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Supersonic review – giant monsters and ghoul-sponge at UK’s best small festival

By embracing the heaviness in Birmingham’s heritage, and adding a strong dose of eccentricity, Supersonic is world-class

Sabaton: The Great War review – rage against the war machine

With pounding drums and demonic choirs, the Swedish power metal band deliver a dark, fascinating history lesson on the first world war

Rammstein review – pure panto from German shock rockers

The taboo-busting band are on fine form in a pyrotechnic extravaganza that sees bandmates blasting each other with fire

Metallica review – masterclass in heaviness brings down the heavens

The thrash titans seem to control the weather during this dramatic, cathartic show of absolute power

Download festival review – fire, fury and hymns to the dark side

Headliners Slipknot and Def Leppard lead the way on a long weekend of big riffs and shouting

Baroness: Gold & Grey review – ambitious rockers go beyond metal

The Philadephia-based quartet have found a new sense of purpose on this more psychedelic fifth album

Download festival review – Slayer cast dark spells with ferocious swan song set

British hard rock festival brings angst, anger and a lot of black lipstick to western Sydney’s peaceful parklands

Behemoth review – jolts of brutality from modern metal’s kings of darkness

Through fire and smoke, Adam ‘Nergal’ Darski and his roaring feral hell-bangers churn up elation and menace to prove the devil still has the best tunes

Parkway Drive review – uplifting rock rises from the fires of grief

Pouring the pain of grief into heavy rock, the Australian group earn chanting adoration from their audience

Bring Me the Horizon: Amo review – ‘It ain’t heavy metal, but that’s alright’

Some of the songs will alienate BMtH’s fanbase but there’s a sense of experimentation alongside the lush orchestration

Def Leppard review – metal legends revisit a riff-laden classic

The British hard-rock favourites play their 1987 album Hysteria in full in a show that demonstrates their scintillating craft

Bring Me the Horizon review – boyband headbangers help vent teenage angst

Ahead of their forthcoming sixth album, the Sheffield pop-metal band provide catharsis but stop short of being true spokesmen for a troubled generation

Architects: Holy Hell review – addressing tragedy with gravity and defiance

The metal band’s moving first album since the death of founder Tom Searle has a heartfelt and anthemic feel

Slayer review – thrash legends unleash a barrage of malevolence

The LA four-piece’s final world tour delivers a furious rush of excitement in a celebratory sweep through 37 years of mayhem

Behemoth: I Loved You at Your Darkest review – Wagnerian satanic metal

Polish band’s 11th album is a romp that could appeal to more than hardcore metalheads

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  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears
  • Igor Levit: Resistance album review – essential listening in a time of bullies and despots
  • Loidis: From the Toolkit of Lovers review – epic 111-minute album is a teeming universe of detail
  • Basma and Temir Alcy: NAD review – skulking, sultry French-Moroccan crew evoke this shifting season
  • Super Graphic Spectacular review – Chappell Roan dazzles at her gloriously gay mini-festival
  • Amy Winehouse: Back to Black 20 review – trying an all-star Amy tribute show is a losing game
  • Bournemouth Symphony Orchestra / Wigglesworth review – phrasing with hospital corners
  • Bartók: Miraculous Mandarin Suite, The Wooden Prince album review – vivid colours and astute pacing
  • Shovel Dance Collective: Everything in Readiness review – ecstatic, dissonant folk music fighting for sonic and spiritual freedom
  • Perle Noire: Meditations for Joséphine review – turgid tribute to pioneering star
  • The Alonetimes review – frenetic, funny and exhilarating music theatre
  • With nine new recordings of Mahler’s epic Resurrection Symphony this year alone, which rises above the rest?
  • LSO/Pappano review – bold, dramatic and cohesive reading of Mahler 2
  • Michael Kiwanuka: Fudge review – rough and instinctive, but also lush and alive with melody
  • RLPO/Hickox review – a made-to-measure clarinet collaboration two decades in the pipeline

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