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Doja Cat review – pop superstar or true freak? US iconoclast plays the tension to perfection

Moving seamlessly through extravagant choreography between bubblegum–rap and darker, rockier material, the singer is always in full command

Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster

It’s possible that the world’s biggest rapper is using this epic content drop to get out of his record deal, but aside from some bright spots on Iceman, should the public really be subjected to it?

Kneecap: Fenian review – their new album is terrific, triumphant yet tortured

With strong words for Keir Starmer, the Irish rave-rap trio remain unbowed by the controversy around them – and yet this is a more ruminative record than you might expect

Earl Sweatshirt, Mike and Surf Gang: Pompeii // Utility review – rap radicals’ appealing study in contrasts

Earl’s post-Odd Future career swerved the mainstream to follow the path laid out by NYC underground rapper Mike, and their first double album lets both shine

Wu-Tang Clan review – still bringing the ruckus even on their farewell tour

This is slicker than their thrillingly chaotic early gigs, but the veteran New York hip-hop crew’s flows remain feral after 30-odd years

Dave review – prodigiously skilled rapper conjures thrilling intimacy on a grand scale

Showcasing chart-topping album The Boy Who Played the Harp, Dave charismatically switches between heavy beats, rock-show grandeur and searching introspection

The Streets review – semi-theatrical staging of A Grand Don’t Come for Free resurrects a British classic

Deadpan recital of the era-defining album of downbeat English rap suits the full-album format, presented with a formidable band

Cardi B review – ambitious spectacle and sizzling choreography

Kia Forum, Los AngelesGrammy-winning Bronx rapper electrifies LA with pugnacious lyrics and vivid set pieces on her first arena tour

J Cole: The Fall Off review – rap legend’s final album is a self-obsessed hip-hop history lesson

(Interscope)Bowing out after six consecutive US No 1 albums, Cole references rap greats and even conjures a convo between Biggie and 2Pac – but the lens rarely strays from himself

A$AP Rocky: Don’t Be Dumb review – a charismatic, playful return, but it’s no slam dunk

Now a father of three and burgeoning actor, Rocky finally comes back to music with his strongest album since his 2013 debut – though there’s plenty of flab

Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages

Rap’s ‘swamp princess’ has the crowd in the palm of her hand before Lamar dazzles with pyrotechnics and Drake disses

Danny Brown: Stardust review – hyperpop-rap powered up with post-rehab positivity

The Detroit rapper feared his music would get dull after he went sober, but no-one could be bored by this guest-stuffed, chaotically swaggering new album

Dave: The Boy Who Played the Harp review – ​it’s clearer than ever what a stunningly skilled rapper he is

Returning with his first album in four years, the arena-filling UK rapper is still such a smart, sharp lyricist as he explores a series of existential crises

Fridayz Live Sydney review – Mariah Carey is impeccable but Pitbull steals the show

Dual headliners capped a R&B festival with fever-dream energy, including self-help sermons and Pitbull cosplayers everywhere you looked

Little Simz review – hip-hop visionary radiates joy and Gallagher-level swagger

Switching from full-arena singalongs to horn-blaring funk to sweaty Detroit techno club vibes, the rapper is at the very top of her game

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← Older posts
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  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

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