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Supersonic festival 2022 review – joy and fury from an inspiring music community

From Grove’s queer swagger to Circle’s ecological visions and Divide and Dissolve’s call for decolonisation, this thrilling underground fest has radical utopianism at its heart

Nova Twins: Supernova review – explosive wit and anger from UK’s finest rock duo

The genre-splicing pair’s sharp, concise songwriting makes for a mindblowing blast of distorted noise-pop – and destroys the narrative about who gets to make rock music

Download festival review – monster metal weekend roars back to full volume

At capacity again after two years of Covid, jubilant crowds greet showstopping turns from full-glam Kiss to musically flashy Iron Maiden and the fury of Bleed from Within

Meshuggah review – mechanical Swedish metallers in need of human frailty

Effectively summoning moods of burning heat and freezing cold, the djent pioneers’ machine-like precision can be tiring

Alice Cooper review – guillotine-wielding rocker is no longer a cut above

The shock-rock superstar delivers a fine spectacle, but his varied back catalogue gets homogenised on this arena tour

Cave In: Heavy Pendulum review – an unapologetically fierce beast

With gargantuan riffs and amps turned up to 11, pure metal is tempered with the grace and complexity that have become the band’s trademark

Tool review – master musicianship and mesmerising prog-metal

For their first non-festival gig in the UK in nearly 15 years, the LA quartet’s opuses generate a frenzy – and drummer Danny Carey shows he is one of the greats

Rammstein: Zeit review – ridiculous, but no risk of boredom

The Gothic, operatic metallers deliver hook after hook on an album so streamlined and efficient you can almost hear the pyro cues

Ghost review – rock’n’roll pyro pantomime is hellishly good fun

Tobias Forge’s band of ghouls just reached No 2 in the UK charts, and their symphonic metal – complete with bat wings, confetti and flamethrowers – has universal appeal

Converge & Chelsea Wolfe: Bloodmoon: I review – an explosive combination

The band’s long-awaited collaboration with dark rocker Wolfe is slower and more melodic than their usual albums, yet even heavier

Bring Me the Horizon review – clearly the UK’s greatest rock band right now

With Cybermen cheerleaders, hazmat suits and gigantic mosh pits, there’s a gloriously daft energy to the pop-metallers’ emotional, earth-shaking return

Employed to Serve: Conquering review – thrilling, gut-churning metal

The brilliant Woking band get heavier than ever, causing motion sickness with their animalistic, groove-laden songs

Iron Maiden: Senjutsu review – an ambitious, eccentric masterpiece

Maiden’s creative renaissance continues in style with this playfully bombastic metal epic

Deafheaven: Infinite Granite review – rock at its most majestically beautiful

Fifth album by San Francisco band finds intense and yes, ethereal, shoegaze taking over from black metal

Download Pilot review – a joyful noise for fans and bands

Exuberant scenes at the rock and metal festival test event find its 10,000 guinea pigs leaving Covid blues far behind

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  • Sinfonia of London – weapons-grade energy and contagious dynamism
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant
  • Melbourne Symphony Orchestra/ Martín review – soloist and players gather strength after protesters disrupt Prom
  • AG Cook review – the hyperpop auteur delivers a thrilling Brooklyn show
  • Addison Rae review – pop’s newest A-lister has the stagecraft of a veteran
  • Sabrina Carpenter: Man’s Best Friend review – smut and stunning craft from pop’s best in show

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