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Kendrick Lamar & SZA review – a pyrotechnic party of dark and light

He’s icy, she’s all sunshine – but the rapper and R&B star’s talents prove perfectly complementary in a historic two-hander

Jorja Smith review – mega-watt charisma powers ambitious new songs

Touring for the first time since 2018, Smith’s sonic palette has expanded and tonight she shows a talent that could take her almost anywhere

Kendrick Lamar and SZA review – powerhouse duo make their mark in Atlanta

The record-breaking Grand National tour brings together two stylistically opposed stars and continues an internet-breaking feud

Davido: 5ive review – flashes of Afropop excellence

The Nigerian superstar’s vocal prowess and smooth beats have their moments on his latest album, but at 17 tracks it could use an edit

Greentea Peng: Tell Dem It’s Sunny review – a musical rebirth with swagger

The south-east Londoner’s second album pairs a refreshed musical palette with streamlined, introspective lyrics

The Brand New Heavies review – acid jazzers are as slick and funky as ever

While their hits from their 90s hip heyday are now more likely to be heard on Magic FM’s drive-time slot the band’s punchy melodies can still get the party started

Joy Crookes review – an enthralling, intimate set from this rising London soul star

The twentysomething singer-songwriter brings classic Motown rhythms with a touch of hip-hop to a resounding set of anti-anxiety anthems

The Weeknd: Hurry Up Tomorrow review – a record that will floor you … and drive you up the wall

On a somewhat exhausting sixth album, Abel Tesfaye uses Brazilian funk, punishing house and lush 70s soul to press great songs into the service of rotten lyrics

Beyoncé NFL half-time show review – country ho-ho-ho-down is playful and infectious

Show livestreamed on Netflix is first live performance of material from country-themed album Cowboy Carter

Poppy Ajudha: Poppy review – frank lyrics elevate soulful, funky love songs

The singer-songwriter cycles through many moods, finding hope and complication in her search for love and meaning

Flo: Access All Areas review – ​skilful R&B revivalists need to get their freak on a bit more

The trio bring gorgeous vocals and spiky attitude to 90s-facing songs – but they need a little more of that era’s oddball invention, as well as an undeniable hit

Autre Ne Veut: Love, Guess Who?? review – long-awaited return is like peak Magic FM

Arthur Ashin’s first album for nearly a decade sounds bruised and careful, its melodies strong and simple – including his best song to date

Janet Jackson review – glitz, glamour and a very quick run-through of the hits

She lets eight songs go by before she breaks out the old favourites – but when she does, it reminds you why she ruled the charts

Oxlade: OFA (Oxlade from Africa) review – an extremely likable debut

Two years on from his viral summer hit Ku Lo Sa, the Nigerian singer’s debut album showcases his free-floating, mellifluous style

The Weeknd review – superstar showman wows on a monumental scale

Performing to over 70,000 fans, the mystique merchant put on a 27-song set showcasing new music as well as favourites

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  • Danish String Quartet review – captivating performance from a world-class group
  • Manchester Camerata review – mental torments build up to a royal meltdown
  • The Marriage of Figaro review – Danielle de Niese’s deft direction weds finery with fun
  • St Vincent review – majestic orchestral transformations of jagged art-pop
  • BBCNOW/Bancroft review – conductor takes final bow in imaginative programme of vivid colours and emotions
  • Krishna review – the mystery of John Tavener’s ‘mystic pantomime’ is why it has been staged
  • Taylor Swift: I Knew It, I Knew You review – giddy up! Song for Toy Story cowgirl Jessie is Swift’s best in years
  • Zoh Amba: Eyes Full review – raw, rugged country rock also has real tenderness
  • Gintė Preisaitė: Instruments of Forgetting and the Singing Bone review – atmospheric, unsettling ambience
  • Hourglass album review – Simone Dinnerstein gives Glass room to breathe
  • Lizzo: Bitch review – a spirited star who just can’t rediscover her groove
  • Beethoven: The Violin Sonatas Vol 1 album review – fresh-as-a-daisy performances from a duo with a gift for storytelling
  • Mike D review – ex-Beastie Boy’s first UK gig in two decades, in a Tyneside bingo hall, is uproarious fun
  • Saint Levant review – Palestinian pop star makes Australian debut to an ecstatic, sold-out crowd
  • Vespers review – haunting clash of cultures conjures Vivaldi’s Venice
  • Jack White review – former White Stripe’s art is like a 12-year-old visiting Tate Modern for the first time
  • Lise Davidsen and James Baillieu review – superstar soprano unleashes her inner Valkyrie
  • Orlando review – a confident romp through Handel’s flimsily plotted opera
  • Take That review – stadium redux of Circus tour has maximal razzle-dazzle
  • Hampson and Sidorova review – style over substance with a whiff of the cruise ship
  • Matías Aguayo: Anenoa review – the funkiest, freest singer in the business hits the dancefloor
  • Violet Grohl: Be Sweet to Me review – alt-rock arriviste aces the part
  • Dvořák: Symphony No 9 album review – Shani brings a natural freshness to a familiar work
  • La Traviata review – gripping and genuinely moving staging opens Garsington’s summer season
  • Colin Matthews: Seascapes album review – the songs teem with detail
  • Iceage: For Love of Grace & the Hereafter review – Danish punks ace sixth stellar album on the trot
  • La Fanciulla del West review – insightful staging reveals the power of Puccini’s maverick masterpiece
  • 125th anniversary gala concert review – back to 1901 as Wigmore celebrates birthday playing to its strengths
  • Sugar review – Bob Mould’s reunited band still in a sweet spot between noise and melody
  • Paul McCartney: The Boys of Dungeon Lane review – at 83, his gift for melody still astounds

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