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Poppy Ajudha: Poppy review – frank lyrics elevate soulful, funky love songs

The singer-songwriter cycles through many moods, finding hope and complication in her search for love and meaning

Troye Sivan review – Melbourne ‘home cumming’ is unabashedly horny, but over too soon

After sweeping the Aria awards the night before, Sivan turned the outdoor venue into a steamy, sweaty club, on a tour that continues through November

Father John Misty: Mahashmashana review – modern life is still rubbish, yet still beautifully essayed

The singer-songwriter sticks to apocalyptic first principles on his sixth album, couching contemporary chaos in soaring ballads and discofied yacht rock

MJ Lenderman review – songs of solace and goofy poetry from lauded indie darling

The North Carolina musician and his band comfort the crowd with a set of smart, beguiling songs played with skill and camaraderie

Shed Seven review – enduring Britpoppers are still going for gold

Despite scoring two No 1 albums this year, the band remain charmingly self-effacing on this 30th anniversary tour

Laurie Anderson: Ark: United States V review – portrait of America is a multimedia mess

A mix of beat poetry, opera, communal screaming, TikTok and tai chi, Anderson’s state-of-the-nation work is occasionally poignant but mostly baffling

Poppy: Negative Spaces review – screams and sweetness as metalcore meets loungecore

On her sixth album, the multi-genre star seems to be having an identity crisis – but amid the industrial guitars and synthpop, she clearly trusts her own instincts

Magdalena Bay review – alien electro-pop adventure could go further

Lead singer Mica Tenenbaum bounces around with huge and winning energy, promising great, dramatic things we never quite reach

Bob Dylan review – melancholy, reflective, but still utterly unpredictable

He may be well into his ninth decade but his seasoned sidemen are still racing to keep up with mercurial twists on new and old songs

Beabadoobee review – singer-songwriter cautiously ups the rock ante

She continues to draw on a huge range of styles but, for all her self-doubt, there’s a new swagger developing in her live set

The Corrs review – family folk-poppers surprise with grit, grunge and gothic drama

The Irish band rip their wispy image apart with thunderous drums, crunchy guitars and full-throated vocals from an energetic Andrea Corr

King Stingray: For the Dreams review – an unbridled celebration of life from Yolŋu surf rockers

The Northern Territory band follow up their award-winning debut with another instant classic full of catchy hooks, massive choruses and good vibes

Du Blonde: Sniff More Gritty review – a gleefully self-sufficient affair

The Newcastle musician’s freewheeling, hook-heavy new album is a worthy follow-up to the one-woman wigout of Homecoming

Primal Scream: Come Ahead review – Bobby Gillespie’s most personal album yet

The frontman of the Scottish rockers contemplates mortality and more on an album with shades of 70s Philly soul

Sofie Royer: Young-Girl Forever review – existential crises you can dance to

The Austrian-Iranian singer’s new wave style hits harder than ever on an excellent album inspired by a treatise from a French anarchist collective

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  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

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