Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Forever Now review – timeless stars shine among grab bag of 80s nostalgia

Public Image Ltd deliver a thrilling set and the The can still enthrall, but it is the techno-symphonies of headliners Kraftwerk that remain truly peerless

Iron Maiden review – 50th anniversary tour as near as uncompromising band get to greatest hits show

The newest song might date from 1992 but that matters little to fans of their fast and intricate heavy metal

Brandi Carlile review – country for the marginalised excels on the big stage

Elton John was a constant silent presence as versatile Carlile veered from crooner ballads to hot-rubber-and-leather vibes

Dua Lipa review – dance-pop icon keeps the energy hotter than hell

Amid exercise videos, confetti cannons and guest star Jamiroquai, Lipa maintains an old-school superstar steeliness as she works up a sweat in the summer heat

Loyle Carner: Hopefully! review – rap sweetheart faces family, fear and the feels

The Londoner’s trademark sentimental sweetness is balanced by a new unaffected singing style – his fourth album is his most impressive work yet

J Hus review – rapper touched by genius can’t quite channel his energy

After a cancelled arena tour, expectations are high for J Hus’s return – but for all his swagger and melody, he ends up falling short due to sound issues and a lack of vision

Mazeppa review – Tchaikovsky’s blood-thirsty opera is a wild and gruesome ride

David Pountney’s striking staging of this timely tale of a Ukrainian warlord battling Russian power unsettles the stomach as much as it titillates the ear

Outbreak festival review – hardcore and pop hooks collide in impeccable genre-fluid lineup

Turnstile headlined with soaring high-tempo energy while Speed went route-one punk, Jane Remover caused pandemonium and Have a Nice Life electrified their fanbase in this most free-thinking of festivals

Haim: I Quit review – the messiest breakup album of recent times, in every sense

(Polydor)The three LA sisters dwell on the bitter end of a relationship in tracks that range from replayable valley-girl rap to plodding country-pop

Pitbull review – like a children’s party, but with loads of booze

With a hedonistic seize-the-day message, the pop-rapper resembles a cult leader or motivational speaker – and his followers are willing to overlook the faults in his live show

Pulp review – Jarvis Cocker’s captivating comeback turns a rapt crowd rapturous

On a kitschy 1970s chatshow set, the Sheffield band play hits from across their career – and fans welcome their just-released album tracks like old friends

Addison Rae: Addison review – 2025’s most refreshing star revels in pop’s shallow pleasures

The one-time TikTok dancer’s remarkably cohesive debut spans Jersey club to R&B, and defies an obsession with ‘lore’ to suggest that the best pop isn’t that deep

Witch: Sogolo review – Zamrock originators in joyously punchy form

After the band’s 2023 reunion and a revamp of members comes this imaginative and playful set showing 74-year-old Emmanuel ‘Jagari’ Chanda’s undiminished vocal power

Lionel Richie review – larger-than-life legend delivers a lesson in charm

The perfectly ’tached singer rolls out some raw and funky versions of his hits, from Hello to Brick House to All Night Long, with a roaring-along crowd

Post navigation

← Older posts
Newer posts →
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

Contact www.freakyparty.net   Terms of Use