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Supersonic festival 2022 review – joy and fury from an inspiring music community

From Grove’s queer swagger to Circle’s ecological visions and Divide and Dissolve’s call for decolonisation, this thrilling underground fest has radical utopianism at its heart

Nova Twins: Supernova review – explosive wit and anger from UK’s finest rock duo

The genre-splicing pair’s sharp, concise songwriting makes for a mindblowing blast of distorted noise-pop – and destroys the narrative about who gets to make rock music

Download festival review – monster metal weekend roars back to full volume

At capacity again after two years of Covid, jubilant crowds greet showstopping turns from full-glam Kiss to musically flashy Iron Maiden and the fury of Bleed from Within

Meshuggah review – mechanical Swedish metallers in need of human frailty

Effectively summoning moods of burning heat and freezing cold, the djent pioneers’ machine-like precision can be tiring

Alice Cooper review – guillotine-wielding rocker is no longer a cut above

The shock-rock superstar delivers a fine spectacle, but his varied back catalogue gets homogenised on this arena tour

Cave In: Heavy Pendulum review – an unapologetically fierce beast

With gargantuan riffs and amps turned up to 11, pure metal is tempered with the grace and complexity that have become the band’s trademark

Tool review – master musicianship and mesmerising prog-metal

For their first non-festival gig in the UK in nearly 15 years, the LA quartet’s opuses generate a frenzy – and drummer Danny Carey shows he is one of the greats

Rammstein: Zeit review – ridiculous, but no risk of boredom

The Gothic, operatic metallers deliver hook after hook on an album so streamlined and efficient you can almost hear the pyro cues

Ghost review – rock’n’roll pyro pantomime is hellishly good fun

Tobias Forge’s band of ghouls just reached No 2 in the UK charts, and their symphonic metal – complete with bat wings, confetti and flamethrowers – has universal appeal

Converge & Chelsea Wolfe: Bloodmoon: I review – an explosive combination

The band’s long-awaited collaboration with dark rocker Wolfe is slower and more melodic than their usual albums, yet even heavier

Bring Me the Horizon review – clearly the UK’s greatest rock band right now

With Cybermen cheerleaders, hazmat suits and gigantic mosh pits, there’s a gloriously daft energy to the pop-metallers’ emotional, earth-shaking return

Employed to Serve: Conquering review – thrilling, gut-churning metal

The brilliant Woking band get heavier than ever, causing motion sickness with their animalistic, groove-laden songs

Iron Maiden: Senjutsu review – an ambitious, eccentric masterpiece

Maiden’s creative renaissance continues in style with this playfully bombastic metal epic

Deafheaven: Infinite Granite review – rock at its most majestically beautiful

Fifth album by San Francisco band finds intense and yes, ethereal, shoegaze taking over from black metal

Download Pilot review – a joyful noise for fans and bands

Exuberant scenes at the rock and metal festival test event find its 10,000 guinea pigs leaving Covid blues far behind

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  • BBC Symphony Orchestra/ Oramo/ Tetzlaff review – plain-speaking, big-hearted fare
  • Richard Ashcroft review – uplifting epics and rocket-boosted confidence reminiscent of 90s Verve heyday
  • Rebecca Clarke: The Complete Songs album review – rich, radiant performances bring a forgotten voice to life
  • The Mountain Goats: Through This Fire Across from Peter Balkan review – shipwreck songs from a master storyteller
  • Sara Ajnnak and the Ciderhouse Rebellion: Landscapes of the Spirit, Parts 1-4 review – elemental power, eerie beauty
  • Martin Fröst: BACH album review – silkily eloquent clarinettist brings freshness and fun
  • Sir John Rutter’s Birthday Celebration review – niche national treasure celebrates 80 in magnificent style
  • Paul Kelly: Seventy review – reflections on ageing from a musician bigger than ever
  • Hatchie: Liquorice review – dizzying dreampop with welcome flashes of depravity
  • Danny Brown: Stardust review – hyperpop-rap powered up with post-rehab positivity
  • The Makropulos Case review: Ausrine Stundyte is magnetic in exhilarating – and funny – Janáček staging
  • Radiohead review – bards of the apocalypse return for a brutal bacchanal
  • Aimard/Benjamin review – concentrated musical thought and pianistic imagination
  • Smyth’s Der Wald and Respighi’s Lucrezia review – Wagner’s spirit presides over double bill
  • Ravyn Lenae review – art-school dreamer at ease with her own melancholy
  • Rosalía: Lux review – a demanding, distinctive clash of classical and chaos that couldn’t be by anyone else
  • Hallé/Shields/Adams: John Adams festival review – dynamism that could generate electricity
  • Dead Man Walking review – searing honesty and humanity in ENO’s staging of Heggie’s compelling opera
  • The Railway Children review – Turnage reimagines classic story in a lively family opera
  • Alpha Maid: Is This a Queue review – Mica Levi collaborator pairs scuffed production with superb songwriting
  • Snocaps: Snocaps review – Katie and Allison Crutchfield reunite with a little help from MJ Lenderman
  • Strauss, Dvořák and Glazunov album review – packs a dramatic punch
  • Florence + the Machine: Everybody Scream review – alt-rock survivor surveys her kingdom with swagger
  • Walton: Cello Concerto, Symphony No 1, Scapino album review – positively snaps, crackles and pops
  • Anna von Hausswolff: Iconoclasts review – exhilarating, euphoric goth songcraft
  • Julius Eastman: A Power Greater Than review – Davóne Tines celebrates the maverick musician
  • Sananda Maitreya review – the former Terence Trent D’Arby returns in astonishing vocal form
  • Harvest Rock 2025 review – the Strokes, Jelly Roll and the War on Drugs save Adelaide festival after a slippery start
  • Gillian Welch and David Rawlings review – perfectly paired talents at the peak of their powers
  • Dave: The Boy Who Played the Harp review – ​it’s clearer than ever what a stunningly skilled rapper he is

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