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Spiritbox: Tsunami Sea review – cataclysmic throat-shredding with a side serving of soul

The Canadian metal band’s second album is an adventure in songcraft, from boulders of invective to ruminative, poppy grooves

New Order review – classics front and centre, but electronic pop pioneers can still surprise

Among Joy Division anthems and dancefloor classics that conjured the Haçienda’s heyday, the Mancunian icons showed they can still switch it up

Lady Gaga: Mayhem review – a fabulous return to her freaky first principles

After some noteworthy musical and cinematic misfires, Gaga gets back to her core themes of sex, sleaze and celebrity on an album that sounds not retro, but relevant

The Cruel Sea: Straight Into the Sun review – could it be any more Australian?

First new album in 20 years from the band that says who cares what you are supposed to be doing – just do this instead, this is what matters

Lola Young review – soulful Londoner finds magic in the messy

An endearing shambles between songs but a powerfully versatile and emotional singer during them, the TikTok star is cool but relatable all at once

Doves: Constellations for the Lonely review – prog poetry for gloomy days

Impeccable production and propulsive moments led by Jimi Goodwin brighten the Manchester trio’s somewhat lethargic latest

Lisa: Alter Ego review – a focus group-tested attempt at megastar success

The Blackpink singer’s high-energy debut solo album, astutely timed to coincide with her role in The White Lotus, is packed with styles and stars that only highlight her lack of musical identity

Bdrmm: Microtonic review – Hull shoegazers nod towards the dancefloor

The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album

Hope Tala: Hope Handwritten review – even-tempered vocal gorgeousness

Tala’s mellow, unsensational debut ruminates on friendship, faith and family over fine, honeyed production but with a tad too much similarity

Panda Bear: Sinister Grift review – Animal Collective star’s bad trip through divorce to the dark side

Noah Lennox’s powerful and adventurous album has plenty of playlistable psych-pop, but then turns introspective: it’s a striking emotional arc

Fish review – euphoric opening to a prog hero’s farewell tour

The former Marillion singer was on rousing form as he delivered power ballads and intricate rock anthems spanning a career of more than four decades

Joy Crookes review – an enthralling, intimate set from this rising London soul star

The twentysomething singer-songwriter brings classic Motown rhythms with a touch of hip-hop to a resounding set of anti-anxiety anthems

Biig Piig review – charismatic alt-popper struggles to find her rhythm

After releasing her long-awaited debut, the Irish artist’s committed performance is better suited to swaggering dance tracks than more chilled-out numbers

Ider: Late to the World review – the glorious sound of letting go

Synth-pop duo Lily Somerville and Megan Markwick celebrate femininity while tackling tricky subjects with elan

Nao: Jupiter review – an upbeat, welcome return

After time away, the homegrown R&B star’s ethereal voice shines equally on uptempo tracks and slower grooves

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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