Bryan Ferry and Amelia Barratt: Loose Talk review – Roxy demos remade, remodelled as eerie duets

Veering from the standard heritage-artist playbook, Ferry pairs unearthed demos from across his career with cool narration from Barratt, to beautiful, unsettling effect

Michael Kiwanuka review – big sounds from the quiet maestro

Touring his understated latest album, Small Changes, the Mercury prize-winner amplifies his gossamer grooves with no loss of charm or sophistication

Chappell Roan: The Giver review – saddle up, there’s a new sheriff in town

The midwest princess embraces her roots with a queer country banger about pleasure that toys with the genre’s gender and class cosplay

Clairo review – charming pop-soul from a singer with starpower to spare

Playing material from her wonderful 2024 album Charm against lavish, elegant staging, the US artist has ushered in a confident new era

Courting: Lust for Life, Or: ‘How to Thread the Needle and Come Out the Other Side to Tell the Story’ review – a giant leap forward

The Liverpool foursome’s joyful, floor-filling rock on album No 3 finds a band maturing into greatness

Edwyn Collins: Nation Shall Speak Unto Nation review – the sense of an ending

This rousing, contemplative 10th solo album from the Scottish singer-songwriter has an air of finality

Lady Gaga: Mayhem review – a wholesale rewind to core career values

It’s back to the dancefloor as the US superstar doubles down on what she does best – albeit with one eye on Madonna, Charli xcx, Taylor Swift and more…

Derya Yıldırım & Grup Şimşek: Yarın Yoksa review – a feast of woozy Turkish psych

Fuzzy, hypnotic beats, soulful saz-funk and emotive balladry mark Yıldırım’s powerfully imaginative new music, produced by Leon Michels

Throwing Muses: Moonlight Concessions review – as ever, Kristin Hersh is astonishing

For their 11th album in a nearly 40-year career, the alt-rockers switch focus to acoustic guitars and cello – but their tumultuous tales are still charged with elemental power

The Brand New Heavies review – acid jazzers are as slick and funky as ever

While their hits from their 90s hip heyday are now more likely to be heard on Magic FM’s drive-time slot the band’s punchy melodies can still get the party started

The Darkness review – retro rockers are still in acrobatically high spirits

Fresh from Taylor Swift’s endorsement, Justin Hawkins and his hard-riffing band can still strut and peacock with the best – so it’s a shame about the bad sound mix

Sabrina Carpenter review – brilliantly bonkers innuendo-stuffed delirium

This 1970s variety show complete with title cards, cheesy voiceover and overt sexiness could be Carry On Carpenter, but the star has more in her arsenal than just kooky camp

Jack White review – rock’n’roll showman makes believers of us all

Touring his 2024 solo album No Name in a barnstorming gig, the former White Stripe plays fast and loose with the truth but is absolutely the real deal

Gracie Abrams review – telling references tied together in a big, bland bow

Her songs recall Taylor Swift and Phoebe Bridgers, so much so it’s hard not to wish you were listening to them instead. Not that that bothers her excitable young fans

Annie Lennox and friends review – a euphoric celebration of female solidarity

In her first performance since 2019, Lennox’s rare charisma makes her the star attraction during a fundraiser that also includes Nadine Shah, Beverley Knight and Celeste