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Deep Purple review – age cannot wither these pogoing rock elders

Now in their late 70s, the band revisit the classics but also show off remarkably fresh rockers from their new album – and keep the lid on their solos

Lulu review – remarkable farewell tour ends one of pop’s strangest journeys

Her distinctive rasp is still magnificent at 76, as she swings through 60 years of hits from Shout! to Relight My Fire

The Cure review – an intimate, poignant show from a band more focused than they’ve been in years

Material from new album Songs of a Lost World fits perfectly amid two hours’ worth of back-catalogue hits, all performed with giddy intensity

Nick Cave & the Bad Seeds review – an incredible mass spiritual outpouring

This hugely moving concert spans every corner of the human experience, finding Cave at a point where time has deepened his music’s power and his connection with his audience

Laura Marling review – a sumptuous performance, with strings attached

The singer-songwriter’s impressive showcase of her new album is bookended by solo guitar numbers that underline what a class act she is

Peter Perrett: The Cleansing review – a darkly humorous gem

For all his talk of death and dying, the former Only Ones frontman is on top form on this 20-track bonanza

Autre Ne Veut: Love, Guess Who?? review – long-awaited return is like peak Magic FM

Arthur Ashin’s first album for nearly a decade sounds bruised and careful, its melodies strong and simple – including his best song to date

Ice Spice review – rapid-fire hits from rap’s new princess

There’s high octane energy from artist and audience alike as the New Yorker rattles through 21 tracks in 45 minutes, showing off broad artistry in between bouts of twerking

Beak> review – cosmic rockers’ noisy, glorious send-off for Geoff Barrow

Ahead of ex-Portishead man Barrow leaving the trio, there’s time for one last tour – and it’s a triumph of musical freedom and fraternity

Paul Kelly: Fever Longing Still – an old-school variety show with old-school oomph

With his 29th album, the Melbourne songwriter goes back to basics – assembling a classic rock band who tumble through tracks of desire and devotion

Peter Perrett: The Cleansing review – a late-career triumph that dances in the face of death

Despite its themes of decline and mortality, the 72-year-old former Only Ones frontman is full of joie de vivre on this wise and empathetic record

Mk.gee review – is this the world’s most exciting young guitarist?

Amid ​a big breakout moment, the New Jersey musician slips past definition with his blend of 80s pop and Americana,​ his wild screams matched by the audience

Laura Marling review – gently transcendent songs of motherhood and domesticity

She may confess to impostor syndrome, but these tender studies of the latest stage in her life show a remarkable artist in full bloom

Tyler, the Creator: Chromakopia review – early midlife crisis triggers a freaked-out psychodrama

Full of switchback turns, the rapper’s unsettled and unsettling seventh album zaps from Beach Boys harmonies to G-funk synths – and from boasts to self-loathing

Iron & Wine review – shadow puppets and folk-pop combine in singular gig

Emmy award-winning puppeteers Manual Cinema occasionally pull focus from Sam Beam’s rich songwriting, but mostly enhance it with eerie and intricate staging

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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