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Lauren Mayberry: Vicious Creature review – a solo statement of intent

The Chvrches singer’s debut album skips from punk to pop, wilfully unbothered about current notions of cool

Angel Olsen: Cosmic Waves Vol 1 review – intriguing half compilation, half covers

Five rising artists each perform one of their songs, then the US singer-songwriter covers another one of their tracks in a set of woebegone elegance

TV on the Radio review – NYC art-rockers remain singular, energised and lupine

Their rhythms push and pull between destruction and creation, frontman Tunde Adebimpe is as magnetic as ever: this is no cynical anniversary cash-in

The Human League review – immaculate electro pop as radiant now as it was 40 years ago

Philip Oakey’s voice remains rich and pristine and sets the tone for an evening of timeless era-defining tunes

Sam Fender review – cathartic songs delivered with passion and a humble presence

Even when the entire crowd of 23,000 are bellowing his ‘whoah-oh-ohs’, understated Fender quips ‘got some singers here, haven’t we?’ as if performing in a local boozer

Vampire Weekend review – crowd-pleasers, covers and 10-minute cowboy medleys

Billed as a two hour ‘evening with’ the indie perennials, this unconventional set has mixed results but the hits sparkle

Crowded House review – Perth performance much more than a traffic jam on memory lane

With Neil Finn’s sons joining Crowded House on stage, it was clear the band hasn’t become mired in nostalgia

Charli xcx review – a glorious, one-woman triumph

The Brat star commands the stage alone in a joyful arena show that feels more like a warehouse rave

Papa M: Ballads of Harry Houdini review – committed to evolution

Cult American musician David Pajo’s latest solo outing reflects his recent troubles but also his restless desire to change things up

Father John Misty: Mahashmashana review – a superb chronicler of life’s perverseness

Josh Tillman ties together the misery, wit and showmanship of his previous albums on a set laced with strings and swagger

Lauren Mayberry: Vicious Creature review – Chvrches singer writes her own pop gospel

The Scottish star’s solo debut is about ‘empowering myself to listen to my own intuition’ – leading her to alternately clumsy and deft songs influenced by Y2K pop

Charli xcx review – feral masterclass in pop presence heralds Brat winter

The star brings hedonistic energy to this arena show, reviving the rush of her 2024-dominating sixth album with sweaty, stage-licking abandon

Anohni review – uniquely gifted interpreter pays homage to mentor Lou Reed

On this special night, Anohni reveals her rarely heard talents as a covers artist as she expands the boundaries and musicality of beloved – and obscure – Reed songs

Zayn review – shy star lets his hypnotic vocals do the talking

Malik sips tea and hesitantly delivers an intimate, accomplished set – and pays tribute to former One Direction bandmate Liam Payne

MJ Lenderman review – a shooting star from the American south

Showcasing new album Manning Fireworks, the North Carolina indie rising star seals his reputation as a slacker guitar hero who knows exactly what he’s doing

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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