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Coldplay: Moon Music review – ‘live, laugh, love’ in album form

Their 10th album has epic songs that make you feel like you’ve climbed Everest – but they’re undermined by corny lyrics and ​ambient-orchestral waffle

Janet Jackson review – glitz, glamour and a very quick run-through of the hits

She lets eight songs go by before she breaks out the old favourites – but when she does, it reminds you why she ruled the charts

Sophie: Sophie review – shiver-inducing posthumous album from the hyperpop trailblazer

Completed by her brother after her accidental death in 2021, the experimental pop producer’s second album is among the most inventive records of the year

Diljit Dosanjh review – bhangra and beats ignite an arena-sized Punjabi party

Arguably south Asia’s biggest pop star, Dosanjh delivers a joyful two hours in which traditional influences and contemporary sounds collide in a colossal production

Rahim Redcar: Hopecore review – former Christine and the Queens artist plays to his fanbase

There are flashes of brilliance in this roughly-hewn album, but also flaws hidden by production flourishes. It’s intriguing but not wholly enjoyable

Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Cure: Alone review – majestically wreathed in misery and despair

Birds fall from the sky, broken voices call us home and youthful dreams are dashed against the transience of life in the band’s first new song in 16 years

Linkin Park review – monster hits perfectly reshaped for a fresh chapter

Back on the road with vocalist Emily Armstrong making their back catalogue her own, the hybrid metallers have found a new audience and a reinvigorated sense of purpose

Charli xcx and Troye Sivan’s Sweat tour review – a pop triumph

The duo hit the stage, along with some special guests, for a high-energy stadium party that was hard to resist

Arijit Singh review – Indian superstar’s four-hour marathon holds audience rapt

Singer who has overtaken Taylor Swift as the most followed artist on Spotify is at his best when arrangements are stripped back to reveal his astonishing vocal fluency

Los Campesinos! review – a hero’s welcome for cult indie stars

Despite having only spent £190.86 on marketing their new album its songs are greeted with sweaty glee by new fans and old alongside the band’s indie disco stalwarts

The Last Dinner Party review – Victoriana pomp and bombastic baroque rock

Clearly having a whale of a time leaning into classic guitar rock it’s refreshing to see a group embracing the imaginative and unexpected

Chappell Roan review – a super graphic ultra modern showbiz star

The slow-burn breakout US star, in one of her last small-venue gigs, delivers a set packed with witty queer energy, pulsating pop and even a torch song or two

Oxlade: OFA (Oxlade from Africa) review – an extremely likable debut

Two years on from his viral summer hit Ku Lo Sa, the Nigerian singer’s debut album showcases his free-floating, mellifluous style

Joan As Police Woman: Lemons, Limes and Orchids review – stripped back songs of love and loss

On her first collection of originals since 2018, Joan Wasser lets loose with an album of slinky vocals and live instrumentation

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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