Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Songhoy Blues: Héritage review – the Malian rockers take a gorgeous acoustic turn

Close harmonies and delicate percussion front and centre showcase the band’s songwriting finesse on their beguiling fourth album

Mogwai: The Bad Fire review – noise stalwarts’ journey into hell is unexpectedly heavenly

(Rock Action)While old-school fans may lament their softening, the Glasgow band swap rage for refuge as they face personal strife – and their 30th anniversary

Moonchild Sanelly: Full Moon review – hustle, energy and smut aplenty

(Transgressive)The sex-positive South African trailblazer deserves to break into the mainstream with the fullest expression so far of her wit and sheer verve

Ethel Cain: Perverts review – a gothic follow-up determined to stay underground

Ambient soundscapes dominate US singer-songwriter Hayden Silas Anhedönia’s resolutely avant garde second album

Franz Ferdinand: The Human Fear review – more revitalisation than reinvention

The Scottish art rockers’ sixth album benefits from an infusion of fresh blood, but can’t maintain the standards of the first few songs

Moonchild Sanelly: Full Moon review – sex-positive South African swaggers towards stardom

Spinning the sounds of Johannesburg and Durban into distinctive, abrasive electro-pop, the blue-braided singer is filthy and sharply funny

Lambrini Girls: Who Let the Dogs Out review – stomps straight to the top of British punk’s table

Championed by Iggy Pop and riot grrrl royalty, the Brighton duo pile on the jagged riffs, scabrous humour and swearing for their politically charged debut

Franz Ferdinand: The Human Fear review – stiffness sets in on stodgy sixth

Alex Kapranos and co are finally acting their age, but have lost their cool in the process

Ethel Cain: Perverts review – pink noise and punishment as cult star heads underground

(Daughters of Cain)Having struggled with the obsessive fandom drawn to her widescreen pop-Americana, Cain returns with 90 minutes of collapsing songs and confrontational power electronics

Phish review – spiraling jams and communal bliss at Madison Square Garden

Unsinkable Vermont four-piece ring in the new year with a dazzling mix of improvisation, spectacle and fan devotion

Beyoncé NFL half-time show review – country ho-ho-ho-down is playful and infectious

Show livestreamed on Netflix is first live performance of material from country-themed album Cowboy Carter

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Paul McCartney review – a dizzying, bittersweet, life-encompassing journey through time

An eras tour of a different kind finds the 82-year-old former Beatle on tremendous form, packing a three-hour show with hits, flashbacks and real emotion

Paul McCartney review – extraordinarily sublime and humblingly beautiful

Stretching an almost three-hour set from the Quarrymen through to the ‘final Beatles single’ this is like an arena-sized Last Night at the Proms, with Beatlemania

Slipknot review – metal mammoths deliver exhilarating sonic brutality

Heads bang, moshpits burst into life and riffs eviscerate every corner of the room as the band tear through their debut album 1999 in a visceral sensory haze

Post navigation

← Older posts
Newer posts →
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

Contact www.freakyparty.net   Terms of Use