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Various Artists: Redline Impact review – thrilling dive into east Asian hyper-electronics

This exhilarating compilation pushes from K-pop to trance, hardstyle techno, budots and beyond – and is at its best when artists rachet up the intensity

The Hard Quartet review – cosmically trippy joy from Stephen Malkmus supergroup

Also featuring Matt Sweeney, Jim White and Emmett Kelly, the quality and variety of songwriting on this self-titled debut album raises it above a stoner jam session

TISM: Death to Art review – rock’s satirical provocateurs have lost their darker edge

There are some good tunes on TISM’s seventh studio album, which is firmly punching up at Australia’s ‘cabal of bozos’ – but it’s missing the visceral thrill of their earlier work

Caribou: Honey review – this AI-aided album is dubious on so many levels

Evidently running out of ideas, the Canadian musician has used AI to alter his voice into rappers and singers – a dismally insular style of working that produces little of note

Coldplay: Moon Music review – ‘live, laugh, love’ in album form

Their 10th album has epic songs that make you feel like you’ve climbed Everest – but they’re undermined by corny lyrics and ​ambient-orchestral waffle

Janet Jackson review – glitz, glamour and a very quick run-through of the hits

She lets eight songs go by before she breaks out the old favourites – but when she does, it reminds you why she ruled the charts

Sophie: Sophie review – shiver-inducing posthumous album from the hyperpop trailblazer

Completed by her brother after her accidental death in 2021, the experimental pop producer’s second album is among the most inventive records of the year

Diljit Dosanjh review – bhangra and beats ignite an arena-sized Punjabi party

Arguably south Asia’s biggest pop star, Dosanjh delivers a joyful two hours in which traditional influences and contemporary sounds collide in a colossal production

Rahim Redcar: Hopecore review – former Christine and the Queens artist plays to his fanbase

There are flashes of brilliance in this roughly-hewn album, but also flaws hidden by production flourishes. It’s intriguing but not wholly enjoyable

Mustafa: Dunya review – poet’s songwriting is a little too beautiful for its own good

The multitalented Canadian renders his subtle songs in tasteful autumnal shades – but could have benefitted from more head-turning numbers such as Gaza Is Calling

The Cure: Alone review – majestically wreathed in misery and despair

Birds fall from the sky, broken voices call us home and youthful dreams are dashed against the transience of life in the band’s first new song in 16 years

Linkin Park review – monster hits perfectly reshaped for a fresh chapter

Back on the road with vocalist Emily Armstrong making their back catalogue her own, the hybrid metallers have found a new audience and a reinvigorated sense of purpose

Charli xcx and Troye Sivan’s Sweat tour review – a pop triumph

The duo hit the stage, along with some special guests, for a high-energy stadium party that was hard to resist

Arijit Singh review – Indian superstar’s four-hour marathon holds audience rapt

Singer who has overtaken Taylor Swift as the most followed artist on Spotify is at his best when arrangements are stripped back to reveal his astonishing vocal fluency

Los Campesinos! review – a hero’s welcome for cult indie stars

Despite having only spent £190.86 on marketing their new album its songs are greeted with sweaty glee by new fans and old alongside the band’s indie disco stalwarts

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  • LPO/Edward Gardner review – Britten’s pacifist War Requiem lands with a bitterness and snarling irony
  • Hallé/Wong review – MacMillan’s new symphony centres a great concert hall’s birthday celebrations
  • Taylor Swift: The Life of a Showgirl: The Encore review – flashes of humanity and bafflingly vindictive love songs
  • Norma Tanega and Aida Pavletich: Saturday Dancer review – cult pop songwriter’s wonky collaborations
  • Jae Stephens: Audacity review – a thrilling lesson in why more debut albums should go for broke
  • Honegger: Jeanne d’Arc au Bûcher album review – faultless recording of an eclectic masterpiece
  • The rise of Dom Dolla: what the DJ’s record-breaking stadium show for 60,000 fans tells us about music today
  • Himari: Debut album review – teenage prodigy’s playing has depth and feeling
  • Royal Philharmonic Orchestra at 80 review – birthday celebration champions bold creativity
  • Gilla Band: Pugnello review – furious originality fuelled by cathartic aggression and absurdist confessions
  • Roomful of Teeth/Kahane review – twisty and tuneful songs with a darkly comic edge
  • Fire in My Mouth review – Wolfe’s multimedia oratorio tells its tragic story with focus and power
  • Bluebeard’s Castle/Oedipus Rex review – gory, gruesome and gripping double bill
  • Karol G review – Colombian chart-topper brings pan-Latin camp and fireworks to New Jersey
  • CBSO/Yamada review – apocalyptic and soul-shaking Mahler opens the season
  • Phaedra Ensemble: The Music of Meredith Monk review – fleeting rough edges amid polished beauty
  • Baka Beyond: Sing the World Awake review – powerful Cameroonian vocals burst through fussy arrangements
  • Empress Of: Dream House review – a tender and openhearted rebirth after wildfires razed her house
  • Exaudi: Pocket Universe album review – virtuoso vocals with a joyfully bonkers bent
  • Opus13: Mendelssohn and Grieg album review – an assured and distinctive debut
  • Beabadoobee: Pylon review – voice of a generation’s surprisingly relatable rampage through rock star rage
  • Charli xcx Music, Fashion, Film tour review – an electrifying and deafening pop evolution
  • Alcina review – Handel’s opera of sex and sorcery comes alive in vivid staging
  • Mishka Rushdie Momen review – unforced elegance and plenty of fireworks
  • David Bowie: The Shel Talmy Recordings review – these unheard 60s tunes are actually pretty flimsy
  • Beck: Ride Lonesome review – stunning end to the heartache trilogy of Sea Change and Morning Phase
  • Mahler Academy Orchestra/Steinaecker review – trailblazing performance that pushes work to the limits
  • Spiritbox review – Canadian metal ranges from gothic and guttural to Auto-Tune pop
  • Last Night of the Proms review – musical chaos ensues in near four-hour finale
  • Céline Dion review – singer’s first live show in years marks a triumphant, emotional return

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