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Flea: Honora review – Chili Pepper turns piper, taking up trumpet for a soulful jazz odyssey

Imaginative interpretations of Funkadelic and Frank Ocean sit alongside starry collaborations and gorgeous instrumentals on the bassist’s brassy side project

Paul McCartney: Days We Left Behind review – this wistful, lovely song is as McCartney-esque as it’s possible to be

This nostalgic new single suggests a convincing mature style, without the unnecessary straining for relevance that marred some recent solo releases

Fcukers: Ö review – hyped Harry Styles-supporting NYC hedonists have the hooks to merit the hoopla

The duo’s snotty nonchalance may capture the post-Brat zeitgeist, but their true appeal lies in a talent for turning vintage dance influences into pointed modern pop

Robyn: Sexistential review – pop doyenne returns with emotional grenades and a new philosophy

After 2018’s meditative Honey, the Swedish star returns to her trademark skin-tingling electro bangers – but this time she’s unpicking her trademark fixation on romantic love

Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way

FKA twigs review – an Olympian display of pop prowess

The British artist’s brilliantly ambitious first arena show is a breathtaking showcase of her artistic range, with pole dancing, vogue battles and sword fighting

Geese review – all hail the new saviours of rock’n’roll

Switching from convulsive rhythmic thrills to shimmering introspection, the Brooklyn indie-rockers’ music defies expectations and is viscerally of the moment

BTS: Arirang review – the world’s biggest pop band return with dumb fun and downright weirdness

Ending a hiatus that began in 2022, the septet recapture a distinctiveness that had been threatening to ebb away

Grace Ives: Girlfriend review – bedroom-pop auteur goes widescreen for a gorgeous sobriety epic

The New Yorker’s third album leaves behind her DIY origins to channel cult pop classics by Lorde and Sky Ferreira

Underscores: U review – ultra-imaginative auteur has pop’s most brilliant brain

Performing, writing and producing everything herself, April Grey pares back her hyperpop electronics for an LP in thrall to 90s pop-R&B, with songs that big stars would die for

James Blake: Trying Times review – platitudes about politics and Kanye can’t detract from an excellent album

Amid the stylistic shifts of Blake’s seventh record come samples of Dusty Springfield and Dizzee Rascal: gripping distractions from some preachy sentiments

The Black Crowes: A Pound of Feathers review – pathos and profanity elevate peerless rock’n’roll pastiche

​With Keef-style riffs and full-blooded commitment to the bit, resurgent brothers Chris and Rich Robinson​ resurrect​ the rocker lifestyle of eras past

Golden Plains 2026 review – Basement Jaxx turn a regional farm into a surreal and heaving club

With standout sets from Cut Copy, Marlon Williams and Water From Your Eyes, the cult favourite Victorian music festival has become the hottest ticket in town

Echo and the Bunnymen review – Ian McCulloch leaves it to the crowd to sing these timelessly great songs

The frontman struggled to get through most of the band’s choruses but that left space for Will Sergeant’s glorious psychedelic shapes and a supportive sing along

Harry Styles review – Netflix concert is a communal love-in with some big pop moments

Recorded for the streaming giant, this performance wrestles songs from the star’s new album into more interesting shapes

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  • Shakespeare’s Sisters review: brilliantly unexpected songs and prose give voice to the voiceless
  • Angine de Poitrine review – alien rock duo’s UK debut is hypnotic, harebrained and 100% worth the hype
  • Super Furry Animals review – stirring reunion showcases immaculate songcraft
  • Darkness Visible: Âme x Lawrence Power review – violist and guests reimagine the concert for the digital age
  • Charli xcx: Rock Music review – is she really pivoting from pop? Don’t be so sure …
  • Paul Simon review – at 84, back on stage after hearing loss, his resolute artistry is inspiring
  • Olof Dreijer: Loud Bloom review – the Knife star’s debut solo album is a garden of earthly delights
  • Ana Roxanne: Poem 1 review – ​a stunning pop balladeer emerges from the haze
  • Helen Charlston: A Poet’s Love album review – original and absorbing
  • Billie Eilish – Hit Me Hard and Soft: The Tour review – style trumps substance in James Cameron’s 3D oddity
  • Arcadi Volodos: Schubert piano sonata D850, Schumann Kinderszenen op15 – playfulness, longing and elegance
  • Aldous Harding: Train on the Island review – even whimsy-resistant listeners will love these lucid, luminous songs
  • Peter Grimes review – beauty and terror in Warner’s topical staging
  • Rosalía review – ribcage-rattling riot is one of the boldest, most highbrow arena shows in pop history
  • Galilee String Quartet review – Palestinian ensemble improvise their signature east-west blend
  • Tales of Love and Loss review – hauntings, tragicomedy and tweezer-sharp wit in Royal Opera triple bill
  • Gabriela Montero review – radiant renderings of postcard Spain with an excursion into the Beatles
  • Papillons review – rich and strange collaboration exemplifies the spirit of Multitudes festival
  • Morales: L’Homme Armé masses and Magnificat Secundi Toni album review – choral sounds of 16th-century Rome
  • Kneecap: Fenian review – their new album is terrific, triumphant yet tortured
  • Serokolo 7: Maramfa Musick Pro review – South Africa’s latest club export is a relentless adrenaline shot
  • Kacey Musgraves: Middle of Nowhere review – weary, rootsy and wry, it’s her richest album since Golden Hour
  • Beethoven: The Sonatas for Piano and Cello album review – Watkins and Bax have a shared impulse to deliver eloquence
  • O/Modernt review – from Auerbach to Mahler, the fires of love bruise, batter and delight
  • Ne-Yo and Akon review – joyous joint tour is like time-travelling to a messy night out in 2010
  • Schwarzman Centre opening concerts – a magnificent new monument to secular culture
  • Wozzeck: Wretches Like Us review – Berg’s harrowing opera is more adrenaline-inducing than ever
  • Turangalîla: Infinite Love review – RPO and 1927 Studios bring Messiaen to joyous and vibrant life
  • Anohni review – masterful songbook reinventions are an out-of-body experience
  • Carla dal Forno: Confession review – spartan, sunlit post-punk strikingly contrasts the desperation of desire

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