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Tool review – master musicianship and mesmerising prog-metal

For their first non-festival gig in the UK in nearly 15 years, the LA quartet’s opuses generate a frenzy – and drummer Danny Carey shows he is one of the greats

Rammstein: Zeit review – ridiculous, but no risk of boredom

The Gothic, operatic metallers deliver hook after hook on an album so streamlined and efficient you can almost hear the pyro cues

Ghost review – rock’n’roll pyro pantomime is hellishly good fun

Tobias Forge’s band of ghouls just reached No 2 in the UK charts, and their symphonic metal – complete with bat wings, confetti and flamethrowers – has universal appeal

Converge & Chelsea Wolfe: Bloodmoon: I review – an explosive combination

The band’s long-awaited collaboration with dark rocker Wolfe is slower and more melodic than their usual albums, yet even heavier

Bring Me the Horizon review – clearly the UK’s greatest rock band right now

With Cybermen cheerleaders, hazmat suits and gigantic mosh pits, there’s a gloriously daft energy to the pop-metallers’ emotional, earth-shaking return

Employed to Serve: Conquering review – thrilling, gut-churning metal

The brilliant Woking band get heavier than ever, causing motion sickness with their animalistic, groove-laden songs

Iron Maiden: Senjutsu review – an ambitious, eccentric masterpiece

Maiden’s creative renaissance continues in style with this playfully bombastic metal epic

Deafheaven: Infinite Granite review – rock at its most majestically beautiful

Fifth album by San Francisco band finds intense and yes, ethereal, shoegaze taking over from black metal

Download Pilot review – a joyful noise for fans and bands

Exuberant scenes at the rock and metal festival test event find its 10,000 guinea pigs leaving Covid blues far behind

While She Sleeps: Sleeps Society review – magnificent metalcore for a fractious world

The noisy Sheffield band fully realise their pop potential on their fifth album, as they vent thrillingly about society’s manifold ills

Venom Prison: Primeval review – potent disgust from Welsh death metallers

Continuing to subvert the politics of a lot of hardcore metal, the band look back to early material, energising it with melodic invention and anger

Deftones: Ohms review – fighting time and tide with undimmed ferocity

The Sacramento band’s ninth album streamlines their experimentalism and adds a hit of 90s nu-metal

Duma: Duma review – extreme Kenyan metalheads bring doom to the dancefloor

From Nairobi’s metal scene, Martin Kanja and Sam Karugu add techno to doom-laden guitars and distorted vocals on this exciting album

Sightless Pit: Grave of a Dog review – witchy trio unleash hell

The underground supergroup bin their guitars in favour of obscure sound-making – and conjure a gloriously hellish mood

Ozzy Osbourne: Ordinary Man review – his final statement?

The elegiac lyrics on Osbourne’s 12th solo album stand in contrast with the off-the-cuff vibe of its music

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  • Sinfonia of London/Wilson review – night of Technicolor masterpieces from one of the finest orchestras on the planet
  • Luke Combs review – regular Joe megastar brings the arena-sized party home
  • The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years
  • The Zarabanda Variations review – free jazz project is a thrillingly original dive into colonial history
  • Tyla: A*Pop review – old-school pop superstar transports us back to more carefree times
  • John McCabe: Symphonies 2 & 3 and Cello Concerto album review – writing of enormous scope and colour
  • Charli xcx: Music, Fashion, Film review – slippery search into selfhood that hits just as hard as Brat
  • Beethoven: The Last Three Sonatas/Mitsuko Uchida album review – the music emerges as if new
  • BBCPhil/Storgårds / Park & Jupiter Ensemble reviews – stylish Strauss and lyrical Sibelius … and a lutenist’s singalong
  • BBCPhil/Noseda/Selaocoe review – a proms concert that was everything the festival does best
  • Ariadne auf Naxos review – Laurent Pelly’s staging has plenty of wit but lacks weight
  • Spanish National Orchestra/Afkham review – Proms debut sees orchestra’s celebrations kick off early
  • Shania Twain: Little Miss Twain review – rootsy revival strays from the dirt track to the middle of the road
  • Bruno Mars review – half seedy club, half church service as diminutive singer answers fans’ prayers
  • First Night of the Proms review – 250th anniversary of US independence takes centre stage
  • Jill Scott review – joyous phones-free show is a taste of how all concerts should be
  • Amadigi di Gaula review – inflatables and appoggiaturas as Handel takes a trip to Love Island
  • Norma Winstone and NDR Radio Orchestra: A Timeless Place review – peerless vocalist at her very best
  • Loathe: A Stranger to You review – metalcore masters offer stylistic swerves and surprising beauty
  • Robert Laidlow: Reality Eaters album review – wildly imaginative and intricate, but eminently approachable
  • La Liberazione di Ruggiero dall’Isola di Alcina review – 17th-century rarity is fun when it forgets to be earnest
  • Pergolesi: L’Olimpiade album review – pacy conducting and a fine cast animate baroque rarity
  • Nia Archives: Emotional Junglist review – breakbeats and heartbreak combined by a brilliant British one-off
  • Shakira review – she-wolf roars again in playful victory lap from Colombian superstar
  • Karim Sulayman/Sean Shibe review – tenor and guitarist beguile in wide-ranging and joyful recital
  • James Taylor review – 70s legend’s golden baritone shines best when stripped bare
  • System of a Down review – perverted pop and anti-war anger mixed into a metal melee
  • Gracie Abrams: Daughter from Hell review – bloodless anthems hit like a faceful of icing sugar
  • The Importance of Being Earnest review – gloriously madcap opera achieves new heights of delirium
  • Jay-Z review – rap legend dazzles New York City with lavish spectacle, sharp bars and Beyoncé

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