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Amaarae: Black Star review – ​glamour, glitz and lust from a pop star who should be a supernova

With a sleek dancefloor-facing sound, the Ghanaian American singer is deliriously in thrall to wealth and celebrity – but most of all love

Mariah Carey at Brighton Pride review – even the shirtless dancers can’t distract from how stop-start this is

Playing to a crowd of devotees, Carey’s voice largely still holds up, but the energy drops off due to a rushed setlist and too many interludes

Dick Diver review – beloved ‘dolewave’ band’s one-off reunion brings out Melbourne for four magical shows

Thornbury Theatre, MelbourneIt has been 10 years since their last album but you’d be forgiven for forgetting any time had passed at all – they sound as tight as ever

The New Eves: The New Eve Is Rising review – imagine if the Velvet Underground scored Midsommar …

Velvets-style drone rock, trad folk, anarcho-punk and hippy whimsy are all discernible in the Brighton quartet’s debut album – all played with white-knuckle intensity

Blackpink review – K-pop queens bring fun to New York with a little fatigue on the side

An oppressively humid night takes its toll on the maximalist pop quartet who deliver moments of sugar rush exuberance but with less power than before

Kesha review – a triumphant and electric return for pop’s comeback kid

The millennial-beloved pop star brings the house down in an emotional and energetic chance to show off her new, return-to-form album

Madonna: Veronica Electronica review – Ray of Light rarities range from perfect to perfunctory

Much anticipated set of remixes and lost songs give a glimpse of a great pop mind trying out new tricks

Justin Bieber: Swag review – inane lyrics undermine a gorgeously produced R&B passion project

The surprise seventh album from the former tween idol is musically expansive, abetted by a host of star producers. If only he’d thought about the words a bit

Wet Leg: Moisturizer review – Doritos, Davina McCall and dumb fun from British indie’s big breakout band

After winning multiple Grammys and Brits, the Isle of Wight band explore love and sexuality on their second LP – but there’s still room for some barbed put-downs

Billie Eilish review – pop’s sharpest commentator plays with fame’s power dynamics

There’s nowhere for Eilish to hide as she balances intimacy and spectacle, filming her screaming fans as she paces a stage akin to a boxing ring

Stevie Wonder review – a riotously joyful celebration

The 75-year-old is in ageless voice and playful mood throughout a performance of as many of his greatest hits as can fit back-to-back in two and a half hours

Black Sabbath and Ozzy Osbourne: Back to the Beginning review – all-star farewell to the gods of metal is epic and emotional

The biggest names in rock, from Metallica to Slayer, came to pay tribute to the men who created their entire genre – and even in old age, Sabbath’s sound has bludgeoning force

Oasis review – a shameless trip back to the 90s for Britpop’s loudest, greatest songs

This is playlist Oasis, with their later fallow years ignored almost completely – and that makes for a ferociously powerful set to an utterly adoring crowd

Kesha: . (Period) review – a smart, funny return to her hedonistic hot-mess persona

After a long legal battle, the pop star’s sixth album harks back to her 2010s era, with a buffet of pop styles and only rare hints of her highly-publicised trauma

Olivia Rodrigo at Glastonbury review – full of bile and brilliance, this is easily the weekend’s best big set

With a genuinely surprise appearance from the Cure’s Robert Smith and a magnificent theatricality to her lovelorn songs, Rodrigo totally steals the entire festival

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  • Tosca review – Natalya Romaniw is riveting in WNO’s season-opener
  • LSO/Pappano review – big, bold and filled with blazing conviction
  • Mozart’s Women: A Musical Journey review – Lauren Laverne helms an insight-free night that goes out with a bang
  • Last Night of the Proms review – star turns, good-natured flag waving and a rich Rule, Britannia!
  • Sinfonia of London – weapons-grade energy and contagious dynamism
  • Sarah Connolly/Joseph Middleton: The World Feels Dusty album review – powerful narrations spanning Ella Fitzgerald to Emily Dickinson
  • Tosca review – punchy new Puccini rises above the ‘Shame on you’ Russian soprano protests
  • Cerys Hafana: Angel review – tracing the life cycle with the Welsh triple harp
  • Mark William Lewis: Mark William Lewis review – A24’s first musical signing’s cinematic south London scenes
  • Ed Sheeran: Play review – subcontinental sounds and shards of darkness – but still unmistakably him
  • The Kanneh-Masons: River of Music album review – a fond familial affair
  • Belinda Carlisle review – gleeful veteran lassoes devoted audience with ageless hits
  • Vienna Philharmonic/ Welser-Möst review – mighty ensemble strike gold with Bruckner
  • Justin Bieber: Swag II review – more filler with an occasional pop killer
  • Jade: That’s Showbiz Baby! review – former Little Mix star thrives in chaos on an idiosyncratic debut
  • Chineke! Orchestra/Heyward review – kaleidoscopic concert combines energy and complexity
  • Lewis Capaldi review – an emotional return to the spotlight for pop’s most heart-on-sleeve star
  • Patrick Wolf review – a moon-lit marvel lights up the Minack theatre
  • Suede: Antidepressants review – edgy post-punk proves reunited Britpoppers remain on the up
  • L’heure espagnole/The Bear review – Scottish opera pairs Ravel with Walton in pacy pantomimic staging
  • Sacred Lodge: Ambam review – heady, hypnotic beats inspired by the hollers of Equatorial Guinea
  • Big Thief: Double Infinity review – folk-rock perfection will restore your faith in humanity
  • Nielsen: Clarinet Concerto; Helios; Symphony No 5 album review – suavity and elegance from Gardner’s Bergen Phil
  • Mozart: Six String Quintets album review – deep understanding of these under-appreciated works
  • David Byrne: Who Is the Sky? review – great songs, if you can withstand the wacky jokes and miaowing
  • BBCSO/Adès review – Adès held the orchestra as if under a spell
  • Lady Macbeth of the Mtsensk District review – semi-staged Shostakovich is vivid and claustrophobic
  • End of the Road review – from industrial rackets to pristine folk, festivals don’t get more varied or vital
  • Norwegian Chamber Orch/ Kuusisto/Barruk review – Proms first as Ume Sámi songs take centre stage
  • Gorillaz review – after 25 years, Damon Albarn and Jamie Hewlett’s cartoon band are still riveting and relevant

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