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Deafheaven review – mixed-up metalheads gallop to the end of the world

The San Francisco band pull in dream-pop, post-rock and more for this fearsome, beautiful show

Pigs Pigs Pigs Pigs Pigs Pigs Pigs: King of Cowards review – pulverising but accessible metal

The Newcastle quintet find no riff too monolithic on this excellent second album

Halestorm review – middle ground between rock fire and pop sugar

The Pennsylvanian rockers veer from sweet melody to industrial pummelling – all topped with Lzzy Hale’s lung-collapsing vocals

Iron Maiden review – Spitfires, hell and a rallying cry for freedom

The heavy metal heroes stage their most extravagant show to date, an anti-war opera full of pyrotechnics, swordfights and monastic chanting

Deafheaven: Ordinary Corrupt Human Love review – black metal with grey areas

By turning their outsider status – not quite metal, not quite indie, beholden to shoegaze and dreampop – into a virtue, Deafheaven have made a unique album

Deftones review – bat screeches, unfettered aggro and posh moshing

The US alt-metallers turn up the experimental static, shoegaze sludge and nu-metal roars to max for a showpiece gig that shows why they deserve reverence

Download festival review – Guns N’ Roses dominate metal’s biggest party

Marilyn Manson is a chilled-out entertainer, Avenged Sevenfold comfortably top the bill and Ozzy Osbourne feels the love during the metal marathon

Machine Head review – thrillingly brutal metal marathon

The pioneering rockers deliver a thunderous show that passes in a blur of flailing limbs, airborne beer – and furious politics

Five Finger Death Punch: And Justice for None review – single-minded angst rock

The Las Vegas band’s seventh album is carved from the same slabs of rock as their previous ones, and it sticks right to the point

Trivium review – heavy metal headbangers just wanna have fun

The veteran Florida foursome make faintly ridiculous music that incites a fevered response – even the stage banter prompts crowdsurfing

Andrew WK review – 12-step party programme from rock’s self-help guru

Adrenaline-fuelled anthems meet pop philosophy as the rocker mixes giddy hedonism with vulnerability

Judas Priest: Firepower review – toned-down riffs never lower the tone

What do you do when you made your name hitting notes high enough to summon all dogs within a 40-mile radius, but age takes your pitch down and puts the screech out of reach? It’s an issue particular to metal, … Continue reading →

Turnstile: Time & Space review – teeth-rattling hardcore … with a dash of Status Quo

Eight years after singer Brendan Yates and guitarist Brady Ebert started rehearsing in a neighbour’s garage, the Baltimore quintet’s riotous live shows have made them one of the most discussed bands in hardcore. Their second album follows a major label … Continue reading →

Architects review – raging crusaders raise the roof with a tearful tribute

Eighteen months after their guitarist’s death, the Brighton metal band turn a ferocious evening into a poignant homage

Marmozets: Knowing What You Know Now review – Brit rockers make their great leap forward

Any hurtling momentum built up by the West Yorkshire band’s 2014 debut, The Weird and Wonderful Marmozets, was rather crudely derailed when singer Becca Macintyre’s knee operation left her housebound and horizontal. You wouldn’t wish such an experience on someone … Continue reading →

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  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline

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