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Doja Cat: Vie review – master pop provocateur splits the difference between sugar and spice

On her fifth album, the Californian tempers the bite of 2023’s Scarlet with glossy, lovestruck sounds – but never loses her instinct for mischief

Post Malone review – megawatt charisma and anthemic hooks from an irresistibly genial outlaw

Though his slick country is more Jon Bon Jovi that Johnny Cash, there’s only one artist who could unite rock, rap and twang with such effortless panache

Cardi B: Am I the Drama? review – vigorous score-settling and brutally witty put-downs

Seven years after her debut, Cardi B is back with a ferociously enjoyable 70-minute album of eclecticism and enthusiastic annihilation of her enemies

Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant

Dressed like a vicar, Albarn leads his band – joined by a choir, a string quartet, De La Soul and more – in renewing Demon Days’ downbeat drama

Will Smith review – post-slap tour has shoutalongs, self-help sermons and a touch of David Brent

His most recent album may have tanked but it works better played live, and Smith is endearing as he continues to get jiggy with it

Earl Sweatshirt: Live Laugh Love review – a head-spinning trip with rap’s great rulebreaker

With a sunlit disposition and paeans to his daughter, the mood turns lighter on the US MC’s sixth album – but the glitching, crashing beats are as esoteric as ever

Green Man festival review – Kneecap and CMAT lead the charge in a utopian Welsh idyll

Progressive, independent and more sonically diverse than ever, the Brecon Beacons festival offered sterling sets from MJ Lenderman to Mike, Jasmine.4.t to Joshua Idehen

Tyler, the Creator: Don’t Tap the Glass review – contradictions and confessions on a dancefloor

The soul-searching of last year’s Chromakopia is expelled – for the most part – by half an hour of early 80s rhythms and slick one-liners with the IDGAF attitude of his early years

Jim Legxacy: Black British Music review – London iconoclast catalyses chaos into a major mixtape

The rapper and producer doubles down on his vaulting style, lurching from alt-rock to distortion and chipmunk soul on an astonishingly coherent and melodic third record

Wireless festival review – Drake’s disjointed three-night headline run smacks of desperation

An all-star lineup of supporting turns – including, astonishingly, Lauryn Hill – show up to bolster the beleaguered megastar, but this is a very scrappy affair

Clipse: Let God Sort Em Out review – reunited rap greats deliver one of the albums of the year

Scathing disses, star guests, inspired Pharrell beats and great lines from chilling to laugh-out-loud: the duo’s first album since 2009 is so much more than the drama around it

Blackhaine: And Now I Know What Love Is review – avant garde dance that grabs hold of your senses

The convulsing figures in Tom Heyes’ choreography, paired with intense sound and a guttural MC, are caught in a mesmerising struggle for human connection

Kendrick Lamar & SZA review – a pyrotechnic party of dark and light

He’s icy, she’s all sunshine – but the rapper and R&B star’s talents prove perfectly complementary in a historic two-hander

Doechii at Glastonbury review – an education in rap from the greatest teacher in the game

Theatrical, flirtatious and athletic, this debut UK festival performance from the US MC is unrelentingly brilliant

Skepta’s surprise Glastonbury set review – British rap’s MVP has matchless mic technique

Filling in last minute after Deftones pulled out, the Londoner shows he’s still top of his game with a kinetic performance that jumps from garage to grime to Fred Again bangers

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  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

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