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Lorde at Glastonbury review – new album playthrough is bold but a little foolhardy

Lorde resembles Patti Smith as she introduces her entire new album, Virgin, but the lack of well-known hits lets the energy drop

Lorde: Virgin review – chaos, carnality and compulsions meet cataclysmic choruses

After her last album embraced switching off, the musician returns to pop’s fray to revel in the mess of late-20s angst with a strikingly unsettled sound

Diana Ross review – glittering Motown royalty still sounds supreme

Accompanied by the Hallé Orchestra, the 81-year-old singer’s voice shines during this relentless blast through the hits

Lana Del Rey review – mid-century melodrama as mindblowing stadium spectacle

The US singer-songwriter graduates to the UK’s biggest venues with a theatrical show to match, featuring a house on fire, Allen Ginsberg recitals and some very real tears

Forever Now review – timeless stars shine among grab bag of 80s nostalgia

Public Image Ltd deliver a thrilling set and the The can still enthrall, but it is the techno-symphonies of headliners Kraftwerk that remain truly peerless

Iron Maiden review – 50th anniversary tour as near as uncompromising band get to greatest hits show

The newest song might date from 1992 but that matters little to fans of their fast and intricate heavy metal

Brandi Carlile review – country for the marginalised excels on the big stage

Elton John was a constant silent presence as versatile Carlile veered from crooner ballads to hot-rubber-and-leather vibes

Dua Lipa review – dance-pop icon keeps the energy hotter than hell

Amid exercise videos, confetti cannons and guest star Jamiroquai, Lipa maintains an old-school superstar steeliness as she works up a sweat in the summer heat

Loyle Carner: Hopefully! review – rap sweetheart faces family, fear and the feels

The Londoner’s trademark sentimental sweetness is balanced by a new unaffected singing style – his fourth album is his most impressive work yet

J Hus review – rapper touched by genius can’t quite channel his energy

After a cancelled arena tour, expectations are high for J Hus’s return – but for all his swagger and melody, he ends up falling short due to sound issues and a lack of vision

Mazeppa review – Tchaikovsky’s blood-thirsty opera is a wild and gruesome ride

David Pountney’s striking staging of this timely tale of a Ukrainian warlord battling Russian power unsettles the stomach as much as it titillates the ear

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

Haim: I Quit review – the messiest breakup album of recent times, in every sense

(Polydor)The three LA sisters dwell on the bitter end of a relationship in tracks that range from replayable valley-girl rap to plodding country-pop

Pitbull review – like a children’s party, but with loads of booze

With a hedonistic seize-the-day message, the pop-rapper resembles a cult leader or motivational speaker – and his followers are willing to overlook the faults in his live show

Pulp review – Jarvis Cocker’s captivating comeback turns a rapt crowd rapturous

On a kitschy 1970s chatshow set, the Sheffield band play hits from across their career – and fans welcome their just-released album tracks like old friends

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  • Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side
  • BBCSSO/Wigglesworth/Batsashvili review – detailed and monumental Bruckner
  • The Traitors Prom review – iconic show’s greatest hits turn the melodrama up to 11
  • Kesha review – a triumphant and electric return for pop’s comeback kid
  • Editrix: The Big E review – experimental trio speak their own ferocious musical language
  • Anthony Braxton: Quartet (England) 1985 review – recovered cassettes capture foursome in fantastic flux
  • King of Kings: Orchestral Transcriptions of Bach by Andrew Davis album review – the late conductor’s first love
  • Ginastera: String Quartets album review – compelling and colourful
  • Ensemble Intercontemporain/ Bleuse review – from a clown to a clarinet and Cathy Berberian
  • Judas Priest review – thrash, hellfire, dazzling guitar … Ozzy would have loved it
  • Tyler, the Creator: Don’t Tap the Glass review – contradictions and confessions on a dancefloor
  • Shibe/BBCPhil/Bihlmaier review – vivid, vibrant and exuberant virtuosity
  • Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory
  • Lucia di Lammermoor review – Jennifer France is a delight in touching and convincing Donizetti staging
  • First night of the Proms review – Batiashvili’s magnificent Sibelius opens the festival
  • Alex G: Headlights review – indie-rocker reins in the noise to reveal romantic soft rock
  • Poor Creature: All Smiles Tonight review – Lankum and Landless members steep tradition in lightness
  • Chloe Chua: Mozart Violin Concertos album review – teenage prodigy’s interpretations are balanced and mature
  • Julieth Lozano Rolong – Alma: Ibero-American Songs album review – Colombian soprano’s captivating debut
  • Jim Legxacy: Black British Music review – London iconoclast catalyses chaos into a major mixtape
  • Wireless festival review – Drake’s disjointed three-night headline run smacks of desperation
  • Salome review – a frankly astonishing concert performance
  • Justin Bieber: Swag review – inane lyrics undermine a gorgeously produced R&B passion project
  • Carmen review – feminist take on opera’s notorious femme fatale has swagger and style
  • Recital for a World Gone to Sh*t review – full-throttle fury meets beautiful, blistering verse
  • Kokoroko: Tuff Times Never Last review – ruminative jazz outfit get stuck in a relaxed rut
  • Phase Space: Degrees of Freedom review – improvisation knocks ambient tracks pleasingly off-kilter
  • Bless Me Father by Kevin Rowland review – the Dexys Midnight Runners frontman tells all
  • Schubert: Piano Sonata in A major, D959; Moments Musicaux album review – grandeur and grace from Steven Osborne
  • Steve Reich: Jacob’s Ladder; Traveler’s Prayer album review – at nearly 90, he’s as energetic as ever

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