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The Waterboys review – Steve Earle joins a gloriously unruly return to Fisherman’s Blues

The Nashville singer-songwriter is among the guests joining Mike Scott for a sprawling, exuberant revue that finds new life in the Waterboys’ rootsy past

Dahi: Black Boy (Alternative) review – Kendrick producer takes the spotlight for all-star guitar celebration

The Grammy winner unites former clients including Lamar and Ravyn Lenae for a playful, dazzling voyage through the guitar’s diversity, from alt-rock to Afrobeat

Green Man review – Wolf Alice, Shame and secret sets keep the Welsh festival’s flame burning

The traditional fire might be banned this year, but festivalgoers are treated by energetic performances by Wolf Alice, Tamikrest and Westside Cowboy

Slayyyter live review – raucous show announces a new princess of sleaze-pop

The cult star proves she is ready for pop’s big leagues in a show that blends chaotic punk energy with technical finesse

Stella Lefty: Long Way Home review – Boston singer’s debut is bland, boilerplate and beyond banal

The breakout 24-year-old country star’s debut is stunningly unremarkable, offering little in the way of artistic identity or her peers’ originality

Brandon Flowers: Thrasher review – Killers frontman’s country pivot is a rootin’ tootin’ cowboy-bootin’ hoot!

Even a couple of bafflingly misguided social commentary songs can’t detract from the joys of Flowers’ classically full-throated commitment to the Nashville bit

Ariana Grande Eternal Sunshine tour review: pop illusion at its most effective – for good and bad

On her last live dates before she steps back from the public eye, Grande holds her own – but it’s also impossible to avoid feeling concerned for her wellbeing

Chelsea Wolfe: The Dark review – existential reflection goes from whisper to gothic scream

The genre-blending Californian artist casts off past toxic influences with a powerful set of tender, brooding and emotionally charged songs that wouldn’t feel out of place as festival anthems

Olivia Rodrigo review – crushing riffs and infectious hooks at secret New York show

Playing to just 1,000 fans, Rodrigo’s pop-up show is a thrillingly intimate showcase of her tour de force talent

Ravyn Lenae: Blue Island review – from Suicide to Squarepusher, grunge to Janet, a pop one-off plots her unique path

Evoking everyone from Janet Jackson to Squarepusher, the US singer follows up her huge hit Love Me Not with stylistic diversity – and lyrics that defy her doubters

Ariana Grande: Petal review – calm, controlled anger at exes, fans and the media

Casting herself as a flower trampled underfoot, the superstar’s eighth album swaps the ​glitz of her Wicked years ​f​or dark blooms of haunted electronics

Shaboozey: The Outlaw Cherie Lee & Other Western Tales review – a striking addition to the rich canon of country concept albums

Beneath the Hollywood narrators, Pink Floyd-y interludes and accompanying comic books lies songwriting that proves the Tipsy singer’s breakout success was no fluke

Luke Combs review – regular Joe megastar brings the arena-sized party home

Despite his humble persona, the highest-selling country artist of all time has the vocal firepower and heavyweight hits to deliver two hours of crowd-pleasin’ pyrotechnics

Bon Dylan review – Justin Vernon’s Bob Dylan covers set brings magic to Wisconsin

At his Eauxs Claire festival, Bon Iver dazzles with a one-off set dedicated to the folk legend

The Strokes: Reality Awaits review – a perfect marriage of mayhem and melody on their best album in years

Allying the crackpot strangeness of Julian Casablancas’ side projects with his band’s gift for pop minimalism, the New Yorkers are on playful, joyous form

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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