Troye Sivan review – Melbourne ‘home cumming’ is unabashedly horny, but over too soon
After sweeping the Aria awards the night before, Sivan turned the outdoor venue into a steamy, sweaty club, on a tour that continues through November
Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed
The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock
MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling
The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie
Shed Seven review – enduring Britpoppers are still going for gold
Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour
Laurie Anderson: Ark: United States V review – portrait of America is a multimedia mess
A mix of beat poetry, opera, communal screaming, TikTok and tai chi, Anderson’s state-of-the-nation work is occasionally poignant but mostly baffling
Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore
On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts
Magdalena Bay review – alien electro-pop adventure could go further
Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach
Bob Dylan review – melancholy, reflective, but still utterly unpredictable
He may be well into his ninth decade but his seasoned sidemen are still racing to keep up with mercurial twists on new and old songs
Beabadoobee review – singer-songwriter cautiously ups the rock ante
She continues to draw on a huge range of styles but, for all her self-doubt, there’s a new swagger developing in her live set
The Corrs review – family folk-poppers surprise with grit, grunge and gothic drama
The Irish band rip their wispy image apart with thunderous drums, crunchy guitars and full-throated vocals from an energetic Andrea Corr
King Stingray: For the Dreams review – an unbridled celebration of life from Yolŋu surf rockers
The Northern Territory band follow up their award-winning debut with another instant classic full of catchy hooks, massive choruses and good vibes
Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair
The Newcastle musician’s freewheeling, hook-heavy new album is a worthy follow-up to the one-woman wigout of Homecoming
Primal Scream: Come Ahead review – Bobby Gillespie’s most personal album yet
The frontman of the Scottish rockers contemplates mortality and more on an album with shades of 70s Philly soul
Sofie Royer: Young-Girl Forever review – existential crises you can dance to
The Austrian-Iranian singer’s new wave style hits harder than ever on an excellent album inspired by a treatise from a French anarchist collective
Linkin Park: From Zero review – rock’s risk takers win big with punchy comeback
They sold millions as the most poppy and emotional band in nu-metal. Now, returning with Emily Armstrong as frontwoman, they remain just as dynamic