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Ghostface Killah review – Wu-Tang vet coasts as fans take up the slack

This lopsided night lacks atmosphere, but the enduring magnetism and mythos of Wu-Tang Clan lifts it a little

IDK: Bravado + Intimo review – bright beats, retrograde rhymes

The US rapper and Harvard mentor’s inventive, trap- and jazz-influenced tunes are let down by unreconstructed lyrics

Tyler, the Creator: Chromakopia review – candour meets artfulness

The Grammy-winning US rapper pits soul-searching against some killer tunes, many featuring his mother, Bonita Smith

Ice Spice review – rapid-fire hits from rap’s new princess

There’s high octane energy from artist and audience alike as the New Yorker rattles through 21 tracks in 45 minutes, showing off broad artistry in between bouts of twerking

Tyler, the Creator: Chromakopia review – early midlife crisis triggers a freaked-out psychodrama

Full of switchback turns, the rapper’s unsettled and unsettling seventh album zaps from Beach Boys harmonies to G-funk synths – and from boasts to self-loathing

Yeat review – US rapper brings exploding, sweat-drenched pandemonium

Filled with chaotic sounds and infectious melodies, there’s a ferocious pace to the mysterious figure’s first European headline – a ribcage-reverberating success

Various Artists: Redline Impact review – thrilling dive into east Asian hyper-electronics

This exhilarating compilation pushes from K-pop to trance, hardstyle techno, budots and beyond – and is at its best when artists rachet up the intensity

André 3000 review – live spiritual jazz leaves hip-hop visionary with nowhere to hide

The former rapper starts promisingly with earthy improvisation but the band drifts disappointingly with no solos and few flashes of emotion

Jpegmafia: I Lay Down My Life For You review – scattergun brilliance

The US rapper brings reflection as well as energising polemic to his compelling fifth studio album

Kanye West & Ty Dolla $ign: Vultures 2 review – some of Ye’s most jaded, degraded moments

The lyrics veer from nihilistic provocation to drunken messages to his ex-wife, and the music is equally erratic and confused

Killer Mike: Michael & the Mighty Midnight Revival: Songs for Sinners and Saints review – hard-won life lessons

The Run the Jewels rapper follows up last year’s Grammys-sweeping Michael with an album addressing a tumultuous few months

Womad festival review – wildly entertaining treasure trove for adventurous music fans

Radically inclusive global lineup includes Sampa the Great’s feminist pizzazz, Young Fathers’ twisted genre-splicing and Bixiga 70’s full-tent conga

Ice Spice: Y2K! review – a masterclass in outrageous party trap

It’s all killer, no filler on the Bronx MC’s long-awaited debut album

Mustard: Faith of a Mustard Seed review – lacking in spice

The fourth album from Kendrick Lamar’s Not Like Us producer features cloying love songs, odes to Mom and thanks to God

Ice Spice: Y2K! review – wilfully trashy wordplay from wily new rap star

The US star’s subject matter is lightweight and this debut album only lasts 23 minutes, but funny, snotty lines abound and the music is often viscerally exciting

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  • Pelléas et Mélisande review – luminous semi-staging but Debussy’s elusive opera keeps its secrets
  • Olivia Rodrigo: You Seem Pretty Sad for a Girl So in Love review – who’s she singing about? Who cares when the songs are this good
  • Pussy Riot: CYKA review – debut album from iconic Russian agitators is let down by blunt-force EDM
  • Brown Wimpenny: Long Live Brown Wimpenny review – Manchester folk collective get bawdy and shambolic
  • Sally Beamish: House of Wonder album review – a musical shapeshifter celebrates 70 years
  • Katia and Marielle Labèque: 55 album review – a handsome tribute to the sisters’ musical curiosity and brilliance
  • The Mahler Experiment review – physical drama comes at a musical cost in choreographed symphony
  • Lola Young review – buoyant, brilliant return from British pop’s great oversharer
  • Kelsey Lu: So Help Me God review – strange, graceful songs drifting from pop’s edgelands
  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor

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