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Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

Five rising artists each perform one of their songs, then the US singer-songwriter covers another one of their tracks in a set of woebegone elegance

TV on the Radio review – NYC art-rockers remain singular, energised and lupine

Their rhythms push and pull between destruction and creation, frontman Tunde Adebimpe is as magnetic as ever: this is no cynical anniversary cash-in

The Human League review – immaculate electro pop as radiant now as it was 40 years ago

Philip Oakey’s voice remains rich and pristine and sets the tone for an evening of timeless era-defining tunes

Sam Fender review – cathartic songs delivered with passion and a humble presence

Even when the entire crowd of 23,000 are bellowing his ‘whoah-oh-ohs’, understated Fender quips ‘got some singers here, haven’t we?’ as if performing in a local boozer

Vampire Weekend review – crowd-pleasers, covers and 10-minute cowboy medleys

Billed as a two hour ‘evening with’ the indie perennials, this unconventional set has mixed results but the hits sparkle

Crowded House review – Perth performance much more than a traffic jam on memory lane

With Neil Finn’s sons joining Crowded House on stage, it was clear the band hasn’t become mired in nostalgia

Charli xcx review – a glorious, one-woman triumph

The Brat star commands the stage alone in a joyful arena show that feels more like a warehouse rave

Papa M: Ballads of Harry Houdini review – committed to evolution

Cult American musician David Pajo’s latest solo outing reflects his recent troubles but also his restless desire to change things up

Father John Misty: Mahashmashana review – a superb chronicler of life’s perverseness

Josh Tillman ties together the misery, wit and showmanship of his previous albums on a set laced with strings and swagger

Lauren Mayberry: Vicious Creature review – Chvrches singer writes her own pop gospel

The Scottish star’s solo debut is about ‘empowering myself to listen to my own intuition’ – leading her to alternately clumsy and deft songs influenced by Y2K pop

Charli xcx review – feral masterclass in pop presence heralds Brat winter

The star brings hedonistic energy to this arena show, reviving the rush of her 2024-dominating sixth album with sweaty, stage-licking abandon

Anohni review – uniquely gifted interpreter pays homage to mentor Lou Reed

On this special night, Anohni reveals her rarely heard talents as a covers artist as she expands the boundaries and musicality of beloved – and obscure – Reed songs

Zayn review – shy star lets his hypnotic vocals do the talking

Malik sips tea and hesitantly delivers an intimate, accomplished set – and pays tribute to former One Direction bandmate Liam Payne

MJ Lenderman review – a shooting star from the American south

Showcasing new album Manning Fireworks, the North Carolina indie rising star seals his reputation as a slacker guitar hero who knows exactly what he’s doing

Poppy Ajudha: Poppy review – frank lyrics elevate soulful, funky love songs

The singer-songwriter cycles through many moods, finding hope and complication in her search for love and meaning

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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