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Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Paul McCartney review – a dizzying, bittersweet, life-encompassing journey through time

An eras tour of a different kind finds the 82-year-old former Beatle on tremendous form, packing a three-hour show with hits, flashbacks and real emotion

Paul McCartney review – extraordinarily sublime and humblingly beautiful

Stretching an almost three-hour set from the Quarrymen through to the ‘final Beatles single’ this is like an arena-sized Last Night at the Proms, with Beatlemania

Slipknot review – metal mammoths deliver exhilarating sonic brutality

Heads bang, moshpits burst into life and riffs eviscerate every corner of the room as the band tear through their debut album 1999 in a visceral sensory haze

Lauren Mayberry: Vicious Creature review – a solo statement of intent

The Chvrches singer’s debut album skips from punk to pop, wilfully unbothered about current notions of cool

Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

Five rising artists each perform one of their songs, then the US singer-songwriter covers another one of their tracks in a set of woebegone elegance

TV on the Radio review – NYC art-rockers remain singular, energised and lupine

Their rhythms push and pull between destruction and creation, frontman Tunde Adebimpe is as magnetic as ever: this is no cynical anniversary cash-in

The Human League review – immaculate electro pop as radiant now as it was 40 years ago

Philip Oakey’s voice remains rich and pristine and sets the tone for an evening of timeless era-defining tunes

Sam Fender review – cathartic songs delivered with passion and a humble presence

Even when the entire crowd of 23,000 are bellowing his ‘whoah-oh-ohs’, understated Fender quips ‘got some singers here, haven’t we?’ as if performing in a local boozer

Vampire Weekend review – crowd-pleasers, covers and 10-minute cowboy medleys

Billed as a two hour ‘evening with’ the indie perennials, this unconventional set has mixed results but the hits sparkle

Crowded House review – Perth performance much more than a traffic jam on memory lane

With Neil Finn’s sons joining Crowded House on stage, it was clear the band hasn’t become mired in nostalgia

Charli xcx review – a glorious, one-woman triumph

The Brat star commands the stage alone in a joyful arena show that feels more like a warehouse rave

Papa M: Ballads of Harry Houdini review – committed to evolution

Cult American musician David Pajo’s latest solo outing reflects his recent troubles but also his restless desire to change things up

Father John Misty: Mahashmashana review – a superb chronicler of life’s perverseness

Josh Tillman ties together the misery, wit and showmanship of his previous albums on a set laced with strings and swagger

Lauren Mayberry: Vicious Creature review – Chvrches singer writes her own pop gospel

The Scottish star’s solo debut is about ‘empowering myself to listen to my own intuition’ – leading her to alternately clumsy and deft songs influenced by Y2K pop

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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