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Kendrick Lamar’s Super Bowl half-time show review – game over for Drake

The Pulitzer prize-winning rapper chose artistry over more obvious showmanship in an unusual set yet still delivered the final blow to his diss track nemesis

Jpegmafia review – hip-hop gunslinger blasts away at his many targets

Dressed like an extra from Deadwood, the US rapper showcases his dizzying eclecticism in an intense performance that lacks subtlety but has room for laughs

Krept & Konan: Young Kingz II review – filthy and poignant in equal measure

The south London rappers’ frankness and sharp wordplay puts their rivals to shame on studio album No 4

Biig Piig: 11:11 review – long-awaited debut hovers on the edge of clubland

Switching between English and Spanish vocals, Irish singer-songwriter Jess Smyth’s genre-hopping set feels most at home in the quieter moments

Mike: Showbiz! review – a master rap craftsman building his own world

These fleeting fragments of the rapper-producer’s itinerant life, delivered in a lackadaisical yet focused style, prove he deserves all the acclaim he gets

Central Cee: Can’t Rush Greatness review – a tantalising debut of hits and misses

The British rapper gathers his bangers and chart-toppers together with less impactful work on this 17-track record

Central Cee: Can’t Rush Greatness review – conflict and contradiction underpin justly confident rap debut

The debut album from the British star finds him rapping rings around even high-profile guest stars as he asserts his place at hip-hop’s high table

Mobb Deep review – New York rap duo can still keep the temperature rising

Thirty years on from their album The Infamous, and seven years after the death of founder member Prodigy, Havoc teams up with Big Noyd for a breathlessly-paced set

Mac Miller: Balloonerism review – poignant second posthumous album

Made during a difficult time in the late rapper’s life, this abandoned work captures the musicianship and introspection of his fertile mid-career

Moonchild Sanelly: Full Moon review – hustle, energy and smut aplenty

(Transgressive)The sex-positive South African trailblazer deserves to break into the mainstream with the fullest expression so far of her wit and sheer verve

Moonchild Sanelly: Full Moon review – sex-positive South African swaggers towards stardom

Spinning the sounds of Johannesburg and Durban into distinctive, abrasive electro-pop, the blue-braided singer is filthy and sharply funny

Music: Kitty Empire’s 10 best albums of 2024

Americana’s classiest duo weather the storm, Kendrick Lamar has the last word, UK jazz soars – and Charli xcx unleashes the power of Brat

Kendrick Lamar: GNX review – amply backed-up grandstanding

Fresh from his feud with Drake, the US hip-hop star’s latest album finds him on imperious form

Nines review – British rap great bows out with glittering career highlights

This rapturously received set of greatest hits showcases the rapper’s full street-hardened and uniquely influential discography – but is it really his final gig?

Kendrick Lamar: GNX review – stunning surprise from a rapper determined to be the greatest

After his beef with Drake, Lamar expands his list of targets with enthralling rhymes and adventurous arrangements. At this point, he’s deferring only to God

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  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part

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