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Slayer review – thrash legends unleash a barrage of malevolence

The LA four-piece’s final world tour delivers a furious rush of excitement in a celebratory sweep through 37 years of mayhem

Behemoth: I Loved You at Your Darkest review – Wagnerian satanic metal

Polish band’s 11th album is a romp that could appeal to more than hardcore metalheads

Deafheaven review – mixed-up metalheads gallop to the end of the world

The San Francisco band pull in dream-pop, post-rock and more for this fearsome, beautiful show

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: King of Cowards review – pulverising but accessible metal

The Newcastle quintet find no riff too monolithic on this excellent second album

Halestorm review – middle ground between rock fire and pop sugar

The Pennsylvanian rockers veer from sweet melody to industrial pummelling – all topped with Lzzy Hale’s lung-collapsing vocals

Iron Maiden review – Spitfires, hell and a rallying cry for freedom

The heavy metal heroes stage their most extravagant show to date, an anti-war opera full of pyrotechnics, swordfights and monastic chanting

Deafheaven: Ordinary Corrupt Human Love review – black metal with grey areas

By turning their outsider status – not quite metal, not quite indie, beholden to shoegaze and dreampop – into a virtue, Deafheaven have made a unique album

Deftones review – bat screeches, unfettered aggro and posh moshing

The US alt-metallers turn up the experimental static, shoegaze sludge and nu-metal roars to max for a showpiece gig that shows why they deserve reverence

Download festival review – Guns N’ Roses dominate metal’s biggest party

Marilyn Manson is a chilled-out entertainer, Avenged Sevenfold comfortably top the bill and Ozzy Osbourne feels the love during the metal marathon

Machine Head review – thrillingly brutal metal marathon

The pioneering rockers deliver a thunderous show that passes in a blur of flailing limbs, airborne beer – and furious politics

Five Finger Death Punch: And Justice for None review – single-minded angst rock

The Las Vegas band’s seventh album is carved from the same slabs of rock as their previous ones, and it sticks right to the point

Trivium review – heavy metal headbangers just wanna have fun

The veteran Florida foursome make faintly ridiculous music that incites a fevered response – even the stage banter prompts crowdsurfing

Andrew WK review – 12-step party programme from rock’s self-help guru

Adrenaline-fuelled anthems meet pop philosophy as the rocker mixes giddy hedonism with vulnerability

Judas Priest: Firepower review – toned-down riffs never lower the tone

What do you do when you made your name hitting notes high enough to summon all dogs within a 40-mile radius, but age takes your pitch down and puts the screech out of reach? It’s an issue particular to metal, … Continue reading →

Turnstile: Time & Space review – teeth-rattling hardcore … with a dash of Status Quo

Eight years after singer Brendan Yates and guitarist Brady Ebert started rehearsing in a neighbour’s garage, the Baltimore quintet’s riotous live shows have made them one of the most discussed bands in hardcore. Their second album follows a major label … Continue reading →

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  • BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • Rebecca Clarke: The Complete Songs album review – rich, radiant performances bring a forgotten voice to life
  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller
  • Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review – elemental power, eerie beauty
  • Martin Fröst: BACH album review – silkily eloquent clarinettist brings freshness and fun
  • Sir John Rutter’s Birthday Celebration review – niche national treasure celebrates 80 in magnificent style
  • Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever
  • Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity
  • Danny Brown: Stardust review – hyperpop-rap powered up with post-rehab positivity
  • The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging
  • Radiohead review – bards of the apocalypse return for a brutal bacchanal
  • Aimard/Benjamin review – concentrated musical thought and pianistic imagination
  • Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill
  • Ravyn Lenae review – art-school dreamer at ease with her own melancholy
  • Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else
  • Hallé/Shields/Adams: John Adams festival review – dynamism that could generate electricity
  • Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
  • The Railway Children review – Turnage reimagines classic story in a lively family opera
  • Alpha Maid: Is This a Queue review – Mica Levi collaborator pairs scuffed production with superb songwriting
  • Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman
  • Strauss, Dvořák and Glazunov album review – packs a dramatic punch
  • Florence + the Machine: Everybody Scream review – alt-rock survivor surveys her kingdom with swagger
  • Walton: Cello Concerto, Symphony No 1, Scapino album review – positively snaps, crackles and pops
  • Anna von Hausswolff: Iconoclasts review – exhilarating, euphoric goth songcraft
  • Julius Eastman: A Power Greater Than review – Davóne Tines celebrates the maverick musician
  • Sananda Maitreya review – the former Terence Trent D’Arby returns in astonishing vocal form
  • Harvest Rock 2025 review – the Strokes, Jelly Roll and the War on Drugs save Adelaide festival after a slippery start
  • Gillian Welch and David Rawlings review – perfectly paired talents at the peak of their powers
  • Dave: The Boy Who Played the Harp review – ​it’s clearer than ever what a stunningly skilled rapper he is

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