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Green Man festival review – Kneecap and CMAT lead the charge in a utopian Welsh idyll

Progressive, independent and more sonically diverse than ever, the Brecon Beacons festival offered sterling sets from MJ Lenderman to Mike, Jasmine.4.t to Joshua Idehen

Sault review – GCSE-level drama performance borders on the pretentious

Standout moments included Chronixx captivating on stage, Yasiin Bey delivering a seamless guest verse and Cleo Sol’s ethereal appearance – but the theatrics felt alienating

Rise Against: Ricochet review – slick shift doesn’t skimp on righteous anger

Blood-and-guts emotion with the energy of the punk veterans’ early years meets high-sheen recording craft in a hulking 10th album

Cass McCombs: Interior Live Oak review – double album doubles the pleasures of one of indie-rock’s finest

With existential lullabies and ritualistic stomps, tear-jerking odes and ballads worthy of Sinatra, US indie’s steadfast storyteller makes a wonderfully unhurried double album his best yet

Rita Wrote a Letter: Paul Kelly’s sequel to How to Make Gravy is an affectionate goodbye to Joe

Almost 30 years after Kelly released his Christmas classic, we finally learn what became of his cast of characters

For Those I Love: Carving the Stone review – bracing anger at Irish social stasis

The raw grief of David Balfe’s first album may have faded to a bruise, but his spoken-word fury is as strong as ever in these hyper-focused stories of poverty and exploitation

Ninajirachi: I Love My Computer review – a surprisingly moving tribute to 2010s EDM

The Australian producer’s debut album pays homage to the blustering, bombastic genre of her adolescence. The BPM soars and so do the feelings

Amaarae: Black Star review – ​glamour, glitz and lust from a pop star who should be a supernova

With a sleek dancefloor-facing sound, the Ghanaian American singer is deliriously in thrall to wealth and celebrity – but most of all love

Mariah Carey at Brighton Pride review – even the shirtless dancers can’t distract from how stop-start this is

Playing to a crowd of devotees, Carey’s voice largely still holds up, but the energy drops off due to a rushed setlist and too many interludes

Dick Diver review – beloved ‘dolewave’ band’s one-off reunion brings out Melbourne for four magical shows

Thornbury Theatre, MelbourneIt has been 10 years since their last album but you’d be forgiven for forgetting any time had passed at all – they sound as tight as ever

The New Eves: The New Eve Is Rising review – imagine if the Velvet Underground scored Midsommar …

Velvets-style drone rock, trad folk, anarcho-punk and hippy whimsy are all discernible in the Brighton quartet’s debut album – all played with white-knuckle intensity

Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side

An oppressively humid night takes its toll on the maximalist pop quartet who deliver moments of sugar rush exuberance but with less power than before

Kesha review – a triumphant and electric return for pop’s comeback kid

The millennial-beloved pop star brings the house down in an emotional and energetic chance to show off her new, return-to-form album

Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory

Much anticipated set of remixes and lost songs give a glimpse of a great pop mind trying out new tricks

Justin Bieber: Swag review – inane lyrics undermine a gorgeously produced R&B passion project

The surprise seventh album from the former tween idol is musically expansive, abetted by a host of star producers. If only he’d thought about the words a bit

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  • BBC Symphony Orchestra/Oramo/Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • Rebecca Clarke: The Complete Songs album review – rich, radiant performances bring a forgotten voice to life
  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller
  • Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review – elemental power, eerie beauty
  • Martin Fröst: BACH album review – silkily eloquent clarinettist brings freshness and fun
  • Sir John Rutter’s Birthday Celebration review – niche national treasure celebrates 80 in magnificent style
  • Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever
  • Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity
  • Danny Brown: Stardust review – hyperpop-rap powered up with post-rehab positivity
  • The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging
  • Radiohead review – bards of the apocalypse return for a brutal bacchanal
  • Aimard/Benjamin review – concentrated musical thought and pianistic imagination
  • Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill
  • Ravyn Lenae review – art-school dreamer at ease with her own melancholy
  • Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else
  • Hallé/Shields/Adams: John Adams festival review – dynamism that could generate electricity
  • Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
  • The Railway Children review – Turnage reimagines classic story in a lively family opera
  • Alpha Maid: Is This a Queue review – Mica Levi collaborator pairs scuffed production with superb songwriting
  • Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman
  • Strauss, Dvořák and Glazunov album review – packs a dramatic punch
  • Florence + the Machine: Everybody Scream review – alt-rock survivor surveys her kingdom with swagger
  • Walton: Cello Concerto, Symphony No 1, Scapino album review – positively snaps, crackles and pops
  • Anna von Hausswolff: Iconoclasts review – exhilarating, euphoric goth songcraft
  • Julius Eastman: A Power Greater Than review – Davóne Tines celebrates the maverick musician
  • Sananda Maitreya review – the former Terence Trent D’Arby returns in astonishing vocal form
  • Harvest Rock 2025 review – the Strokes, Jelly Roll and the War on Drugs save Adelaide festival after a slippery start
  • Gillian Welch and David Rawlings review – perfectly paired talents at the peak of their powers
  • Dave: The Boy Who Played the Harp review – ​it’s clearer than ever what a stunningly skilled rapper he is

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