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Haim: I Quit review – the messiest breakup album of recent times, in every sense

(Polydor)The three LA sisters dwell on the bitter end of a relationship in tracks that range from replayable valley-girl rap to plodding country-pop

Pitbull review – like a children’s party, but with loads of booze

With a hedonistic seize-the-day message, the pop-rapper resembles a cult leader or motivational speaker – and his followers are willing to overlook the faults in his live show

Pulp review – Jarvis Cocker’s captivating comeback turns a rapt crowd rapturous

On a kitschy 1970s chatshow set, the Sheffield band play hits from across their career – and fans welcome their just-released album tracks like old friends

Addison Rae: Addison review – 2025’s most refreshing star revels in pop’s shallow pleasures

The one-time TikTok dancer’s remarkably cohesive debut spans Jersey club to R&B, and defies an obsession with ‘lore’ to suggest that the best pop isn’t that deep

Witch: Sogolo review – Zamrock originators in joyously punchy form

After the band’s 2023 reunion and a revamp of members comes this imaginative and playful set showing 74-year-old Emmanuel ‘Jagari’ Chanda’s undiminished vocal power

Lionel Richie review – larger-than-life legend delivers a lesson in charm

The perfectly ’tached singer rolls out some raw and funky versions of his hits, from Hello to Brick House to All Night Long, with a roaring-along crowd

Pulp: More review – anthems and rage for the next life stage

Jarvis Cocker and the band’s first album in 24 years delivers a refreshing take on middle age, with all the the skewed observation and joyful melodic flourishes of old

Cloud Control review – Australian 2010s indie darlings reunite for a joyfully nostalgic tour

Northcote theatre, Melbourne; then touringThe band is back together on a 15-year anniversary tour for their debut album Bliss Release – and their sound is immediately transportative

Morgan Wallen review – country’s biggest star sings of whiskey, heartbreak … and more whiskey

Playing a rare intimate show as new album I’m the Problem tops the charts, the laid-back American singer is hardly groundbreaking – but there are funny, moving moments

Jacob Alon: In Limerence review – dreamy story songs of myth and melancholy

The Scottish songwriter delivers a confident, well-expressed debut even if their songs sometimes stray into overfamiliar indie-folk territory

Miley Cyrus: Something Beautiful review – solid pop that’s about as ‘psychedelic’ as a baked potato

The singer’s ninth album has grand ambitions but – despite some sparkling songcraft – falls short of its mind-altering promises and the hits that made her a star

John Legend review – a somewhat bloodless performance from a wonderful singer

Despite some beautiful songs, this anniversary show drags and it seems as though the mature singer no longer feels the words he wrote in his 20s

Jorja Smith review – mega-watt charisma powers ambitious new songs

Touring for the first time since 2018, Smith’s sonic palette has expanded and tonight she shows a talent that could take her almost anywhere

Mclusky review – back after 20 years, the Welsh absurdists are still funny, sweary and frantic

Showcasing their first album in 21 years, the trio range from furious to hypnotically groovy, the music as taut as a stretched elastic band

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  • Dâdalus & Bikarus: Off the Shelf review – energetic, near-erotic tracks build to a whirlwind of sound
  • Lyra Pramuk: Hymnal review – slime-toting composer’s dazzling and difficult devotional music
  • Britten: Sinfonia da Requiem, Winter Words (arr Holloway), etc album review – confirms Gardner’s status as an outstanding conductor of Britten
  • The Lost Tapes, Beethoven sonatas 18,27, 28 & 31 album review – Richter always found something fresh to say
  • Haim: I Quit review – the messiest breakup album of recent times, in every sense
  • Voces8 review – agile and poised vocal group celebrate 20 years, with a little help from their friends
  • New Music Biennial review – sitars, thorax-quaking bass and vibrators
  • Saul review – probing, dark and engrossing staging of Handel’s oratorio
  • Pitbull review – like a children’s party, but with loads of booze
  • Pulp review – Jarvis Cocker’s captivating comeback turns a rapt crowd rapturous
  • Così Fan Tutte review – country house remix offers fresh farce and energy
  • Lil Wayne review – chaotic but charismatic race through greatest hits
  • Turnstile review – punk crossover quintet bring the heat to Brooklyn
  • Addison Rae: Addison review – 2025’s most refreshing star revels in pop’s shallow pleasures
  • Lifeguard: Ripped and Torn review – this brilliant post-punk racket sounds like a trip to a rivet factory
  • Witch: Sogolo review – Zamrock originators in joyously punchy form
  • Beyoncé review – a hugely enjoyable concert that adds a ferocious potency to Cowboy Carter
  • Furtwängler: Symphony No 2 album review – conductor’s own massive work has real curiosity value
  • Lionel Richie review – larger-than-life legend delivers a lesson in charm
  • Jimmy Barnes: Defiant review – familiar but reliable territory from the indestructible rocker
  • Ligeti: Violin and Piano Concertos, etc album review – As always, Faust’s performance is perceptive and immaculate
  • Turnstile: Never Enough review – flute solos and formidable tunes from hardcore punk’s great crossover band
  • Pulp: More review – anthems and rage for the next life stage
  • Cloud Control review – Australian 2010s indie darlings reunite for a joyfully nostalgic tour
  • Robbie Williams review – dazzling superstar glow from the ‘King of Entertainment’
  • The Queen of Spades review – dark and convincing staging of Tchaikovsky’s compulsive drama
  • Morgan Wallen review – country’s biggest star sings of whiskey, heartbreak … and more whiskey
  • Mary Halvorson: About Ghosts review – restless beauty from jazz’s shape-shifting guitarist
  • Jacob Alon: In Limerence review – dreamy story songs of myth and melancholy
  • Béla Bartók: Complete Piano Concertos album review – Tomáš Vrána rises to the challenge

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