenzied scatting and guttural rage as they stomp through their songs with little ceremony

Download festival review – the rock fest’s most cursed year ever

Plagued by rain, technical issues and boycotts – as well as by some distinctly non-metal headliners – the weekend is practically a washout, despite some virtuoso shredding and fiery melodeath lower down the bill

Thou: Umbilical review – one of the finest metal albums of the past decade

Huge riffs, guttural vocals and fearsome intent create a formidable wall of sound in the US band’s maximalist, in-your-face sixth album

Bring Me the Horizon: Post Human: Nex Gen review – a defining album of our digitally overloaded era

Despite losing a key member, the arena-filling pop-metal stars still thrill with their surprise-released new record – a masterpiece of glutted sonic mayhem

Bruce Dickinson review – metal’s charismatic star indulges his goofy side

Letting rip with that still thrilling and propulsive voice, the Iron Maiden frontman performs an all solo material set – keytars, bongos and demonic laughter included

Knocked Loose: You Won’t Go Before You’re Supposed To review – hardcore punk’s dark stars go supermassive

The Kentucky metalcore quintet cleverly channel pop – and even reggaeton grooves – to create an album of crushing intensity and vast scope

Tenacious D review – Jack Black’s daft duo are deeply schooled in rock

The actor’s prog-metal spoof band with Kyle Gass hilariously skewer rock cliche – but come from a place of deep love for the genre

Lord Spikeheart: The Adept review – Duma star’s relentless metal isn’t for the fainthearted

With doom-laden growls and falsetto screams, the Kenyan metaller’s indefatigable vocals cut through a thunderous onslaught of headbanging sound

While She Sleeps: Self Hell review – exploding out of metalcore with a scream

On their sixth album, the hardcore Sheffield quintet bring furious riffs, howling, swearing and … acoustic guitars?

Ben Frost: Scope Neglect review – grim grandeur with gnarly tongue-out riffs

The avant garde musician’s first album in seven years features cinematic ambience, pummelling sound design and whinnying metal guitar

The Body and Dis Fig: Orchards of a Futile Heaven review – awe-inspiring music for heavy times

A collaboration between the alt-metal duo and Berlin-based shapeshifter Felicia Chen creates a dark but nourishing LP of hellish depth

Enter Shikari review – sensory overload by a British band hitting the big leagues

Twenty years into their career and on their first arena tour, Enter Shikari push the massive sound system to the limit with gleeful and vibrant cross-genre rock

Sleep Token review – masked metallers don’t need faces – or even a voice – to enthral

After vocalist Vessel loses his voice mid-set, the UK band call upon the vast audience they’ve built to carry them through

Ragana: Desolation’s Flower review – amazing guitar tone lights up doomy incantations

The US rock duo address life’s horrors with honesty, fury and gorgeous noise – though some of their riffs can be pedestrian

Supersonic festival – doom, earsplitting ecstasy and thousands of samosas

The Midlands experimental music institution celebrates 20 years of triumphant noise, from alt-rock stalwarts Deerfhoof to feminist punks Taqbir and folk stars Lankum

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  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return
  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
  • Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold
  • Gretchen Parlato: The Wise Ones review – snappy grooves and languid covers from always-arresting jazz singer
  • Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer
  • Lucas Debargue: Gershwin Variations album review – freshness and flair
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
  • Jay-Z 30 tour review – the sheer profusion of nailed-on classics is dizzying
  • Katseye review – petulant hyperpop bops from a girl group in crisis
  • Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
  • Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill
  • Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand
  • Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
  • The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom

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