Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Bring Me the Horizon: Post Human: Nex Gen review – a defining album of our digitally overloaded era

Despite losing a key member, the arena-filling pop-metal stars still thrill with their surprise-released new record – a masterpiece of glutted sonic mayhem

Bruce Dickinson review – metal’s charismatic star indulges his goofy side

Letting rip with that still thrilling and propulsive voice, the Iron Maiden frontman performs an all solo material set – keytars, bongos and demonic laughter included

Knocked Loose: You Won’t Go Before You’re Supposed To review – hardcore punk’s dark stars go supermassive

The Kentucky metalcore quintet cleverly channel pop – and even reggaeton grooves – to create an album of crushing intensity and vast scope

Tenacious D review – Jack Black’s daft duo are deeply schooled in rock

The actor’s prog-metal spoof band with Kyle Gass hilariously skewer rock cliche – but come from a place of deep love for the genre

Lord Spikeheart: The Adept review – Duma star’s relentless metal isn’t for the fainthearted

With doom-laden growls and falsetto screams, the Kenyan metaller’s indefatigable vocals cut through a thunderous onslaught of headbanging sound

While She Sleeps: Self Hell review – exploding out of metalcore with a scream

On their sixth album, the hardcore Sheffield quintet bring furious riffs, howling, swearing and … acoustic guitars?

Ben Frost: Scope Neglect review – grim grandeur with gnarly tongue-out riffs

The avant garde musician’s first album in seven years features cinematic ambience, pummelling sound design and whinnying metal guitar

The Body and Dis Fig: Orchards of a Futile Heaven review – awe-inspiring music for heavy times

A collaboration between the alt-metal duo and Berlin-based shapeshifter Felicia Chen creates a dark but nourishing LP of hellish depth

Enter Shikari review – sensory overload by a British band hitting the big leagues

Twenty years into their career and on their first arena tour, Enter Shikari push the massive sound system to the limit with gleeful and vibrant cross-genre rock

Sleep Token review – masked metallers don’t need faces – or even a voice – to enthral

After vocalist Vessel loses his voice mid-set, the UK band call upon the vast audience they’ve built to carry them through

Ragana: Desolation’s Flower review – amazing guitar tone lights up doomy incantations

The US rock duo address life’s horrors with honesty, fury and gorgeous noise – though some of their riffs can be pedestrian

Supersonic festival – doom, earsplitting ecstasy and thousands of samosas

The Midlands experimental music institution celebrates 20 years of triumphant noise, from alt-rock stalwarts Deerfhoof to feminist punks Taqbir and folk stars Lankum

Limp Bizkit review – nu-metal elders can still rock the party like it’s 1999

Fred Durst and co – whose notoriety was recently restoked by a Netflix series about Woodstock ’99 – pound out their irresistibly aggro rebel anthems with cheerful abandon

Skindred: Smile review – Welsh ragga-metallers mix a joyous sonic cocktail

One minute it’s riffs and political rage, the next it’s summery reggae. Thanks to their craft – and frontman Benji Webbe’s joie de vivre – the band’s barrier-breaking album is a treat

Iron Maiden review – showstopping rock theatre and tantalising live rarities

Deep cuts and under-sung treasures are given their moment in the dry ice from the reliably extravagant and big-hearted band

Post navigation

← Older posts
Newer posts →
  • The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years
  • The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history
  • Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times
  • John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour
  • Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat
  • Beethoven: The Last Three Sonatas/Mitsuko Uchida album review – the music emerges as if new
  • BBCPhil/Storgårds / Park & Jupiter Ensemble reviews – stylish Strauss and lyrical Sibelius … and a lutenist’s singalong
  • BBCPhil/Noseda/Selaocoe review – a proms concert that was everything the festival does best
  • Ariadne auf Naxos review – Laurent Pelly’s staging has plenty of wit but lacks weight
  • Spanish National Orchestra/Afkham review – Proms debut sees orchestra’s celebrations kick off early
  • Shania Twain: Little Miss Twain review – rootsy revival strays from the dirt track to the middle of the road
  • Bruno Mars review – half seedy club, half church service as diminutive singer answers fans’ prayers
  • First Night of the Proms review – 250th anniversary of US independence takes centre stage
  • Jill Scott review – joyous phones-free show is a taste of how all concerts should be
  • Amadigi di Gaula review – inflatables and appoggiaturas as Handel takes a trip to Love Island
  • Norma Winstone and NDR Radio Orchestra: A Timeless Place review – peerless vocalist at her very best
  • Loathe: A Stranger to You review – metalcore masters offer stylistic swerves and surprising beauty
  • Robert Laidlow: Reality Eaters album review – wildly imaginative and intricate, but eminently approachable
  • La Liberazione di Ruggiero dall’Isola di Alcina review – 17th-century rarity is fun when it forgets to be earnest
  • Pergolesi: L’Olimpiade album review – pacy conducting and a fine cast animate baroque rarity
  • Nia Archives: Emotional Junglist review – breakbeats and heartbreak combined by a brilliant British one-off
  • Shakira review – she-wolf roars again in playful victory lap from Colombian superstar
  • Karim Sulayman/Sean Shibe review – tenor and guitarist beguile in wide-ranging and joyful recital
  • James Taylor review – 70s legend’s golden baritone shines best when stripped bare
  • System of a Down review – perverted pop and anti-war anger mixed into a metal melee
  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar
  • The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium
  • Jay-Z review – rap legend dazzles New York City with lavish spectacle, sharp bars and Beyoncé
  • Bon Jovi review – rockers make a surprisingly poignant return to the stage
  • Baby Rose: Yearnalism review – gloriously cinematic soul from the edge of emotional collapse

Contact www.freakyparty.net   Terms of Use