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Fish review – euphoric opening to a prog hero’s farewell tour

The former Marillion singer was on rousing form as he delivered power ballads and intricate rock anthems spanning a career of more than four decades

Joy Crookes review – an enthralling, intimate set from this rising London soul star

The twentysomething singer-songwriter brings classic Motown rhythms with a touch of hip-hop to a resounding set of anti-anxiety anthems

Biig Piig review – charismatic alt-popper struggles to find her rhythm

After releasing her long-awaited debut, the Irish artist’s committed performance is better suited to swaggering dance tracks than more chilled-out numbers

Ider: Late to the World review – the glorious sound of letting go

Synth-pop duo Lily Somerville and Megan Markwick celebrate femininity while tackling tricky subjects with elan

Nao: Jupiter review – an upbeat, welcome return

After time away, the homegrown R&B star’s ethereal voice shines equally on uptempo tracks and slower grooves

Sam Fender: People Watching review – a lonely yet brilliant document of fame

The North Shields singer-songwriter wrestles with how far life has propelled him away from his roots on his musically adventurous third album

Saya Gray: Saya review – oddball heartbreak anthems bounce around pop history

There are some self-consciously experimental moments, but the Toronto musician’s genre-mashing songs of heartbreak are often focused and fresh

Motionless in White review – gothically glam US metalcore will put a grin on your face

Backed by skeletons, cheerleaders and chainsaw-wielders, Chris Cerulli and co dispense any heavy metal menace in favour of a charming sense of fun

Uriah Heep review – after 56 years, progressive heavy rockers bid a blistering live farewell

They may not have created any true rock touchstones, but they still have the powerhouse vocals and guitar skills to get the audience on their feet

Sam Fender: People Watching review – subtle social realism at stunning blockbuster scale

On his third album, produced by the War on Drugs, the North Shields singer-songwriter shows just how gifted he is at pairing stadium choruses with sharp, bleak vignettes

Billie Eilish review – snarls, seduction and moments of sheer rapture

At one point the singer soars on a pedestal far into the air – a glorious new-age leader exorcising her heartache

Myles Smith review – Brits Rising Star award winner clearly has hidden depths

The Stargazing streaming sensation gives his young fans what they want, but there’s evidently more to him than earworm singalongs

Kylie Minogue review – Tension world tour kicks off with euphoric show stuffed with hit after hit

RAC Arena, PerthThe first stop on Kylie’s biggest tour in two decades reminds us that Australia’s queen of pop has always been a genius at reinvention

Cyndi Lauper review – a freedom fighter’s swan song

Forty years after her feminist breakout hit, the New York singer bows out of live performance with a show rich in colourful pop and personal anecdotes, while never losing sight of women’s basic rights…

Bartees Strange: Horror review – frustratingly timid genre-mashing experiment

With producer-to-the-stars Jack Antonoff on board, the anarchic American rocker offers glimpses of inspiration but fails to follow through

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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