Ben Woodward’s chamber arrangement of Wagner’s score works well and, if the storytelling feels unclear at points, players and singers alike ensure a vivid experience
Austrian director Valentin Schwarz’s new Ring presents the bold and searing idea that the original sin that drives Wagner’s world of power is the abuse of children. Can it be sustained?
Richard Farnes and the Opera North orchestra take centre stage in Sam Brown’s staging of Wagner’s final opera, with Brindley Sherratt a compelling Gurnemanz and Toby Spence a thoughtful lead
With a strong cast including Bradley Daley, Paul Carey Jones’s Wotan and Julieth Lozano’s delightful Woodbird, any weaknesses in the staging were more than compensated for
The chance to see a complete Ring cycle is all too rare these days. Martin Kettle reports from Berlin’s Staatsoper, where Daniel Barenboim might be hidden from view, but his Wagner is revelatory