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Tokimonsta: Eternal Reverie review – a life-affirming journey through dance music

On her seventh album, delayed by personal tragedy, the US producer calls in collaborators aplenty on a high-energy set interspersed with tender moments

Spiritbox: Tsunami Sea review – cataclysmic throat-shredding with a side serving of soul

The Canadian metal band’s second album is an adventure in songcraft, from boulders of invective to ruminative, poppy grooves

New Order review – classics front and centre, but electronic pop pioneers can still surprise

Among Joy Division anthems and dancefloor classics that conjured the Haçienda’s heyday, the Mancunian icons showed they can still switch it up

Lady Gaga: Mayhem review – a fabulous return to her freaky first principles

After some noteworthy musical and cinematic misfires, Gaga gets back to her core themes of sex, sleaze and celebrity on an album that sounds not retro, but relevant

The Cruel Sea: Straight Into the Sun review – could it be any more Australian?

First new album in 20 years from the band that says who cares what you are supposed to be doing – just do this instead, this is what matters

Lola Young review – soulful Londoner finds magic in the messy

An endearing shambles between songs but a powerfully versatile and emotional singer during them, the TikTok star is cool but relatable all at once

Doves: Constellations for the Lonely review – prog poetry for gloomy days

Impeccable production and propulsive moments led by Jimi Goodwin brighten the Manchester trio’s somewhat lethargic latest

Lisa: Alter Ego review – a focus group-tested attempt at megastar success

The Blackpink singer’s high-energy debut solo album, astutely timed to coincide with her role in The White Lotus, is packed with styles and stars that only highlight her lack of musical identity

Bdrmm: Microtonic review – Hull shoegazers nod towards the dancefloor

The quartet’s increasingly electronica-based textures convey a sense of tension and unease on their third album

Hope Tala: Hope Handwritten review – even-tempered vocal gorgeousness

Tala’s mellow, unsensational debut ruminates on friendship, faith and family over fine, honeyed production but with a tad too much similarity

Panda Bear: Sinister Grift review – Animal Collective star’s bad trip through divorce to the dark side

Noah Lennox’s powerful and adventurous album has plenty of playlistable psych-pop, but then turns introspective: it’s a striking emotional arc

Fish review – euphoric opening to a prog hero’s farewell tour

The former Marillion singer was on rousing form as he delivered power ballads and intricate rock anthems spanning a career of more than four decades

Joy Crookes review – an enthralling, intimate set from this rising London soul star

The twentysomething singer-songwriter brings classic Motown rhythms with a touch of hip-hop to a resounding set of anti-anxiety anthems

Biig Piig review – charismatic alt-popper struggles to find her rhythm

After releasing her long-awaited debut, the Irish artist’s committed performance is better suited to swaggering dance tracks than more chilled-out numbers

Ider: Late to the World review – the glorious sound of letting go

Synth-pop duo Lily Somerville and Megan Markwick celebrate femininity while tackling tricky subjects with elan

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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