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Iron Maiden review – 50th anniversary tour as near as uncompromising band get to greatest hits show

The newest song might date from 1992 but that matters little to fans of their fast and intricate heavy metal

Brandi Carlile review – country for the marginalised excels on the big stage

Elton John was a constant silent presence as versatile Carlile veered from crooner ballads to hot-rubber-and-leather vibes

Dua Lipa review – dance-pop icon keeps the energy hotter than hell

Amid exercise videos, confetti cannons and guest star Jamiroquai, Lipa maintains an old-school superstar steeliness as she works up a sweat in the summer heat

Loyle Carner: Hopefully! review – rap sweetheart faces family, fear and the feels

The Londoner’s trademark sentimental sweetness is balanced by a new unaffected singing style – his fourth album is his most impressive work yet

J Hus review – rapper touched by genius can’t quite channel his energy

After a cancelled arena tour, expectations are high for J Hus’s return – but for all his swagger and melody, he ends up falling short due to sound issues and a lack of vision

Mazeppa review – Tchaikovsky’s blood-thirsty opera is a wild and gruesome ride

David Pountney’s striking staging of this timely tale of a Ukrainian warlord battling Russian power unsettles the stomach as much as it titillates the ear

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

Haim: I Quit review – the messiest breakup album of recent times, in every sense

(Polydor)The three LA sisters dwell on the bitter end of a relationship in tracks that range from replayable valley-girl rap to plodding country-pop

Pitbull review – like a children’s party, but with loads of booze

With a hedonistic seize-the-day message, the pop-rapper resembles a cult leader or motivational speaker – and his followers are willing to overlook the faults in his live show

Pulp review – Jarvis Cocker’s captivating comeback turns a rapt crowd rapturous

On a kitschy 1970s chatshow set, the Sheffield band play hits from across their career – and fans welcome their just-released album tracks like old friends

Addison Rae: Addison review – 2025’s most refreshing star revels in pop’s shallow pleasures

The one-time TikTok dancer’s remarkably cohesive debut spans Jersey club to R&B, and defies an obsession with ‘lore’ to suggest that the best pop isn’t that deep

Witch: Sogolo review – Zamrock originators in joyously punchy form

After the band’s 2023 reunion and a revamp of members comes this imaginative and playful set showing 74-year-old Emmanuel ‘Jagari’ Chanda’s undiminished vocal power

Lionel Richie review – larger-than-life legend delivers a lesson in charm

The perfectly ’tached singer rolls out some raw and funky versions of his hits, from Hello to Brick House to All Night Long, with a roaring-along crowd

Pulp: More review – anthems and rage for the next life stage

Jarvis Cocker and the band’s first album in 24 years delivers a refreshing take on middle age, with all the the skewed observation and joyful melodic flourishes of old

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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