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Faith No More review – mavericks return with jittery, gnarled intensity

The US post-punk band are touring their first new album for 18 years, but the gap has not diminished their thrilling swagger

Download festival 2015 review – Kiss, Muse and Slipknot rock out in the rain

Slipknot strengthened their bond with the festival crowd, Muse won over the metal fans and Marilyn Manson was almost back to his malevolent best

Faith No More: Sol Invictus review – not their best, but a welcome return

Faith No More return with an album that proves Mike Patton still hasn’t given up experimenting, but it’s not up there with their best material

System of a Down review – noir-rock epics and the history of genocide

The American-Armenian skull-pummelers deliver some worthy political messages amid a messy sprawl of intricate, disjointed hardcore

Halestorm: Into the Wild Life review – radio-friendly rockers scrubbed clean

A heavy-handed production job makes this previously likable hard-rock band sound plastic and cynical

Nightwish: Endless Forms Most Beautiful review – ambitious change of direction

They’re out of their symphonic metal comfort zone, but the Finns successfully deliver an intriguing and effective paean to evolutionary science

Unlocking the Truth and Natalie Prass at SXSW – smackdowns and stumbles

The metal teen trio triumph with a pulverising show, but Natalie Prass is bedevilled by the lack of a Wurlitzer

Steel Panther review – priapic hair metal parody with legs

Sleazy and puerile as their songs are, Steel Panther have the attention to detail and musical chops to go all night

Napalm Death: Apex Predator – Easy Meat review – grindcore masters on top form

Napalm Death’s 15th album is a remorseless assault on the senses from one of the few truly subversive bands around, writes Dom Lawson

Slipknot review – showbiz shock and awe

The horror-masked, anti-establishment Iowa band’s showbiz tactics still whip up their enthusiastic fans, writes Dave Simpson

Bring Me the Horizon review – a raucous rejuvenation of British metal

British metal sensations Bring Me the Horizon transformed Wembley Arena into a churning maelstrom of flailing bodies, writes Mark Beaumont

Mastodon review – fearsomely virtuosic

The four frontmen straddle the divide between their hardcore roots and crossover future with ease, writes Stevie Chick

Linkin Park review – the guitars are back, and they’re loud

After a flirtation with experimental electronica, the US rockers have returned to more familiar ground, writes Dave Simpson

AC/DC – Rock or Bust first listen review – ‘If this is to be their last album, they haven’t disgraced themselves’

Can AC/DC pluck triumph from the disaster of their guitarist’s departure and their drummer’s troubles with their 16th album?

Machine Head: Bloodstone & Diamonds review – visceral and emotional

The finest mainstream metal album of the year is equal parts force, melody and experimentation, writes Dom Lawson

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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