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Nova Twins: Parasites & Butterflies review – fearless rock duo balance anthems and introspection

Trailblazers Amy Love and Georgia South push the boundaries of their trademark hybrid rock sound while confronting mental health and naysayers

Blood Orange: Essex Honey review – an exquisitely eclectic portrait of grief

Gorgeous melodies ground Dev Hynes’s questing fifth album, via dancefloor rhythms, indie pop and languorous funk – and cameos from Lorde and Zadie Smith

Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent

His most recent album may have tanked but it works better played live, and Smith is endearing as he continues to get jiggy with it

Krankenhaus review – Lake District castle has the antithesis to boring corporate music festivals

Featuring steam train trips and guided walks between the bands, organisers Sea Power have made something special in this dung-scented corner of the north

Reading and Leeds festival review – Chappell Roan slays and Bring Me the Horizon power the circle pits

Thousands of post-GCSE teens join acts from pop-poet Antony Szmierek to rap megastar Travis Scott, before Hozier blazes and Wunderhorse go off like a rocket

Nourished By Time: The Passionate Ones review – committed, full-hearted post-R&B

Marcus Brown’s second album makes a plea for big feelings in earthy vocals, rolling breakbeats and a contender for song of the summer

Bleak Squad: Strange Love review – Australia’s newest supergroup sound like they’ve been together for years

Four music greats – Mick Harvey, Mick Turner, Adalita and Marty Brown – have created a genuine collaboration that leaves room for all their talents

Coldplay review – after 12m tickets sold, this tour is still a mindblowing spectacle

They may be as cloyingly earnest as ever, but even amid an overwhelming production full of fireworks and lovehearts, Chris Martin and co are in total control

Green Man festival review – Kneecap and CMAT lead the charge in a utopian Welsh idyll

Progressive, independent and more sonically diverse than ever, the Brecon Beacons festival offered sterling sets from MJ Lenderman to Mike, Jasmine.4.t to Joshua Idehen

Sault review – GCSE-level drama performance borders on the pretentious

Standout moments included Chronixx captivating on stage, Yasiin Bey delivering a seamless guest verse and Cleo Sol’s ethereal appearance – but the theatrics felt alienating

Rise Against: Ricochet review – slick shift doesn’t skimp on righteous anger

Blood-and-guts emotion with the energy of the punk veterans’ early years meets high-sheen recording craft in a hulking 10th album

Cass McCombs: Interior Live Oak review – double album doubles the pleasures of one of indie-rock’s finest

With existential lullabies and ritualistic stomps, tear-jerking odes and ballads worthy of Sinatra, US indie’s steadfast storyteller makes a wonderfully unhurried double album his best yet

Rita Wrote a Letter: Paul Kelly’s sequel to How to Make Gravy is an affectionate goodbye to Joe

Almost 30 years after Kelly released his Christmas classic, we finally learn what became of his cast of characters

For Those I Love: Carving the Stone review – bracing anger at Irish social stasis

The raw grief of David Balfe’s first album may have faded to a bruise, but his spoken-word fury is as strong as ever in these hyper-focused stories of poverty and exploitation

Ninajirachi: I Love My Computer review – a surprisingly moving tribute to 2010s EDM

The Australian producer’s debut album pays homage to the blustering, bombastic genre of her adolescence. The BPM soars and so do the feelings

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  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show
  • Cmat: Euro-Country review – deeply relatable, gloriously catchy Celtic pop from a true one-off

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