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Lizzo: Bitch review – a spirited star who just can’t rediscover her groove

After scrapping an album and starting anew, Lizzo still sounds lost amid these weak genre-hopping songs. Perhaps the zeitgeist has simply left her behind

Drake: Iceman / Maid of Honour / Habibti review – ​triple-album comeback is a boring, bloated disaster

It’s possible that the world’s biggest rapper is using this epic content drop to get out of his record deal, but aside from some bright spots on Iceman, should the public really be subjected to it?

Ne-Yo and Akon review – joyous joint tour is like time-travelling to a messy night out in 2010

From So Sick to Smack That, this double-headliner provides major millennial nostalgia – but goes to show how varied their respective careers were at their peak

Raye: This Music May Contain Hope review – a wildly ambitious epic of unbridled self-expression

Almost overstuffed with musical ideas, the singer’s second studio album can be self-indulgent and messy, but it’s a heartfelt and exuberant grand statement from an artist determined to go her own way

Bruno Mars: The Romantic review – you’re better off listening to the songs he’s blatantly imitating

(Atlantic)Harking back to Oye Como Va, Move On Up and other 20th-century classics, Mars’s homages are beautifully performed but bereft of new ideas

Dijon review – a dense and dramatic forest of futurist sound from Grammy-nominated R&B auteur

Nominated for producer of the year for his album Baby and work with Justin Bieber, the US musician’s passion and experimentalism shine in this daring performance

Ari Lennox: Vacancy review – the R&B sophisticate’s loosest and most fun outing yet

On her third LP, Lennox balances jazz-soaked tradition with flashes of unruly humour and a surefire viral hit

R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s

With additional sets from Dru Hill and Joe, this revue is a little too nostalgic and lacks the advertised festive spirit – but the vocal prowess on show is undeniable

Brandy and Monica review – 90s R&B heavyweights bring star-studded reunion to New York

The Boy is Mine pair were joined by Kelly Rowland, Fat Joe, Ciara and Tyrese for a sometimes strange, sometimes soaring throwback night

Ravyn Lenae review – art-school dreamer at ease with her own melancholy

The Chicago musician’s fans are delighted by her alt-R&B, but for all the adventurous new songs tonight’s show does not quite live up to its ambition

Sananda Maitreya review – the former Terence Trent D’Arby returns in astonishing vocal form

Pop’s lost prodigy returns for the first time in 23 years with a dazzling, genre-hopping show – and a falsetto that still floors the crowd

Blood Orange: Essex Honey review – an exquisitely eclectic portrait of grief

Gorgeous melodies ground Dev Hynes’s questing fifth album, via dancefloor rhythms, indie pop and languorous funk – and cameos from Lorde and Zadie Smith

Nourished By Time: The Passionate Ones review – committed, full-hearted post-R&B

Marcus Brown’s second album makes a plea for big feelings in earthy vocals, rolling breakbeats and a contender for song of the summer

Wireless festival review – Drake’s disjointed three-night headline run smacks of desperation

An all-star lineup of supporting turns – including, astonishingly, Lauryn Hill – show up to bolster the beleaguered megastar, but this is a very scrappy affair

Justin Bieber: Swag review – inane lyrics undermine a gorgeously produced R&B passion project

The surprise seventh album from the former tween idol is musically expansive, abetted by a host of star producers. If only he’d thought about the words a bit

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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