Freaky Party

Music Reviews and more

Main menu

Skip to primary content
Skip to secondary content
  • Pop/Rock
  • Metal
  • Indie
  • Electronic
  • Folk
  • Jazz
  • Classical

Post navigation

← Older posts
Newer posts →

Linkin Park: From Zero review – rock’s risk takers win big with punchy comeback

They sold millions as the most poppy and emotional band in nu-metal. Now, returning with Emily Armstrong as frontwoman, they remain just as dynamic

Deep Purple review – age cannot wither these pogoing rock elders

Now in their late 70s, the band revisit the classics but also show off remarkably fresh rockers from their new album – and keep the lid on their solos

Lulu review – remarkable farewell tour ends one of pop’s strangest journeys

Her distinctive rasp is still magnificent at 76, as she swings through 60 years of hits from Shout! to Relight My Fire

The Cure review – an intimate, poignant show from a band more focused than they’ve been in years

Material from new album Songs of a Lost World fits perfectly amid two hours’ worth of back-catalogue hits, all performed with giddy intensity

Nick Cave & the Bad Seeds review – an incredible mass spiritual outpouring

This hugely moving concert spans every corner of the human experience, finding Cave at a point where time has deepened his music’s power and his connection with his audience

Laura Marling review – a sumptuous performance, with strings attached

The singer-songwriter’s impressive showcase of her new album is bookended by solo guitar numbers that underline what a class act she is

Peter Perrett: The Cleansing review – a darkly humorous gem

For all his talk of death and dying, the former Only Ones frontman is on top form on this 20-track bonanza

Autre Ne Veut: Love, Guess Who?? review – long-awaited return is like peak Magic FM

Arthur Ashin’s first album for nearly a decade sounds bruised and careful, its melodies strong and simple – including his best song to date

Ice Spice review – rapid-fire hits from rap’s new princess

There’s high octane energy from artist and audience alike as the New Yorker rattles through 21 tracks in 45 minutes, showing off broad artistry in between bouts of twerking

Beak> review – cosmic rockers’ noisy, glorious send-off for Geoff Barrow

Ahead of ex-Portishead man Barrow leaving the trio, there’s time for one last tour – and it’s a triumph of musical freedom and fraternity

Paul Kelly: Fever Longing Still – an old-school variety show with old-school oomph

With his 29th album, the Melbourne songwriter goes back to basics – assembling a classic rock band who tumble through tracks of desire and devotion

Peter Perrett: The Cleansing review – a late-career triumph that dances in the face of death

Despite its themes of decline and mortality, the 72-year-old former Only Ones frontman is full of joie de vivre on this wise and empathetic record

Mk.gee review – is this the world’s most exciting young guitarist?

Amid ​a big breakout moment, the New Jersey musician slips past definition with his blend of 80s pop and Americana,​ his wild screams matched by the audience

Laura Marling review – gently transcendent songs of motherhood and domesticity

She may confess to impostor syndrome, but these tender studies of the latest stage in her life show a remarkable artist in full bloom

Tyler, the Creator: Chromakopia review – early midlife crisis triggers a freaked-out psychodrama

Full of switchback turns, the rapper’s unsettled and unsettling seventh album zaps from Beach Boys harmonies to G-funk synths – and from boasts to self-loathing

Post navigation

← Older posts
Newer posts →
  • Giulio Cesare in Egitto album review – Sabine Devieilhe’s exquisite Cleopatra could make stones weep
  • War Requiem review – in the cathedral where it premiered, Britten’s masterpiece has lost none of its power
  • Blackhaine: Saints in the Wethouse review – spectacularly intense UK rap that will swallow you up and wring you out
  • BBCSO/Oramo review – yes, Inmo Yang is phenomenal but the BBC Symphony shone even brighter tonight
  • U2: Carnaval de Luz review – rousing, restorative rock from a band ready to take on the world again
  • Beethoven: Symphony No 3 album review – thrilling, but Minasi’s determination to shock often feels self-conscious
  • Orbiting Orbital review – Nitin Sawhney casts a spell inspired by Samantha Harvey’s Booker winner
  • Iphigénie en Tauride review – stylised staging of opera of bloodthirsty priestesses and divine intervention
  • La Bohème review – Opera Australia’s new take on Puccini is a lush frenzy of visual excess
  • Spice Girls: The Singles Collection review – stop fleecing your fans right now, thank you very much
  • Enrico Rava Fearless Five with Joe Lovano: Corners review – daring dialogues from 87-year-old Miles Davis disciple
  • La Roux: Old Flames review – a breezy, hook-packed twist on a breakup album
  • Bassvictim: Peace + War review – like a thrillingly chaotic house party that goes on too long
  • Stravinsky: The Firebird album review – Rattle revels in colour, crackles and bites
  • BBCSO/Stasevska review – Caroline Shaw’s cosmic visions meet Barber’s lyrical brilliance
  • Tosca review – ENO’s new staging abandons Puccini’s realism for baffling and near-constant violence
  • Strauss: An Alpine Symphony album review – monumental work’s mystic vision guides Petrenko
  • LSO/Pappano review – Kendall’s engaging new work has a tea kettle, tremolo and slam-dunks of timpani
  • Sampa the Great: Nu Zamrock review – a full-circle moment for a world-class act
  • Carmen review – Costa-Jackson’s smouldering heroine blazes brightly
  • Radie Peat: No Human Tongue Can Tell review – Lankum singer’s solo debut is the year’s best folk album
  • Kali Malone: Burning Song review – drone composer wields Bach’s organ to breathtaking effect
  • The Mad Lover review – eccentric charm and baroque brilliance as duo move from Eccles to Indiana Jones
  • Colin Currie Group review – Steve Reich’s music is still bedazzling
  • Britten: Serenade for Tenor, Horn and Strings album review – Wilson explores British music’s highway and byways
  • The Big Moon: Forever review – the hell of hearing loss inspires a defiantly hopeful pop-disco marvel
  • LPO/Gardner review – Mark Simpson’s piano concerto leaves its audience panting
  • Macklemore’s Free Palestine tour review – a triumph of a show with performances from Hozier, Kneecap and more
  • Mac DeMarco review – glowing melodies and shirtless antics at Carnegie Hall
  • Aberfan: From Darkness to Light review – Mealor’s requiem offers hope amid the tears

Contact www.freakyparty.net   Terms of Use