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ArcTanGent festival – metal at its spine-tingling best

The likes of Cult of Luna, Amenra and Tesseract grace the return of a prized weekend of heavy and progressive talent

Supersonic festival 2022 review – joy and fury from an inspiring music community

From Grove’s queer swagger to Circle’s ecological visions and Divide and Dissolve’s call for decolonisation, this thrilling underground fest has radical utopianism at its heart

Nova Twins: Supernova review – explosive wit and anger from UK’s finest rock duo

The genre-splicing pair’s sharp, concise songwriting makes for a mindblowing blast of distorted noise-pop – and destroys the narrative about who gets to make rock music

Download festival review – monster metal weekend roars back to full volume

At capacity again after two years of Covid, jubilant crowds greet showstopping turns from full-glam Kiss to musically flashy Iron Maiden and the fury of Bleed from Within

Meshuggah review – mechanical Swedish metallers in need of human frailty

Effectively summoning moods of burning heat and freezing cold, the djent pioneers’ machine-like precision can be tiring

Alice Cooper review – guillotine-wielding rocker is no longer a cut above

The shock-rock superstar delivers a fine spectacle, but his varied back catalogue gets homogenised on this arena tour

Cave In: Heavy Pendulum review – an unapologetically fierce beast

With gargantuan riffs and amps turned up to 11, pure metal is tempered with the grace and complexity that have become the band’s trademark

Tool review – master musicianship and mesmerising prog-metal

For their first non-festival gig in the UK in nearly 15 years, the LA quartet’s opuses generate a frenzy – and drummer Danny Carey shows he is one of the greats

Rammstein: Zeit review – ridiculous, but no risk of boredom

The Gothic, operatic metallers deliver hook after hook on an album so streamlined and efficient you can almost hear the pyro cues

Ghost review – rock’n’roll pyro pantomime is hellishly good fun

Tobias Forge’s band of ghouls just reached No 2 in the UK charts, and their symphonic metal – complete with bat wings, confetti and flamethrowers – has universal appeal

Converge & Chelsea Wolfe: Bloodmoon: I review – an explosive combination

The band’s long-awaited collaboration with dark rocker Wolfe is slower and more melodic than their usual albums, yet even heavier

Bring Me the Horizon review – clearly the UK’s greatest rock band right now

With Cybermen cheerleaders, hazmat suits and gigantic mosh pits, there’s a gloriously daft energy to the pop-metallers’ emotional, earth-shaking return

Employed to Serve: Conquering review – thrilling, gut-churning metal

The brilliant Woking band get heavier than ever, causing motion sickness with their animalistic, groove-laden songs

Iron Maiden: Senjutsu review – an ambitious, eccentric masterpiece

Maiden’s creative renaissance continues in style with this playfully bombastic metal epic

Deafheaven: Infinite Granite review – rock at its most majestically beautiful

Fifth album by San Francisco band finds intense and yes, ethereal, shoegaze taking over from black metal

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  • Hugh Cutting/ Refound review – countertenor’s darkly compelling recital is an imaginative treat
  • MacMillan’s Christmas Oratorio review – a magical choral performance
  • Beare’s Chamber Music festival review: string supergroup dazzle with Schubert, Strauss and Schoenberg
  • Turandot review – Anna Netrebko brings greatness to Royal Opera’s classic staging
  • A Ceremony of Carols review – joy and Alleluias for Cardiff Polyphonic Choir
  • Pass the Spoon review – David Shrigley serves up a macabre kitchen opera
  • LSO/Pappano review – Musgrave’s Phoenix rises and Vaughan Williams’ London stirs the soul
  • Pavel Kolesnikov review – he is a virtuosic sculptor in sound
  • Taylor Swift: The End of an Era review – as she breaks down over the terror plot, it’s impossible not to feel her pain
  • Robert Plant’s Saving Grace review – self-effacing superstar still sounds astonishing
  • Ariodante review – dysfunctional royals and designer dresses in Handel with a disjunct
  • Hannigan/ Chamayou review – strange and beautiful musical magic
  • R&B Xmas Ball review – Toni Braxton melts hearts and Boyz II Men blow minds on trip back to the 90s
  • Last Days review – Leith’s opera imagining the final moments of Kurt Cobain is truly disturbing
  • La Rondine review – new version of Puccini’s opera makes aftertaste bitter rather than sweet
  • Lady Gaga review – the Mayhem Ball shows Mother Monster is still the reigning queen of spectacle
  • Kendrick Lamar review – with Doechii revving up the crowd, this is an extraordinary show for the ages
  • HMS Pinafore review – carry on up the poop deck in ENO’s daffy Gilbert and Sullivan staging
  • Melody’s Echo Chamber: Unclouded review – an enchanted, balmy garden of dreampop
  • Laura Cannell: Brightly Shone the Moon review – bleakness and beauty in a haunting carol collection
  • This Is Lorelei: Holo Boy review – sweet-sad songs from a new pearl of the US alt scene
  • Strauss: An Alpine Symphony; Four Songs Op 27 album review – nothing is overblown or indulgent
  • Nash Ensemble: Ravel album review – catches the music’s dazzling light and intriguing shade
  • Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz
  • Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance
  • Life in One Chord review – the Dunedin sound through the eyes of a music maverick
  • Philharmonia/ Rouvali review – Fazil Say’s concerto sounds an urgent wakeup call
  • Cameron Winter review – Geese wunderkind whittles confident rearrangements in an intimate show
  • Wolf Alice review – indie chameleons sparkle on a glam-rock bender
  • Nicola Benedetti and friends review – delicious bite-sized musical snacks from a violinist still top of her game

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