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Dove Ellis: Blizzard review – Irish indie enigma’s glorious debut justifies the buzz

With shades of Jeff and Tim Buckley, the Galway-born artist writes tunes so strong they seem as familiar as old friends

Jamiroquai review – hat-sporting acid jazz superstars are slick but lack substance

The novelty headgear tally is high and frontman Jay Kay is in impressive voice – but strong material is smothered by polished playing and flashy production

Life in One Chord review – the Dunedin sound through the eyes of a music maverick

Based on a memoir by Straitjacket Fits frontman Shayne Carter, this documentary maps out the New Zealand town that birthed an indie movement

Wolf Alice review – indie chameleons sparkle on a glam-rock bender

With 70s rock references, tinselly backdrop and some full-on cabaret-theatre vibes, the four-piece have undergone their most fun and complete reinvention yet

My Bloody Valentine review – shoegaze pioneers find prettiness in pulverising noise

Earplugs safely distributed, the band proceed to rattle ribcages with a two-hour show that showcases their unique ability to mesh the dreamlike with the apocalyptic

The Hives review – veteran punk’n’rollers fizz with megawatt energy

Twenty-five years on from their first UK tour, the Swedish band are at their cartoonish, snarling best, eager to prove themselves rather than wallow in nostalgia

Bad Omens review – anthemic songs and pillars of fire dampened by arena nerves

Noah Sebastian’s vocals switch deftly from croon to scream to whisper, but the genre-hopping US metalcore band lack chemistry on the big stage

Stevie Nicks review – rock legend dazzles Brooklyn with anecdotes and classic hits

A rescheduled date, after an accident earlier this year, sees the 77-year-old take on sparkling form, regaling fans with tales and fan favourite anthems

Lorde review – viscerally kinetic theatrics and euphoric abandon

The New Zealand alt-pop diva’s show has shades of Talking Heads’ Stop Making Sense colliding with frenetic digital glitches and moments of crowd-pleasing intimacy

Robyn: Dopamine review – complex emotions, instant euphoria: no wonder pop’s A-list love her

After 2018’s mellow Honey, the beloved Swede’s heady comeback pairs production worthy of Daft Punk and Moroder with deep romantic realism

Celeste: Woman of Faces review – from chanson to prewar jazz, this timeless song cycle defies the easy sell

It’s a difficult second album for the chart-topping singer, in more ways than one – but her sombre songcraft ends up being spectacular

AC/DC review – a thrilling show stuffed with classics … and your eardrums will never be the same

In the band’s ‘ancestral homeland’, Accadacca’s first Australian concert in a decade shows Angus Young is still a frenzied force to be reckoned with

Addison Rae review – glorious fantasy from pop’s newest star

With a wedding dress and a giant crystal chandelier, the TikToker-turned-pop wunderkind’s live show is a welcome breath of escapism

Charli xcx: House ft John Cale review – haunt me, then! An elegant, brutal taste of the Wuthering Heights OST

Featuring a lugubrious monologue from the Velvet Underground legend, its jagged strings are more reminiscent of that band than anything on Brat

Bread of Angels: A Memoir, by Patti Smith review – a wild ride with the poet of punk

Smith’s incantatory voice shines through in this surprisingly revelatory follow up to Just Kids and M Train

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  • Pekka Kuusisto: Willows album review – luminous, inventive and penetrating
  • Gorillaz: The Mountain review – a late career peak haunted by ghosts yet glowing with life
  • Bath BachFest review – joyous and mesmerising music making
  • BBC Total Immersion: Icelandic Chill review – ambience, flowerpots and drones in varied day of new music
  • Sacconi Quartet review – new Freya Waley-Cohen work reveals ensemble at their finest
  • Tamara Stefanovich review – inspired and insightful programme celebrates Kurtág at 100
  • Hedera: Hedera review – Cornwall, Georgia and Bali combine on joyful debut
  • Hen Ogledd: Discombobulated review – a manifesto for collective action from Richard Dawson’s folk-rockers
  • HK Gruber: Short Stories from the Vienna Woods album review – still quirky after all these years
  • Johann Ludwig Bach: The Leipzig Cantatas album review – this distant cousin’s music is a remarkable discovery
  • Saul review – Purves didn’t just chew the scenery, he swallowed it whole
  • The Streets review – semi-theatrical staging of A Grand Don’t Come for Free resurrects a British classic
  • Mitski: Nothing’s About to Happen to Me review – mordant, melodic melancholy from the best songwriter of her generation
  • U2: Days of Ash review – six new tracks reaffirm the band as a vital political voice
  • Raye review – dazzling display of range from old-school Vegas to Euro-dance
  • Cardi B review – ambitious spectacle and sizzling choreography
  • Rise and Fall of the City of Mahagonny review – big and brash staging for Brecht and Weill’s whisky-soaked dystopia
  • Gillian Welch and David Rawlings review – phenomenal duo put on an exquisite show
  • BBCSO/ Rustioni/ Davóne Tines review – Black-tinged Anthem spins US nationhood
  • Deftones review – alt-metal veterans sound exceptionally fresh 38 years on
  • The Great Wave review – Hokusai opera sounds and looks beautiful but skimps on drama
  • Charli xcx: Wuthering Heights review – atonal, amorous anthems that more than stand apart from the film
  • Fred Again review – guest-heavy homecoming for the golden boy of UK dance is an eclectic triumph
  • Converge: Love Is Not Enough review – metalcore veterans’ rage remains fresh and furious
  • Joshua Chuquimia Crampton: Anata review – an ear-splitting haze that heals as it hurts
  • Ensemble Intercontemporain: Unsuk Chin album review – rich and strange music of kaleidoscopic colours
  • Handel: Sosarme album review – Marco Angioloni makes the case for this little-known work
  • LPO/Benjamin review – music of crystalline clarity and hedonistic pleasure
  • Hemlocke Springs: The Apple Tree Under the Sea review – a DayGlo DIY triumph in an era of risk-averse pop
  • The Beach Boys: We Gotta Groove review – box set of lost 70s music has all of Brian Wilson’s turmoil and talent

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