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Yo La Tengo review – indie royalty run through their beloved back catalogue

Over a two-and-a-half-hour set the trio turn over old songs and new from their 40-year career, unearthing surprises every time

Rally festival review – thrilling blend of cult DJs and indie darlings

Mount Kimbie’s electro-acoustic jams capture the ethos of this celebration of the boundary pushing that included sets from Two Shell, Nilüfer Yanya and bar italia

Fontaines DC: Romance review – their best record yet

The all-conquering Dublin five-piece hit expansive new heights on an album full of highlights

Spirit of the Beehive: You’ll Have to Lose Something review – like an arthouse horror movie in sound

Disruptive, disorienting and disturbing, the trio are still making creative leaps on their fifth album, mixing up slacker indie with strange beats and plenty of screaming

Pom Poko: Champion review – garage rockers finding joy in the everyday

The third album from the Norwegian indie group reflects on their seven years together and the dramas of normal life – it’s the victorious sound of a band ‘still having fun’

Fontaines DC: Romance review – arenas await, but on the band’s own strange terms

On their most approachable album the Irish rockers add pop melodies, nu-metal touches and lush orchestration – while their troubled view of the world remains

Ravyn Lenae: Bird’s Eye review – a breathtaking R&B follow-up

The US singer-songwriter’s featherlight voice and distinctive lyrics skip easily between styles on her strikingly self-assured second album

Crack Cloud: Red Mile review – aggressively tuneful rock about life’s big questions

The Canadian indie-garage-rockers take the mickey out of pop, punk and the stories we tell ourselves, but strong feeling outweighs the cynicism

Cassandra Jenkins: My Light, My Destroyer review – a beautiful, brooding delight

​Following her breakthrough in 2021, the singer-songwriter has overcome self-doubt to deliver a diverse album where loneliness is set against cosmic wonder

Kasabian: Happenings review – newfound concision and big choruses

Minus disgraced former frontman Tom Meighan the band are tighter, but their realignment feels like a work in progress

The Breeders review – effortless pop gems from the grunge era

Undimmed by the decades, the Deal sisters mark the 30th anniversary of their classic album Last Splash with a masterclass in off-kilter melody

Kings of Leon review – mesmeric power from masters of the restrained anthem

The newly invigorated band have a rare gift for stadium-sized rock that is refreshingly understated, delivering a 27-song set of triumphs

Liam Gallagher review – Oasis frontman delivers Definitely Maybe in all its 90s glory

It’s an unashamed nostalgia fest, but what could feel business-like morphs into something more considered with strings, singalongs and even a dedication to brother Noel

Duster review – indie rockers impress amid unlikely TikTok renaissance

Now streaming in huge numbers long after their mid-90s years, the Californians’ nuanced yet forceful delivery punches in all the right places

Mitski review – unusual, enigmatic and utterly compelling

The indie artist deploys her songs like controlled explosions as she turns the stage into a cabaret, a circus, a cage

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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