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Bruce Springsteen: Nebraska ’82: Expanded Edition review – fabled album falls short of expectations

Rumours of the existence of E Street versions of Springsteen’s masterpiece have swirled for decades, but the reality doesn’t live up to the hype

Jade review – pop’s quirkiest star transcends manufactured past

Fans sing along to debut album at synth-laden show that showcased the former Little Mix star’s appealing, unvarnished and at times deeply odd shtick

Robbie Williams review – tiny Camden gig offers blinding star wattage – and a surprising new song about Morrissey

Previewing new album Britpop to an audience of 600, the star promises ‘no stadium bravado’ and delivers droll new songs alongside stripped-back oldies

Hannah Frances: Nested in Tangles review – ramshackle arrangements power restless revelations

Wayward tempos and snapping drums break fresh ground in this unruly release from the Vermont musician

Giustino review – sublime, and ridiculous, Handel rarity returns to Covent Garden

Joe Hill-Gibbins’ scaled-down staging is sensitive, and the music beautifully played and sung, but this is an uneven work dramatically

Katy Perry review – ​like being high on Haribo while trapped in a theme park

In a fun but frenetic show, the star hangs off props, wears a glove that shoots pyrotechnics and generally distracts from her own energy and charisma

The Kooks review – a triumphant and touching mass singalong

Playing to the biggest crowds of the careers, the 00s indie stalwarts perform like they’re loving every minute – although there is also raw emotion in Manchester on the night after the synagogue attack

Taylor Swift: The Official Release Party of a Showgirl review – lazy big screen cash-in

The megastar’s underwhelming new album gets a suitably sub-par cinematic accompaniment offering very little for even the most devoted of fans

Ethel Cain review – a sublime rejection of pop stardom from the shadows

Bathed in darkness and backed by a formidable band, the Florida singer-songwriter turns her brooding southern gothic into a mesmerising, slow-burn spectacle

Agriculture: The Spiritual Sound review – unabashedly gorgeous noise from ‘ecstatic black metal’ band

The LA group deliver all the power and euphoria of heavy music with imaginative detailing on their second album, which will have you levitating with joy

Taylor Swift: The Life of a Showgirl review – dull razzle-dazzle from a star who seems frazzled

Far from the Max Martin-assisted pop juggernaut fans expected, this soft-rock paean to domestic bliss is slight on tunes and still seethes with grievance. And the less said about her fiance’s ‘magic wand’, the better

Sigur Rós and the London Contemporary Orchestra review – crashing waves of refined harmony

Perhaps the band that can best justify a mid-career gig with classical backing, the extra heft of the orchestra adds power to the Icelanders’ beautiful crescendos

Lady Gaga review – from skeletons to sexy plague doctors, this is a glorious, ridiculous spectacle

Move over Chappell Roan – Gaga’s eighth world tour is a full-blooded return to OTT camp, with a Nietzschean nemesis and a zombified crowd of fans driven berserk with glee

Doja Cat: Vie review – master pop provocateur splits the difference between sugar and spice

On her fifth album, the Californian tempers the bite of 2023’s Scarlet with glossy, lovestruck sounds – but never loses her instinct for mischief

Various Artists – Pasé Bél Tan: Francophonies and Creolities in Louisiana review – foot-stomping joy

Influenced by jazz and early blues, this collection of largely African American folk music from the 50s to the 80s spans poignant lyricism to full-throated celebration

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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