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Charli xcx review – feral masterclass in pop presence heralds Brat winter

The star brings hedonistic energy to this arena show, reviving the rush of her 2024-dominating sixth album with sweaty, stage-licking abandon

Anohni review – uniquely gifted interpreter pays homage to mentor Lou Reed

On this special night, Anohni reveals her rarely heard talents as a covers artist as she expands the boundaries and musicality of beloved – and obscure – Reed songs

Zayn review – shy star lets his hypnotic vocals do the talking

Malik sips tea and hesitantly delivers an intimate, accomplished set – and pays tribute to former One Direction bandmate Liam Payne

MJ Lenderman review – a shooting star from the American south

Showcasing new album Manning Fireworks, the North Carolina indie rising star seals his reputation as a slacker guitar hero who knows exactly what he’s doing

Poppy Ajudha: Poppy review – frank lyrics elevate soulful, funky love songs

The singer-songwriter cycles through many moods, finding hope and complication in her search for love and meaning

Troye Sivan review – Melbourne ‘home cumming’ is unabashedly horny, but over too soon

After sweeping the Aria awards the night before, Sivan turned the outdoor venue into a steamy, sweaty club, on a tour that continues through November

Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed

The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock

MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling

The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie

Shed Seven review – enduring Britpoppers are still going for gold

Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour

Laurie Anderson: Ark: United States V review – portrait of America is a multimedia mess

A mix of beat poetry, opera, communal screaming, TikTok and tai chi, Anderson’s state-of-the-nation work is occasionally poignant but mostly baffling

Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore

On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts

Magdalena Bay review – alien electro-pop adventure could go further

Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach

Bob Dylan review – melancholy, reflective, but still utterly unpredictable

He may be well into his ninth decade but his seasoned sidemen are still racing to keep up with mercurial twists on new and old songs

Beabadoobee review – singer-songwriter cautiously ups the rock ante

She continues to draw on a huge range of styles but, for all her self-doubt, there’s a new swagger developing in her live set

The Corrs review – family folk-poppers surprise with grit, grunge and gothic drama

The Irish band rip their wispy image apart with thunderous drums, crunchy guitars and full-throated vocals from an energetic Andrea Corr

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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