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Perfume Genius: Glory review – full of energy and biting nuance

Consummate chronicler of 21st-century sensuality Mike Hadreas returns to his indie roots on a convivial seventh album stalked by death and desire

Yukimi: For You review – sweet solo debut for Little Dragon singer

Yukimi Nagano’s first record without the Swedish synth-pop band is a light but pleasurable affair

Liz Stringer: The Second High review – an intelligent, assured album from a singular musician

All but ignored by the mainstream, Stringer seems unconcerned by wider radio play, with her seventh album for patient and attentive listeners

Lucy Dacus: Forever Is a Feeling review – Boygenius singer turns timidly tasteful

The Virginia songwriter gets lost in understatement on a loved-up album about her relationship with bandmate Julien Baker, shrouding sharp lyrics in shy melodies

Dua Lipa’s Radical Optimism tour review – momentous show for a star who contains multitudes

Lipa’s voice is resonant and fit and she holds her own as a dancer; while there are lulls in energy between the show’s acts, they’re forgiven when she brings the hits

FKA twigs review – an eye-popping extravaganza of dancing and demons

The ever out-there British artist tours her latest album, Eusexua, with a show whose mix of club vibe, winged beast props and prime back catalogue delights and confounds

John Cale review – 83 years old and still forging deeper underground

There’s no slowing down for the avant art-rock octogenarian as he forgoes predictability to showcase the staggering breadth and depth of his songcraft

Japanese Breakfast: For Melancholy Brunettes (& Sad Women) review – a bit too tasteful

Michelle Zauner addresses big themes on her band’s fourth album, but her sharp writing isn’t best served by wistful arrangements

YHWH Nailgun: 45 Pounds review – a singular spin on funky NYC post-punk

Scene-stealing fills from drummer Sam Pickard send you toppling through the foursome’s thrilling, fresh debut

Bryan Ferry and Amelia Barratt: Loose Talk review – Roxy demos remade, remodelled as eerie duets

Veering from the standard heritage-artist playbook, Ferry pairs unearthed demos from across his career with cool narration from Barratt, to beautiful, unsettling effect

Michael Kiwanuka review – big sounds from the quiet maestro

Touring his understated latest album, Small Changes, the Mercury prize-winner amplifies his gossamer grooves with no loss of charm or sophistication

Chappell Roan: The Giver review – saddle up, there’s a new sheriff in town

The midwest princess embraces her roots with a queer country banger about pleasure that toys with the genre’s gender and class cosplay

Clairo review – charming pop-soul from a singer with starpower to spare

Playing material from her wonderful 2024 album Charm against lavish, elegant staging, the US artist has ushered in a confident new era

Courting: Lust for Life, Or: ‘How to Thread the Needle and Come Out the Other Side to Tell the Story’ review – a giant leap forward

The Liverpool foursome’s joyful, floor-filling rock on album No 3 finds a band maturing into greatness

Edwyn Collins: Nation Shall Speak Unto Nation review – the sense of an ending

This rousing, contemplative 10th solo album from the Scottish singer-songwriter has an air of finality

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  • Aurora Orchestra/Collon/Power review – Italian immersion with introspective Berlioz and extrovert Mendelssohn
  • Olivia Rodrigo at Glastonbury review – full of bile and brilliance, this is easily the weekend’s best big set
  • Nile Rodgers and Chic at Glastonbury review – pop’s most reliable band bring the party to the Pyramid
  • Rod Stewart at Glastonbury review – lapping up the legends slot love like a lusty, leggy Muppet
  • Doechii at Glastonbury review – an education in rap from the greatest teacher in the game
  • Neil Young at Glastonbury review – ragged glory from a noisemaker who never treads the easy path
  • Pulp’s secret Glastonbury set review – still the magnificently misshapen oddballs of British pop
  • Charli xcx at Glastonbury review – a thrilling hostile takeover by a pop star at the peak of her powers
  • Skepta’s surprise Glastonbury set review – British rap’s MVP has matchless mic technique
  • Haim’s secret Glastonbury set review – sing-alongs and stomping songs from Worthy Farm’s favourite sisters
  • Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio’s feral, furious flows
  • The 1975 at Glastonbury review – amid the irony, ego and pints of Guinness, this is a world-class band
  • Alanis Morissette at Glastonbury review – spectacular sundown set by a unique feminist artist
  • Lewis Capaldi at Glastonbury review – a triumphant, hugely emotional return to the Pyramid stage
  • CMAT at Glastonbury review – a preposterously fun pop star who will surely be massive
  • Lorde at Glastonbury review – new album playthrough is bold but a little foolhardy
  • Joshua Redman: Words Fall Short review – improviser’s playful delight in music-making never ceases
  • BC Camplight: A Sober Conversation review – an eccentric rock opera confronting childhood abuse
  • Lorde: Virgin review – chaos, carnality and compulsions meet cataclysmic choruses
  • Bantock: The Seal Woman album review – Celtic folk opera that never quite gets its head above water
  • Just Biber album review – Podger rises brilliantly to these sonatas’ extreme challenges
  • Diana Ross review – glittering Motown royalty still sounds supreme
  • Lana Del Rey review – mid-century melodrama as mindblowing stadium spectacle
  • Forever Now review – timeless stars shine among grab bag of 80s nostalgia
  • Little Simz & Chineke! Orchestra review – rap-classical crossover is spectacularly realised
  • Iron Maiden review – 50th anniversary tour as near as uncompromising band get to greatest hits show
  • Penarth chamber music festival review – scaled-down Mahler’s Fourth Symphony emerges as if newly minted
  • Brandi Carlile review – country for the marginalised excels on the big stage
  • Dua Lipa review – dance-pop icon keeps the energy hotter than hell
  • The Merry Widow review – come for the big tunes, stay for the birthday cement mixer

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