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Architects: Holy Hell review – addressing tragedy with gravity and defiance

The metal band’s moving first album since the death of founder Tom Searle has a heartfelt and anthemic feel

Slayer review – thrash legends unleash a barrage of malevolence

The LA four-piece’s final world tour delivers a furious rush of excitement in a celebratory sweep through 37 years of mayhem

Behemoth: I Loved You at Your Darkest review – Wagnerian satanic metal

Polish band’s 11th album is a romp that could appeal to more than hardcore metalheads

Deafheaven review – mixed-up metalheads gallop to the end of the world

The San Francisco band pull in dream-pop, post-rock and more for this fearsome, beautiful show

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: King of Cowards review – pulverising but accessible metal

The Newcastle quintet find no riff too monolithic on this excellent second album

Halestorm review – middle ground between rock fire and pop sugar

The Pennsylvanian rockers veer from sweet melody to industrial pummelling – all topped with Lzzy Hale’s lung-collapsing vocals

Iron Maiden review – Spitfires, hell and a rallying cry for freedom

The heavy metal heroes stage their most extravagant show to date, an anti-war opera full of pyrotechnics, swordfights and monastic chanting

Deafheaven: Ordinary Corrupt Human Love review – black metal with grey areas

By turning their outsider status – not quite metal, not quite indie, beholden to shoegaze and dreampop – into a virtue, Deafheaven have made a unique album

Deftones review – bat screeches, unfettered aggro and posh moshing

The US alt-metallers turn up the experimental static, shoegaze sludge and nu-metal roars to max for a showpiece gig that shows why they deserve reverence

Download festival review – Guns N’ Roses dominate metal’s biggest party

Marilyn Manson is a chilled-out entertainer, Avenged Sevenfold comfortably top the bill and Ozzy Osbourne feels the love during the metal marathon

Machine Head review – thrillingly brutal metal marathon

The pioneering rockers deliver a thunderous show that passes in a blur of flailing limbs, airborne beer – and furious politics

Five Finger Death Punch: And Justice for None review – single-minded angst rock

The Las Vegas band’s seventh album is carved from the same slabs of rock as their previous ones, and it sticks right to the point

Trivium review – heavy metal headbangers just wanna have fun

The veteran Florida foursome make faintly ridiculous music that incites a fevered response – even the stage banter prompts crowdsurfing

Andrew WK review – 12-step party programme from rock’s self-help guru

Adrenaline-fuelled anthems meet pop philosophy as the rocker mixes giddy hedonism with vulnerability

Judas Priest: Firepower review – toned-down riffs never lower the tone

What do you do when you made your name hitting notes high enough to summon all dogs within a 40-mile radius, but age takes your pitch down and puts the screech out of reach? It’s an issue particular to metal, … Continue reading →

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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