Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

The Last Dinner Party review – Victoriana pomp and bombastic baroque rock

Clearly having a whale of a time leaning into classic guitar rock it’s refreshing to see a group embracing the imaginative and unexpected

Chappell Roan review – a super graphic ultra modern showbiz star

The slow-burn breakout US star, in one of her last small-venue gigs, delivers a set packed with witty queer energy, pulsating pop and even a torch song or two

Oxlade: OFA (Oxlade from Africa) review – an extremely likable debut

Two years on from his viral summer hit Ku Lo Sa, the Nigerian singer’s debut album showcases his free-floating, mellifluous style

Joan As Police Woman: Lemons, Limes and Orchids review – stripped back songs of love and loss

On her first collection of originals since 2018, Joan Wasser lets loose with an album of slinky vocals and live instrumentation

Kate Pierson: Radios & Rainbows review – bops, balls and belles from B-52s singer

Pierson’s mellifluous vocals radiate positivity in a dozen bouncy tracks that skip giddily between electro-pop, rock, dance and disco

Katy Perry: 143 review – wan Europop revival falls short of total catastrophe

(Capitol)Following disastrous comeback singles and videos prompting environmental investigation, Perry’s seventh album isn’t the calamity expected – but it isn’t good, either

Moby review – full of teenage energy on first tour in over a decade

With songs either maximalist or stripped back, there’s not much subtlety during this 25th anniversary tour for the once-ubiquitous Play – but there are some head-rush thrills

Jamie xx: In Waves review – bright, blissful bangers for 3am on big speakers

Filled with guest stars from his xx bandmates to Robyn, this long-gestating second solo album picks up where In Colour left off, and deepens its dancefloor devotion

Chappell Roan review – having the time of her life

From YMCA-style dance to thrashing guitars, a queer take on Aerosmith to Kate Bush cosplay, Roan’s DIY approach maintains her humanity

Jack White review – virtuoso noisemaker delivers in riotous style

White and his band sound like a hooligan Rage Against the Machine or a basement-dwelling AC/DC

Jonas Brothers review – epic 60-song eras set is full of cheesy joy

The former Disney stars’ voices have matured nicely – and they give Taylor Swift a run for her money with this exhilarating trip through their career

The Weeknd: Dancing in the Flames review – another apocalyptic romance, and another surefire hit

Abel Tesfaye revisits his usual theme of nihilistic love and his beloved palette of 80s synths, but it’s melodically solid and there are some tweaks to the formula

The Jesus Lizard: Rack review – Chicago punks return with pyrotechnics undimmed

The Nirvana peers’ first album in 26 years is a masterclass in tightly controlled chaos

Fousheé: Pointy Heights review – a Caribbean-facing new direction

The in-demand US singer-songwriter’s second album takes its cue from her Jamaican heritage

Florence + the Machine: Symphony of Lungs review – one crescendo of ecstasy after another

An appropriately maximal reading of debut album Lungs, made with Jules Buckley’s orchestra at Prom 69, provides a grand stage for Welch’s even grander voice

Post navigation

← Older posts
Newer posts →
  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

Contact www.freakyparty.net   Terms of Use