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Meshuggah review – mechanical Swedish metallers in need of human frailty

Effectively summoning moods of burning heat and freezing cold, the djent pioneers’ machine-like precision can be tiring

Alice Cooper review – guillotine-wielding rocker is no longer a cut above

The shock-rock superstar delivers a fine spectacle, but his varied back catalogue gets homogenised on this arena tour

Cave In: Heavy Pendulum review – an unapologetically fierce beast

With gargantuan riffs and amps turned up to 11, pure metal is tempered with the grace and complexity that have become the band’s trademark

Tool review – master musicianship and mesmerising prog-metal

For their first non-festival gig in the UK in nearly 15 years, the LA quartet’s opuses generate a frenzy – and drummer Danny Carey shows he is one of the greats

Rammstein: Zeit review – ridiculous, but no risk of boredom

The Gothic, operatic metallers deliver hook after hook on an album so streamlined and efficient you can almost hear the pyro cues

Ghost review – rock’n’roll pyro pantomime is hellishly good fun

Tobias Forge’s band of ghouls just reached No 2 in the UK charts, and their symphonic metal – complete with bat wings, confetti and flamethrowers – has universal appeal

Converge & Chelsea Wolfe: Bloodmoon: I review – an explosive combination

The band’s long-awaited collaboration with dark rocker Wolfe is slower and more melodic than their usual albums, yet even heavier

Bring Me the Horizon review – clearly the UK’s greatest rock band right now

With Cybermen cheerleaders, hazmat suits and gigantic mosh pits, there’s a gloriously daft energy to the pop-metallers’ emotional, earth-shaking return

Employed to Serve: Conquering review – thrilling, gut-churning metal

The brilliant Woking band get heavier than ever, causing motion sickness with their animalistic, groove-laden songs

Iron Maiden: Senjutsu review – an ambitious, eccentric masterpiece

Maiden’s creative renaissance continues in style with this playfully bombastic metal epic

Deafheaven: Infinite Granite review – rock at its most majestically beautiful

Fifth album by San Francisco band finds intense and yes, ethereal, shoegaze taking over from black metal

Download Pilot review – a joyful noise for fans and bands

Exuberant scenes at the rock and metal festival test event find its 10,000 guinea pigs leaving Covid blues far behind

While She Sleeps: Sleeps Society review – magnificent metalcore for a fractious world

The noisy Sheffield band fully realise their pop potential on their fifth album, as they vent thrillingly about society’s manifold ills

Venom Prison: Primeval review – potent disgust from Welsh death metallers

Continuing to subvert the politics of a lot of hardcore metal, the band look back to early material, energising it with melodic invention and anger

Deftones: Ohms review – fighting time and tide with undimmed ferocity

The Sacramento band’s ninth album streamlines their experimentalism and adds a hit of 90s nu-metal

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  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return
  • Playing With Fire review – like Disney’s Fantasia on steroids as a virtual Yuja Wang plays amid luminous dreamworlds
  • Don Giovanni review – reality recedes in visually dizzying Mozart tour de force
  • Our Eyes Looking for God review – exploring the Black British experience in rap, reggae and arias
  • Neil Young and the Chrome Hearts: Second Song review – shaky album occasionally strikes gold
  • Gretchen Parlato: The Wise Ones review – snappy grooves and languid covers from always-arresting jazz singer
  • Haruomi Hosono: Yours Sincerely review – slight songs with huge hearts from the Japanese pop pioneer
  • Lucas Debargue: Gershwin Variations album review – freshness and flair
  • Angine de Poitrine review – mind-boggling math rock mastery from freaky Québécois duo
  • Lise Davidsen: Verdi album review – star soprano gives opera’s leading ladies radiant power and vulnerability
  • The Tubs: Hard Life review – indie’s Larry David spins self-loathing into glorious jangle-rock
  • Todd Rundgren review – try-anything veteran doesn’t let his freak flag fully fly
  • Evanescence review – devastating power and range from one of rock’s great vocal talents
  • Freiburg Baroque Orch/Rattle/Faust review – ‘problem’ Schumann works shine in exceptional evening
  • End of the Road festival review – Pulp and CMAT lead indie landmark’s joyous birthday party
  • BBCSO/Oramo/Gillam/Kanneh-Mason/Goldscheider review – Simcock’s triple concerto bursts with musical interest
  • RLPO/Manze review – all-British Prom features fiery theatrics and cheeky subversion
  • Munich Philharmonic/Lahav Shani/Martha Argerich review – the great pianist gleams
  • Oasis: Don’t Look Back in Anger review – mammoth tour movie brings the joy and poignancy of reunion
  • Jay-Z 30 tour review – the sheer profusion of nailed-on classics is dizzying
  • Katseye review – petulant hyperpop bops from a girl group in crisis
  • Berlin Philharmonic/ Petrenko/ Hadelich review – flawless musical beauty
  • Sairie: Beneath the Spreading Tree review – exquisite 70s-inflected folk heralds a move into autumn’s chill
  • Chat Pile: Who Loves the Sun review – sludge metallers resurface with a slightly limiting alt-rock rebrand
  • Vista, Saarikoski Songs, Three Preludes album review – Saariaho’s iridescent visions evocatively rendered
  • The Gesualdo Six/Colin Currie Group review – surely the year’s most atmospheric Prom

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