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Siegfried review – invigorating and mesmerising staging, with Schager outstanding as Wagner’s hero

The third opera of Barrie Kosky’s Ring cycle again places the naked ancient earth goddess centre stage in a thoughtful and deft production that boasts an excellent cast and orchestral playing that captures the score’s complex colours

Harnoncourt: Mendelssohn, Wagner, Schumann album review – revelatory readings from the late revolutionary

This 1999 live recording captures the late conductor’s radical ear in bracing Mendelssohn, gossamer Wagner and a luminous Liebestod – from Violeta Urmana

Wagner: Der fliegende Holländer album review – Davidsen’s Senta is spine-tingling

The Norwegian soprano dominates in this recording taken from concert performances in which Finley’s Dutchman feels somewhat underpowered

Der Ring des Nibelungen review – less is more in Regents Opera’s whittled-down Wagner

With a handful of musicians playing a skilfully reduced score and a minimal staging by Caroline Staunton, this Ring cycle is an intense and involving experience

The week in classical: Carmen; Yuja Wang; Leonore Piano Trio; Tristan und Isolde – review

Paris’s Opéra-Comique joins forces with the Scottish Chamber Orchestra in louche yet explosive Bizet; Yuja Wang thrills with eight encores; and Stuart Skelton leads a classic Wagner revival

The week in classical: Das Rheingold/Die Walküre; Paul Wee; Köln Concert – review

Remarkable performances and storytelling produce a visceral Ring cycle, while a part-time pianist masters a formidable Alkan concerto and Maki Namekawa channels the freewheeling spirit of Keith Jarrett

Götterdämmerung review – Jurowski’s six-year completion of Wagner’s Ring cycle was well worth the wait

Jurowski’s attention to detail across four-and-a-half hours brought the darkness of Wagner’s score thrillingly to life

The week in classical: LSO/ Rattle; The Rake’s Progress; The Flying Dutchman; Elena Urioste and Tom Poster – review

Dread runs through John Adams’s pulsating new ‘short symphony’; Stravinsky’s Rake has plenty of company at ETO; Bryn Terfel returns as the mythical Dutchman; and two lockdown favourites bring the house down

Wagner: Parsifal album review – Elīna Garanča is extraordinary in a very fine account of Wagner’s fascinating score

This new recording is taken from stage performances of Kirill Serebrennikov’s divisive 2021 production for Vienna State Opera. Jonas Kaufmann leads a superb cast with Philippe Jordan conducting a recording that is amongst the finest Parsifals on disc

Fifteen hours of Wagner: Opera Australia’s Ring Cycle brings big spectacle – and a world first – to Brisbane

The high-tech production took 27 semitrailers to load in – and while tickets aren’t cheap, the marathon pays off

Das Rheingold review – uncluttered staging is a compelling start to Kosky’s Ring cycle

With the figure of earth goddess Erda present throughout, the message – of the despoliation of the natural world – is clear. There’s no weak link in a uniformly strong cast, and in the pit Pappano has the measure of Wagner’s grandeur and intimacy

The Flying Dutchman review – Wagner updated to England’s dystopian present

With a people-smuggling mariner, vigilant volunteers helping those seeking asylum and a setting evoking prison hulks, Lucy Bradley’s reworking is a sharp reflection of our island nation

The week in classical: Dialogues des Carmélites; Tristan und Isolde; LSO/Rattle – review

Poulenc’s shattering opera disturbs and confounds in Barrie Kosky’s new Glyndebourne production; Wagner meets the pre-Raphaelites at Grange Park Opera. Plus, a thrilling farewell from Simon Rattle

Götterdämmerung review – conductor Anthony Negus is the lord of this Ring

The conductor’s authority and understanding permeate every bar, but the whole cast excel in this deeply satisfying production

RPO/Petrenko review – dazzling Scriabin and spine-tingling Wagner

After a sombre opening, the ecstasies promised in the evening’s theme were reached with Wagner and Scriabin. The Royal Philharmonic and its new conductor are clearly enjoying themselves in this imaginative and accessible season

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